Ren and Stimpy: the degenerated path from friendship to trans kids

The secret history of how the animation industry became primed for child predation.

This is the first post I have made on this website. If you've ever heard of me in my obscure activities on the internet, you would know that I am a passionate fan of Ren and Stimpy. This has been true since I was either four or six years old. The real path from those days seems like an undiscovered country, an alternate history from the degenerated world we know today. Triggered by the formation of games animation, although people would not be quick to see such significance in the transition of cartoon production studios.

If you've never seen Ren and Stimpy, what strikes me about the games project is how driven by spite and sadism it is. This was the most popular children's cartoon in the world, which had set a new standard for television cartooning that has yet to be surpassed. The expression of the characters, the story structure, The streamlined entertainment, and the vividly portrayed cartoon life was not seen before besides hints here and there like Rocky and Bullwinkle or a project co-created by John Kricfalusi called The New adventures of mighty mouse.

The defining theme of Ren and Stimpy is friendship. This would be unusual if you've listened to how most commentators describe it. They talk about gross out humor and offense to their sensibilities; attempts to recreate the Looney Tunes shorts made by Bob Clampett, with influence from Yogi Bear and other TV cartoons of John's day. Today I rewatched the littlest Giant which is one of the two segments for an episode. It is such a wholesome and pure depiction of friendship; there is little else to the cartoon aside from the fun fairy tale content. I remembered what Stimpy would ask for from when I was a little kid, for Ren to scratch his Giant back.

The core ethos for Ren and Stimpy is Christian values. This was what shocked people so greatly that the Nickelodeon executives demanded to cut it short. It must be like being presented with the greatest business pitch in the world. And it turned out to be, it's just that the soulless businessmen gathered to hear it find out at the end it is a tribute to Jesus. (Reminds me of the devolving relationship the mainstream world has with Chick-fil-A, my analogy.)

By the time it wormed through The souls of the mostly dead inside staff of network animation centered in Los Angeles, Ren and Stimpy was already on the air and beloved by children, college students and millions of other people. The genie was out of the bottle with no way to put it back. Thus in about 1994 when I was 4 years old began a decades long war of what ren and Stimpy had placed on the airwaves.

This was a long process. When I came of age of course the Terminator was one of the most iconic and popular series in the world. If you pitched it today in Hollywood they must feel like they were being trolled in that hypothetical. The whole first movie is basically just an allegory for abortion from the Christian perspective. It was inspired by a dream, and if inspiration was given by an Angel that was a very sneaky move.

(For those attentive to the psychological motivations of trends in entertainment, this is also explains why Hollywood remade the second movie which is also a classic over and over rather than moving on in the story of the series or returning to the first movie. With one exception which is literally called Salvation.)

When I did come of age it didn't take long for me to decide to fight back. I was persecuted since the age of four. I had a bad attitude, the clear reality that the reason why was too much to explain to some normie, and not much of a father. But it took a while to get to this present point with these Earth shaking Revelations.

When I was 15 I had cast my lot in with friendship. I became something of a monastic. I forsook material gain and tried to only establish relationships, which were so key to the meaning of Ren and Stimpy. I did not think of doing all this or other things. I work in the blackness.

The online animation community was utterly shocked by what I had to say to them. This is a long story I will get to later. But what serves the thesis of this post is that they degenerated year by year until I was quite terrified at 19, when I was still quite innocent.

The Ren and Stimpy revolution ended in the early 00s. From then on SpongeBob became the king of cartoons. If they could make a single cartoon more popular I'm sure they would take it off the throne. Artistic standards degenerated in the late 00s in the animation community, then became positively evil over the next decade.

When Steven universe premiered I saw I was written in its DNA but said not a word about it, not until a deviantART post I just made. Idealistic and optimistic, I had tried to start an artistic revolution of my own rather than dwell on the evil of my enemies. This effort became a cultural and spiritual reality.

This is why I have the power and authority to destroy how media for children has been corrupted and I will now begin to use it, over decades, though I won't predict when I will be successful.

Steven universe and The owl House are the two main icons of efforts to introduce LGBT content into cartoons for children who have yet to reach puberty, which makes them capable of understanding what sex even is. Despite that they are known as icons, children don't like them very much, former Tumblr millennials and weirdos in early gen Z do. My truce with Steven universe ended when I saw Rebecca sugar making PSA shorts for grooming kids about sex and race in an ironic way. Of course it has now become not ironic. When I saw the owl House premiere I attacked it from the start for starring self-inserts for the creator and her college roommate and letting the story disintegrate into a gay narrative within a weak Harry Potter derived setting. I then proceeded to frequently refer to the sexual frustrations of one member of the gay pair, online. It all makes good sense and that's all I will say about it.

It was a slow procession to the precipitous drop. I knew it would happen and referred to it as adding the p, years ago. In the past year I have done nothing less than declare open war against the industry animation community for being a nest of groomers and other perverts who have negative interest in making artworks for people to view.

A week and a half ago I was banned from 4chan for 2 months for doing this, although I don't consider /co/, the board for comics and cartoons a part of 4chan proper. Immediately after I was banned the next day, there was the Disney walkout because the corporate heads of Disney had not yet come out in favor of grooming kids in kindergarten to the third grade. Including the target audience of children's cartoons. Right now / Co / mainly involves threads for discussion of Disney products. Let's see how that does for them.

The backlash was severe and seemed a surprising ambush for opponents of the Florida anti-grooming bill. Let me say that I have never known them to be surprised before. Usually I am surprised because each year’s cool trends involve middle fingers to my face I don't really care about. It was the first major victory against wokeness, and I am proud to call it my victory as I fought so hard for it. Even in a world ruled by Satan, going after kids is a step too far.

Spending that year, and work prior, on analyzing groomers and how they work on mainly 4chan is what made it a surprising ambush, is what I faithfully believe. I believe God placed me here to do this, to become a solo crusader. Waging holy war in my own secret dimension. I am not shy to say that what I have done and will do to groomers I consider Superior to the crudity of violence.

It was horrible. I wondered if I would recover for the rest of my life. But my spirit and soul was strong and powerful, and I was rarely troubled by anything. It was perhaps one of the most toxic environments in history for anybody, but I rose out of it like Godzilla.

My conclusion is that with the wholesomeness of Ren and Stimpy they could have never gone to the point of fighting the Florida bill. Ren and Stimpy was intentionally destroyed to serve Hollywood pedophiles and perverts regardless of what they had to say in the long history of their efforts. My life was ruined, such as you can call it, because I'm one of the people who identify with Ren and Stimpy the most in the world, which was one of the most popular shows ever so I am quite unique. The same is true for other strong fans of Ren and Stimpy such as makers of edgy internet cartoons. LGBT for kids is nothing more than a severely degraded alternative to friendship and real life, two things emphasized by Ren and Stimpy greatly. Due to a year of strife I helped to make a significant victory in foiling their plan and I will continue to foil their plan for up to several decades. I believe God placed me here to do this, he sent me Anthony to fight the Hollywood big shots whose deeds more than anything cry out to heaven for vengeance.

All my life I have felt so strongly for my real life, without the dark cloud of hatred for Ren and Stimpy and its great Creator John Kricfalusi hanging over my life. It is beautiful and inspires my own artwork most of all. I hope to find that alternate timeline one day, which is like as if it was aborted. But if I can make it real with arts, did that abortion really happen at all? As I work on dismantling the world groomers try to build I sense and hope they can feel my long pain. I want them to know that I shall ensure the destruction of their efforts. In response to those who would try to abort your world, terminate them.