[Email Issue:] On John K Making Fun of the Reception to my genius

How a joke from him anticipated the next years of my life until I started becoming a success, showing the environment that conceived Lord English for Homestuck

John K was called a “nightmare” by women for his subliminal sexual humor and other such masculine personality. This was inspired by decades of dealing with the incompetence of the animation industry, leading to overbearing pressure towards his colleagues and new students as to his expert cognition of its deepset issues. That’s why it was so difficult to handle - but of course, the community was so childish that they convinced viewers like deranged autistics he was just an “asshole”. What’s an “asshole”? Someone who’s just “mean” - concepts that amount to nothing more than labels for childish feelings.

Inside those feelings - for a creative man like myself - is evidence of their source and other things like how they are being addressed by my communities. Boomers disregarded feelings, so I practically had the opportunity to invent taking feelings seriously, like a man does. But the stunted understanding of such things in John’s generation meant that conscious knowledge of the actual joke here didn’t reach anybody’s mind in the late 00s.

An expert in a field is not incompetent at basic things. John did not fail to grasp his experience of Mario is different than for generations of people with gamer identities - he said it was for “sophisticated gamers,” he acknowledged that. The psychological pain of manchildren expelling the clear meaning of such teaching - skipping words, sentences, etc as if they don’t exist, Protestant kid behavior inherited from Protestants refusing to acknowledge that God is badass, that I love hurricanes because it is part of being born with an affinity for natural justice, that the Bible contains sexual innuendo, and so forth - to remain manchildren is why my life around 2009 was ceaseless torture - no pleasure, or even a sense of being a person living in that time. I became a machine, as ipgd loves, since I chose to be a creative adult while almost everyone else preferred to be manchildren (including John’s colleagues, whining that “hey, we did good work too!”, etc. - that’s nice, but you won’t fix the field by settling for that satisfaction.)

Equius reflects myself before I gained mastery of the weirdness of constructing society like he constructed machines and social order (bizarrely). Possibly ipgd sassing me for calling her trans, including insisting that I was in symmetry with her on this, symmetry being a theme of our relationship. This connects to her “pedophilia” and my abstract vision of many mtf transgenders being defined by their upbringing refusing their feelings, sensitivity, emotions, nuanced identity, etc - fantasizing about an organ that centers such things, associating it with femininity, and then on to some real societal messes. I associate such things with my internal mouth ipgd’s social circle made feel like an erogenous zone, as well as internal images of internal forms that look like beautiful cartoons, often of a boy.

I’m rewarded massively for taking artwork seriously like a man, when others wouldn’t consider declaring that I will lead society with a girl who is obsessed with managing to be a pedophile towards a 34 year old. For seeing the real concerns women made about John, that so many males laughed about - yet those women would never consider letting any of those males lead society or animation.

Deepset Issue #1: Creating artistic experiences is outside of the knowledge and conscious ability of artists.

A Catholic member of the community makes a Looney-Tunes style joke about the savage Batty enjoying my posts that are structured to be satisfying like a burger in the abstract for her, as is my manly brand. It matches my mental experiences of massively feeding. It also connects to the shared interest with ipgd about censoring terms to beautify the language of the public, hence enjoying how Homestuck people speak so much. It is not necessary to consciously know that’s why they’re making the joke, but that creates the tragedy of *nobody* knowing the meaning of the joke, hence my Substack.

This traces back to Protestantism destroying the ability to create cathedrals by ruining abstract knowledge like how aesthetics convey the meaning of Christ’s sacrifice. John’s whole blog philosophy involved subtle parody and critique of how stupid Protestant art is, as he needed to grasp the abstract issues Protestantism created to become a leading success, despite not identifying as a Catholic Crusader as I do.

And so he is making fun of going from the first Super Mario that everybody can understand to games that are highly abstract in their meaning. Like him, I haven’t played the very meta and abstract Paper Mario games even though I wanted to - as an Italian. My dad deprived my Italian identity, constantly making fun of me with Mario references and bringing home Olive Garden on my birthday to try to tear down my natural identity and replace it with being a high-powered college student, which only prompted thoughts of suicide, as it was so completely unnatural for who I am. He was solely motivated by money, and felt rage at needing to raise me, as he proceeded to hardly do, so John replaced him as my dad, growing in his direct guidance from 2006-2010 to become his leading student. People howling that I was “sucking John’s dick” in 2010 led to me seeking to show other sides of myself to show my depth, but their focus on me - like a magnifying glass on an ant - was so intense that they only saw evidence of my shitty upbringing, and started howling about me being an “asshole” like him, after people were loving me for my John K-inspired personality, which has solidified today.

Deepset Issue #2: Leading Candidates need to be supported.

This connects to my podcasts becoming daily while being suffused with negativity towards women. I lose my desire to bombard emails as /co/ memes express love for me as I am. Communist behavior is to see my psychology as “fat” because I have the attention of many women, but that’s not sufficient by itself, as I need to become on the top level of society, constructing the whole thing in part. Beyond the needs of a normal man, so hating “fatcats” is evil, and you should avoid derangement over the behavior of businessmen because your attitude also applies to someone like me in poverty.

Industrial artwork refused to serve the needs of new artists, but rather demand the artists adopt its way of thinking. This killed the promise of their new creativity - Rebecca Sugar’s Steven Universe would be an infamous example, the decline going to television.

With a Tolkien-style outlook nurtured by Ralph Bakshi as mentor, who adapted the “genius” of Tolkien - meaning that he wrote its genius into the aesthetics, etc, forming major source of the widely-enjoyed Peter Jackson films, legendary classics out of American animation counterculture in part - naturally John rejected and critiqued this expectation. And to do so he could not do it in-general; a one-size-fits-all approach to helping new artists succeed, as that would merely play into the industrial mindset rather than truly resist it.

Instead, he made sex jokes about myself. Critiquing Tangled for the “grimaces of pain” would be the most notable example, as my online genius was a source for constructing the well-remembered franchise, and I have a damsel in distress kink, as well as provoke girls into entangling me into their creative careers in friendship, so the animation community was shocked to see “my fetishes.” John tried to avoid this with his humor, but the deranged autistics and mindless consumers refused to enjoy it.

Deepset Issue #3: people refuse to see the artists reflected in popular artwork.

This reflects the happiness of often-lgbtq current Homestuck community about me. The text box appears over a bound and gagged character as I like to see them as such. They speak meaningfully to each other, but wider society can’t hear it - bound up in isolated social groups with special expression - is something I find appealing about lgbtq, so they connect to me about it so we can work together. It’s also part of the update being absolutely suffused with my kinks and commentary about ipgd’s empowered nature provoking metamorphosis, etc. The composition conveys their chaos being restrained, ready to be shaped by me as their new boss. Vibing - having no concern for politics - and other things convey happiness to be ensnared by me. “Hazing, nagging” reflects self-deprecation about their past communication and conduct being unpleasant for me and others - but as with the original Trolls, they use unpleasant communication to develop aliens

Of course, one of John’s “asshole” behaviors was emphasizing the contributions of his crew and crews behind other animation productions, past and present. This took away “power of the proletariat” to decide the meaning of artwork through discourse, as the communist philosophy of “death of the author” devolves artistic discussion into (killing artistic progression, as it is otherwise useless, and generally actively detrimental to the artists themselves). Just a few years ago, it was the religion of mainstream art culture to “separate the art from the artist”, which meant killing cognition of how the psychology, nature, achievements (like Tolkien’s war achievements) are reflected in the artwork, inseparable from the experience, regardless of how much you know about the artists. John’s buddy Eddie is a star through Pinky from Pinky and the Brain, regardless of how many fans of Animaniacs think of Eddie. (Gee, I wonder how his infamous grilling of Animaniacs would have been different if people honored Eddie for Pinky and the Brain, considering that that segment was the stand-out)

Through this joke, John sabotaged communist sentiment, leading to enraged behavior from those who hated me at the time: mocking me with accusations like that I wanted worship, to be “hailed,” etc out of resentment for the Tolkien/Kricfalusi philosophy I was living by and developing. (Again, this aspect of communism - creative communism - was very widely popular, including amongst conservatives, hence why I did not take politics seriously, it was merely an interface for deeper issues, including on the level of society, where I had earned the opportunity to be one of the top dogs of society - a Personal societal issue.)

*I* was one of the supposed proletariat. (though the true proletariat that is advocated for in society excludes meritorious individuals in poverty, as by dismissing the pain of gifted kids and recommending sex degeneracy as a cope.) I arose to get the attractive white princess; my best friend, ipgd. She took Kricfalusi’s name as a sinister girl behavior of forcible marriage with me, who was anonymous.

Later, “bitch princess” batty simulated my best friendship to form an independent art career as a storyboarder. (She seems to have made a joke about being a race traitor after I grilled Protestantism for being a heresy in the interest of white people in my previous podcast.) This also connects with Adventure Time, structured with inspiration from myself treating beautiful female artists (including the ones who orbited John) as princesses. Accepting brutal, incinerating abuse for being John’s #1 student was a sacrifice for girl artists of the time, as John’s philosophy has the potential of empowering female creative independence, hence them being incapable of letting go of John or his #1 student. They crave that liberation without suffering from things like the mental illness from John for doing so much for them, while being rewarded so little by society. Myself advocating for John on a deeper and deeper level was a boon to their mental health, by itself.

Deepset Issue #4: failing to recognize adult humor in kids things.

Homestuck was part of the childhoods of many Zoomers. (I was astounded when this first started happening, but then again I had cosmic consciousness so my comprehension of adulthood was completely different.) One of Hussie’s standout jokes to my perspective was having Dirk mockingly plead for mercy from Caliborn to be forced to draw such tepid porn (wholesome friendship and marriage) while chewing through duct tape. This lead to the community completely capitulating to my kinks, as with making a joke about being silenced the last post for the update.

And so Bowser forms a symbol of evil art industry: nearly impervious like a turtle, massive like a giant turtle, the emotional volatility (“you’re ruining people’s careers!” Even if you’re helping the field overall much more than the damage taking place, opening new opportunities) and masculine strength of an ape, the fire of hatred for little guys standing in the way of big profits.

John breaking down Bowser in such a way is one of my favorite style of jokes. I made them many times. Women in the community recognize that is a standout trait of me being his student - when I finalized such things it was called in shock, “The John K experience”. I recognize that I am making abstract adult humor, and identified with Austin Powers, connecting with Dril about him; “Austin Powers getting serious about sex” was how he expressed anticipation of the analysis I do in my Substack.

Meanwhile, males chose to disregard John’s philosophy, and so completely miss my actual pleasant posting experience, and so I simply ignored them and made jokes which showed my friendship with feminists.

Deepset Issue #5: an expert in children’s things can anticipate how those things and the people who enjoyed them will develop in the future.

Another source of psychological pain: people pretended savage Ren and Stimpy scenes only represented John, himself. Even though it was the most popular cartoon on TV at the time - they knew this, my opponents intentionally spited common sense to sabotage my art career based in cosmic consciousness that Catholics enjoy, as by proposing that Saint Patrick was so successful at getting rid of snakes he erased them from the history of Ireland. Like Ren, I became enraged that people I feel strongly connected to ruined my special favorite things. (the best part of them to me is sharing them in a dramatic, amazing event of showmanship.) Like Ren, I became enraged that their stupidity was responsible. And so some capitulated to my rage, with masochism and self-deprecation, as it was an expression of love and friendship, or another type of relationship like revitalizing their favorite webcomic. I am careful not to trigger Batty into psychological self-harm by recognizing her faults in how she treated me that haunted her, as by posting art asking to “stick your hand into my enclosure again” on twitter

My Opponents rejecting my cosmic perception that rent instantly — Ren and Stimpy is about friendship required blowing up all of my friendships that involve passionate rage, interaction about stupidity, and other things that directly match the show, stunting my progression out of my childhood out of Protestant refusal to accept any human being can grow up like I did and aimed to still do - earning the respect of women to do what is right for my childhood self regardless of adult incentives to do otherwise, including from Katie Rice

Not only was John making fun of the reception to me becoming a ladies’ man - Flynn was designed according to what female artists on Tangled found most attractive, yet John mused about their lack of enthusiasm - he also anticipated how projects like Homestuck developed - and degenerated. Since the public was not willing to accept my rescue of ipgd and other girls, yet I was a leading genius, their engagement with me would get increasingly abstract. I would cease to have a human adventure in favor of an adventure that resembles Paper Mario. And as an elder, that’s what he saw that was bad in the culture.

On Homestuck, Andrew plaintively mused “sometimes Mario needs some character development before he gets the star” as a self-insert to Caliborn, the villain based on myself. Being a skeleton reflect my spiritual state in that time, deprived of a physical life because rescuing and being friends with smoking hot girls was too good in the eyes of the public. Forming an abstract, skeletal existence that made me insensate and constantly dysfunctional in the real world, as I was converted into something like a human in a Matrix pod. Perfectly functional at some things, like directing the discourse of Homestuck, for a while. Evidence of that is completely written throughout my brain, so mainstream communities spazzed out and refused to interact, so I went back to Homestuck folks who at least like my brain.

The “star” was things like developing refutation of social justice in 2013, completely insulated in my brain, which wouldn’t have done any good if I couldn’t live a normal life and my enemies could pervert and misdirect my genius thoughts to defend themselves against my insight. Andrew as a male with offensive humor and working with my best friend was compelled to mourn the stupidity having an easy solution that would come at the cost of triggering abstract conflict with my weak, skeletal soul, ruining the development of my character that flourished staring down wokesters with my hidden secrets; hence finding Lord English’s stare so cool.

Anticipation of my defeat of woke was written into Homestuck. (The villain’s motifs signify other, more meaningful matters, hence envisioning a Multiverse of making versions of art series) Anticipation of needing to make works like later Homestuck was written into John’s jokes, tying into the eternity and language theme of Caliborn by causing everybody in that time to know in the back of their minds that they would come to reckoning for ruining my best friendship. (how did manchildren respond to their pressure about giving up friendship for careerism? Just refused to read John’s words and get the ones you’ve read wrong! Just like they refuse to remember the pain of lost relationships that converted into mental illness, that they manage like a mental reservoir, and how those relationships led to their current lives, despite only focusing on financial journey.)

Conclusion

This reflects Merrivius making such a bratty comic strip that it broke my psyche into feeling intense feelings, a big event for a (spooky) friend of ipgd. The alternative to creative communism that created disgusting discourse about One Piece involves things like girls experiencing famous artwork as progressing my spirit; creating the story of my own brand out of their enjoyment of the artwork of others. And so the online community that has seized control of Ren and Stimpy discourse will be mostly dismayed when their generic, corporate, queer experiences are broken and replaced with girls singing of my meaning, and other things for other people.

The bottom lines of the screenshot are my thoughts from the past few years: I didn’t know who the hell any of the people who yelled at me were, or why they expected me to care about missing out on an animation career besides to make use of my brain. I could not imagine children today enjoying their works or the works they wanted to make after becoming part of animation projects. Their projects are for sophisticated “gamers” only - meaning people who game social situations for career advancements, like pick-up artists, hence ipgd becoming enraged about myself reading MRA websites, even though I only focused on legitimate suffering, just as I extended towards lgbtq and feminism, I liked to believe I was a top-tier guy who cared about everyone no matter how dirty.

The “pedophilia” people see in John (nothing to do with the Katie Rice accusations, they were saying the same thing in 2008 when Katie was working with him) is that he engaged with my actual mind I was born with. My actual thoughts, conscious and unconscious, and how they would develop towards the past few years. He helped me be my natural self which industry people see as “child personality” because they gave up on their personalities for a career, instead of fighting to make careers serve personalities as John and myself did. I’m not one for corporate empty verbiage, but it does resonate with me for my job to speak of bringing your whole self to work, and it was really cool to work with two bosses who are passionate for artwork for months, but I just could not function in real life.

Black art contributes how to become a success through mysterious, black ways. (I know some of these mysteries from many rappers referencing my spiritual story of success against wrongful white culture.) And so conservatives as penalty for their racism of dismissing black contributions as existing, etc, need to constantly communicate theories and tips about their financial career every day, which I consider a dreary form of restraint solved by embracing mystery over insufferable assurance that your worldview is true (how do you know the source of every part of your view, including the parts of your feelings? It’s a helluva lot to have mastery over)