on Defending the mario Movie
Breaking down the reasons why anybody would do this
These two tweets just mindbroke the animation community and Community for the upcoming Mario movie from the studio Illumination. This makes relevant what I have referred to in previous articles about needing to wait a while to explain stuff in retrospect. As it is so recent, I cannot actually explain the reasons why this is happening using my usual methods of my articles. But obviously I can figure out some things.
As I referred to in previous articles, one of the biggest impacts I made as a teenager was criticizing political correctness by comparing what they considered problematic characters to characters such as Mario. I asked why characters such as Coal Black and the Prince from Bob Clampett or various comic strip characters from famous series such as the Spirit with “blackface" and other supposedly offensive elements were really so offensive if Mario and other characters were very similar except for Italians. The Little Caesars mascot and others can be included.
As I have referred to in previous articles about God's spiritual designs, I believe that Italians and Italy are in fact connected to Africa. As part of the Natural Balance of creation, in fact Italy is the black center of Europe. Europe is the modern form of the physical Place associated with the White Domain.
I would consider this to be basically explaining Common Sense things from my view of things as a kid.
This tweet gives context as to why I became so incredibly impoverished after I entered the animation community, finding levels of poverty beyond merely being poor by growing up poor with an abusive dad.
And so Italians are “black,” which is a common meme as you can see on /pol/. Skin color is not as important as essential characteristics of race. And so when people such as Idris Elba speak of not caring about skin color, this is advancing to the next level of understanding of race. Which is why wokes hate it, not their nonsensical reasoning, as they don't want people to advance to the next level.
Cartoons are associated with Africa and cartoons came out of Italy, the term “cartoon" coming from the Renaissance, meaning a sort of sketchy way of drawing. The Same Spirit is maintained by the simple drawings of most cartoons, and instead of being the basis of a more complex drawing they are the basis of a more complex experiential life.
So many things were inspired by Ren and Stimpy because it was so successful at being a cartoon, bringing richness into the real world and into people's experiences. Renaissances are associated with Italy, and Ren and Stimpy along with John's other efforts provoked a Renaissance with things such as Batman the Animated Series, although it was cut short. This is exactly the same sort of teleological reasoning which people use to prove that God exists.
Uh Oh!!! OOPSIE! The animation industry does its best to destroy cartoon Renaissances such as John's which actually started and my own I intended as a teenager starting in 2006, which fell apart before it could start but had many effects in the world anyway. I am myself Italian, expressing my ethnicity by doing these things and the other things I do. Mama mia!
And so when the animation Community goes bing bing wahoo as they try to enjoy their corrupted form of animation which rots away the roots of cartooning, which is why industry animation crumbles apart, they are not merely being racist against italians, they are performing vast offenses against them on a vast scale. The America we grew up in had much bigotry towards Catholics and those ethnicities identified with Catholicism such as Italians and so this is what true Protestants created.
And so the schizophrenic response of the mario Defenders must arise from psychological discomfort and paranoia about this whole spiritual background. They can't say they have any excuse because that's one of the first things I talked to them about as a teenager, trying to get a Revolution going which would take off when I was about 20. Very politely broaching the issue about the Italian nature of cartooning, without knowing I was doing so.
Instead they Collectively chose to reject my message. They can't say they had any excuse. Not only did they collectively have their combined brains and souls, they also had the input of the Demons of their souls which transcend our physical existence. They are largely made up of people who will turn out to be damned. They each have responsibility for making this collective decision, with a level that varies from Individual to individual.
And so they are in a precarious situation. Yet again, they are rejecting criticism about how animation treats Italians. Yet again, they choose to reject it, although it's certainly real hard to go back after what they did. And so they choose to Simply scream in a hollering horde about anybody who criticizes their depictions of the Mario Brothers.
Before all this the animation Community nastily bited and sniped at the illumination Studio which is responsible for this new film. This is because their movies such as Minions actually appeal to kids. Which I inform people is the chief purpose of cartoons. I have made words of approval about such Works before, which may be provoking this as well, as my opponents love to contrive situations of hypocrisy.
And I did see some good things about the movie in particular the depiction of Bowser in the trailers, who is allowed to be actually cool instead of making lame one-liners or instead of being a villain being a standin for some douche a woman writer didn't like as in Frozen.
But the Mario Brothers themselves suck, pathetically getting knocked around like kids want to see that with one of their favorite duos. The artwork is awful, the faces are shit, the character interactions are just painful. Peach needs to save the day for the brothers, which I cracked wise about as no one was willing to celebrate Anita Sarkeesian getting her way.
The pummeling of the duo can represent the industry relieving their anxiety about what happened in the late 00s. If so this obviously presents a very important reason to freak out about criticism of the movie. Nobody wants to be seen crafting a torture fantasy for a teenager on the internet who is emerging today very much an adult to finish what he set out to accomplish back then.
The two accounts which tweeted these controversial tweets are notable participants in the days of John K's blog who appreciate his perspective on cartoons. I feel inclined to defend them so they do not take unnecessary Flack for accepting proximity to my own views. In the aftermath of my disaster, I could not do much of anything about what may have happened to people in my proximity back then, and so failing to do so can factor in to the Collective decisions of the mario Defenders. This rectifies the context of their behavior.
The desperation to escape an inescapable situation explains the severity of the response to objectively innocuous statements in the two main provoking tweets and others criticizing the movie. I made many defensive maneuvers to damage the structure of their mental health in response.
For quite some time now on Twitter and other social media places the main driving force of public "truth” was mobs going around getting aggressive about tweets. This current situation brings the societal phenomenon to a reckoning, and Twitter's associated with Africa as well.
As the animation industry keeps failing the Mario movie is on track to more disaster in the field, even if it still sells good anyway. Hard to make a financial failure with Mario. No matter what happens the bad stuff can just keep piling up even without my direct involvement, as Homestuck fans know well.
I will put Mario in my webcomic and in the domain of the trickster he qualifies as a Timeless Classic. With artistic works of such level the standards are high with what you do for them, even though people don't know that yet. The Peril of spoiling the trickster's domain is entering their conscious lives.
And they can't exactly complain, after all I keep warning them. Before this article I made one which was basically a visual brainfrier for the Mario Defenders visiting my profile from my replies. Containing an image of the brothers, mention of Homestuck as well as abortion with no actual mention of how the Mario Brothers relate, the tweet for it screws with their brains in an immediately impactful way. But they kept going and now I made this article.
John K was always about this stuff and this was always the reason why his haters didn't like him. Hence why you can see modern cartoon people blending in with other types of Defenders not even mentioning him, even as they criticize somebody known as the John K respecter. Even when the subject is provoked, they avoid mentioning his name.
The various participants are gaslighting notable posters in the cartoon community, trying to claim they are giving up on John's philosophy by saying things like they don't like facial expressions without even mentioning him or that they are doing this. It is their desperation to believe that all those things of the late 00s are now over, when in reality they have hardly even begun. In a certain sense, this is the whole Last Stand of their world, the one which rejected me.
