The 3 x 99 Prophecy
Exposing one of the artistic lines of meaning which led up to traumatic events I initially interpreted as inexplicable.
Previously I referred to Disney employees and others in the animation industry being very determined to spoil my fruits of my artistic Revolution, resist my criticism of animation I have made for over 15 years which would improve animation greatly, and generally treat me very poorly. Today a lot of them are Homestuck fans and so directly profit from me being plagiarized and impoverished.
Would Walt Disney who is the namesake of the company reacted the same? No. In fact just like with the great piggy bank robbery I believe he made cartoons which prophecies my troubles. In fact I believe he was aware on some level of Cancer, the astrological symbol which anticipates an important African figure, and helped prepare the way for him. Comics and cartoons are African culture, and so this was a very great action by him.
In The Sorcerer's Apprentice Walt Disney fits the role of the Sorcerer under the name Yen Sid, Disney backwards. This could relate to taking on this important figure when he is born as a protege. This view of Disney's work and other activities would never be seen until the present. Looking backwards in time reveals his alter ego as Yen Sid. And this would be how he trains this important African figure.
Mickey Mouse fits the role of The Apprentice, making him a symbol of both this African figure and his company and animation. He gets into trouble when he animates a broom, and then an army of them. The swaying buckets of water could resemble the cancer sign ♋️ , making this symbol itself a cartoon. It indicates the challenge of The Apprentice to keep the buckets perfectly balanced when he carries the water himself. Which could relate to keeping the pincerstrikes of the trickster and God perfectly balanced. It also can look like brooms sweeping. It could also look like buckets being held over a cauldron.
The brooms could represent the people who would staff his company after he died. When his Apprentice came, they would not be receptive to him. In fact they would try to sweep away any sign of him and carry the "water” themselves. The water could represent a sort of creative Spirit essence which gives life to cartoons and other artwork, and so this relates to my artistic Revolution and its effects, which can be myriad like the potential of water to refresh things in the world. However when they try to carry the water and make things like turning red, they just result in a mess. The dismayed faces in turning red advertisements are an embarrassing sign of my artistic Revolution whose Vapors they still try to run on, through the proxy of things like reading homestuck when they were younger.
This is also a source of the stairs meme, as Mickey gets knocked down by the brooms.
“I warned you about stairs bro
I told you dog”
Now dead, Walt Disney upon going to heaven could begin to develop himself such that he could resemble a sorcerer from our perspective. Filling his cauldron could relate to his Apprentice born back on Earth in fact powering himself up in the afterlife. He could have been working all his time in life against the evil people who would come to misuse decades later the things he built up on the Earth, though naturally this work would not be obvious and would need to be exposed. If this is true his work and training of his Apprentice could surely not be limited to this one cartoon.
101 Dalmatians is a film about 99 Dalmatian puppies being parented by two adult Dalmatians, 99 just like the Cancer sign. Starting with a litter of 15, the same number as the age when I dropped out of high school and entered the online animation community, with additional significance to me. Being black and white Dalmatians can serve as a symbol of the trickster and the Lord coming together, just as with the pincer strikes of Cancer. They also rhyme with animation.
John Kricfalusi was born on September 9th just as I was. He made a cartoon called fire dogs where Ren and Stimpy pose as dalmatians. As a lot of himself is in Ren and Stimpy this could indicate identifying with Dalmatians. This was reinforced even further by fire Dogs 2 where the fire chief transforms into Ralph Bakshi, his long-time mentor. This could be inspired by watching 101 Dalmatians when he was younger. Possibly it inspired him to get into animation and become such a fierce advocate of improving it and making good stuff for kids, despite his dad discouraging him heavily.
This points towards the adaptation of 101 Dalmatians in fact being a prophecy about the African figure himself already prophesied by the Cancer sign. That he would be born on September 9th, be a protector of the young, animalistic, and a destroyer of evildoers who try to profit from their evil. John tried to live up to these details and perhaps others even if he wasn't the important African figure.
Something that stuck out to me watching the movie as a child was the comparison drawn between the dogs and their owners. As if the pet represents the human. I notion I came to identify with.
Growing up family members were always talking about how much I loved 101 Dalmatians. It seemed to Echo throughout my single digit years. As I believe in Timeline change perhaps this had a different significance in my original timeline. Perhaps it has something to do with Ren and Stimpy. As I referred to earlier on my sub stack I modeled friendship on the Dynamics of characters in Ren and Stimpy. This led to me trying to simulate the relationship of the duo with another boy. But because of a teacher this ended in disaster like a lot of things later in my life. Perhaps in my original timeline various family members would bring it up to try to get me to focus on a relationship with a wife as the romance in the film represents, modeling another relationship after a cartoon after the first one didn't happen right. But in this timeline people wouldn't have such understanding of the significance of cartoons to a child.
Roger sings a song about Cruella Deville. This is also a rather striking element. This is much like how I praised Andrew Hussie despite knowing since 2011 that I needed to rectify his comic with my own. Her name sounds like cruel devil, which is much like how Andrew Hussie's name can be translated into a plagiarist whore. Indeed, it's quite fitting for children's media that her name is more obvious in being symbolic of her evil than his.
This could have contributed directly to things such as four past midnight which features a meta-narrative about a powerful dog. Suggesting that this information goes back into the past from unknown sources in antiquity. Possibly this movie on the abstract level is urging the reproduction of this information into many new lines, as represented by the puppies. Forming Doglines. Which is certainly the most abstract idea I have put forth yet.
If the dog represents a companion of the African figure, perhaps in his life he focuses on reproducing his spirit companion into many children. Perhaps this is represented in real life in the form of artistic visions of individuals. This connects Cruella making her coat with Andrew making his temporary internet Empire of plagiarism. Some artists who read my posts became involved with it and the coat represents what Andrew was trying to gain by inspiring them improperly, analogous with slaughtering puppies. As in the cases of Ava's demon and prequel, which represent other cases I haven't mentioned yet. In which case all of my artistic activities and goals and works are represented by a dog. This would explain why I become Savage and feral when tearing apart bad behavior in the art worlds, when I am much more calm and easy going otherwise. The dog Spirit takes over.
Another thing I found striking about this movie since childhood is the dogs brushing away their path through the snow with branches. As they accomplish their goals such as defeating evil they make no Trace. They are themselves defined by a Twilight Horizon where two worlds meet, and when the temporary path is gone they switch between one or the other. When I am successful, for instance, kids won't think about all this conflict taking place while watching the cartoons I will be responsible for. Despite that it is traced into the artistic Works they enjoy from childhood, via Doglines, a kind of special form of information proceeding beside life.
Only one work had this kind of impact on me in adulthood which is Metal Gear Solid 5. The glittering refracting diamonds can represent coalescion of Dogline information.
As a prophecy it points towards a peaceful life involving family and artwork before the end and meeting Jesus changes the game.
This is an episode of Ren and Stimpy started at spumco and completed by games animation. It is based on a real life fan who meets Ren and Stimpy. This means my actual name is featured in the episode, which seems surely by itself to have caused aneurysms when I started discussing artwork online. In fact it could have influenced people refusing to believe that I was a teenage fan of John K, as the way things turned out for me makes it a prophecy.
A remnant of this is persistent discussion of the dad character which is based on John's dad. I was recently seeing people constantly commenting “that explains a lot about John” which I found pitifully bothersome. They are venting the reaction they should have had to finding out that I was being tyrannized by my own dad at the same time they were getting angry at me for how I behaved online as a teenager. In fact they never bothered to find it out at all. Creating a mental illness in their Collective minds which persists to this day.
As a prophecy of myself it provides my name and certain key details of my life experiences related to animation. The most meaningful moments to be remembered later. The character is enthusiastic for Ren and Stimpy, and so was I. Everything related to ren and Stimpy. He gets bullied, which can represent the people I encountered when I went online to discuss animation. I later found that these were generally terrible loser types - they tried to draw cartoons, but couldn't do it well enough, and they also had no social ability, and so they had no hope of making it in animation. They also often seem to have a perverted, pedophilic interest in having power over kids through the proxy of cartoons. There were also others such as animation students who worked on their future careers by defending the industry, usually anonymously back in those days. As well as some people who actually worked in cartoons. The main difference from the first type to the second and third type is greater social aptitude as well as some better creative level.
All three types were basically just bullies lashing out at me for wanting cartoons to be raised above their level, to the point that they will never get to participate again as people don't want them getting involved with content for their kids anymore, once I show how much better things can be. To a certain lesser extent this happened already in the early 10s, and now horrible trolls have been returning to animation communities after a decade of decline.
The character seems to die, which can represent my artistic Revolution seeming to not happen, when in fact the seeds were sown for it happening in the near future. And other things.
Ren and Stimpy are mistaken for being responsible and get chewed out by the Dad character. This could represent, actually, my interest in Ren and Stimpy being blamed for my life difficulties. There are a number of figures, such as ones I have seen in spiritual visions, that would want someone to blame without, perhaps, knowing the correct guilty party. The duo are called Hollywood big shots, which could represent the truth shining through that disreputable and depraved people in LA animation who want the art form to be a place for morons such as themselves who don't care about kids or anyone besides themselves. And then the character Springs back to life, which could represent the problem which seemed temporarily serious as being not a big deal at all in the later tally.
There can be further levels to interpreting this episode, such as the dad representing John chewing out the games Studio for messing myself up through messing up Ren and Stimpy. The lifelong developmental disorder they inflicted upon me by not respecting the meaning of the characters ( like making the episode about Ren getting pecs without the companion episode from spumco about him giving them up to go back to stimpy, just like the episodes where Stimpy becomes a Hollywood Big Shot) and other things.
As well this ties into interpreting The Sorcerer's Apprentice, as rather than accepting Walt Disney's future Apprentice people associated with current Disney Corporation abused him online. And rather than accept his spiritual power they performed a grotesquely evil spiritual assault accompanying this online abuse I will be describing. But they found it irresistible to incorporate his ideas into their work anyway, as with Wreck-it Ralph's King Candy character, which is a manifestation of one of my space monsters into the story. And other things such as with lightyear, which helps explain how inexplicably bad it is.
The dad character begs God for just a few more weeks of life. Although funny, since this is really the only line to qualify him as being abusive I will point out that it can be interpreted as asking for more Divine weeks. As I am quite fixated on further days of Creation, such as the ninth day of Destruction.