The animation industry and Artistic Advancement
Examining the past day or two as well as the history which led to the animation industry and others falling to ruin
When I finished my previous story, I could not believe that what I was doing was real. Going into an altered state, it became very difficult to think normally as my entire mind was consumed by the process of creating this page. Manifesting a power I have seen in my Visions for the first time, as depicted in my webcomic I see in them.
If I did not remain dogged to Artistic advancement no matter what happened, I would never have been capable of making that page. And I would have never become the half-life 3 designer. As I referred to in a previous article I believe it is a multiversal fact that I am the lead designer of Half Life 3. This explains why the game never materialized even after all these years, and valveβs other projects petered off as well. Half-Life Alyx only came after my efforts to create the Initiative I am beginning, like when I sent messages to the homestuck team until it caused a disability coming from my neck.
My advancement has effects in the world such as on the Valve teams, my creative stream a necessity to the progression of their games library even though they have never contacted me except perhaps anonymously. Andrew Hussie hijacked my creative stream in the spirit world through his evil in the art communities of the late 00s, which made him millions and seen as a cultural leader for the internet of the early 10s. I am regaining my creative stream as you can see in the Citadel story. The artwork of the 10s gradually fell apart into complete garbage as we have been seeing being completed lately. And so this points to the fact that the damaging of the valve game process extends to the whole industry as well as the other artistic industries, a giant artistic disaster
There are many things to observe about this situation.
The animation industry Community never actually figured out that my primary desire was to design video games. Back then, their narrative was that I was really hurting their feelings by criticizing prominent comics and cartoons. Regardless of such an absurdly childish framing which points directly to the fact that they were indeed aware that I was a teenager, on some level. I was making my way to creating video games.
If my interest was in video games why was I discussing cartoons so often? Well back in that context I did what I was inclined to do, and John Kβs blog was really inspirational and I followed his wisdom on animation. But more importantly the 5th dimensional context as I described in the previous article is that proper cartoons provide the basis for other artistic works, that Ren and Stimpy Half-Life to exist in the first place, and so my games at valve and after their success at my own Studio would require
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He thought for the first time in a long time. βipgdβ. His eyes opened and closed turning away, something other than Spirit, blackness. Echoes of many more followed the expression.
Deep within the coresoul, he had long constructed a furnace. Sending forth the construction of the Underrealm with great chains, channeling strands of energy arced from one point of the machinery to another, containing the essence of an Underbeast. He scanned the world with flaming eyes of blackness, looking into their puny minds for information upon which he placed the basis of his designs. Not devoid of worth, but devoid of preservation: the information was drawn out, reconstructed, reassembled, until it was entirely foreign from the outside world.
Belches sounded from the base of the core with great fiery orange licks, smooth and flat. Chains were summoned into a vortex of 8, channeling a portal into the world to match many others. The Lord of the Underbeasts artificed his design of Revengeance.
Little strand of fish swam out up above, in glittering blue. It entered an airy white of a cave, the initial Construction-forms, not the embyro, certainly not the birth: little living strands of energy he sent forth into human minds. It was so key to keep careful watch and manufacture sublime posts.
He channeled his volcano of rage to constructive purpose.
Every figure involved in that drama alien to their own minds was etched into the metal molds in every detail, regardless of its ability to be conceived in the conscious mind. When the molten flow was prepared, it would be filled. They ruined friendship in 2012.
β
the same thing. We have seen what the absence of such Renaissance inspiration led to. Not an advancement, but a long tumbling decline.
And yet the awareness should have existed, as their minds knew. The biggest player in the plagiarism of my attempted revolution βHomestuckβ was a βvideo game-webcomic.β Scrambling for the resources being set up for construction across all the Industries, to get a few idiots rich.
And so with intention they sought to avert the course of my life, saying things to me which compelled me to positions in the animation industry I did not actually want, which are coming out of the mouths of my trolls today. Thrashing in a horde which was the βproto-ratioβ as well as the first Groomer community, primarily targeted at a single person, as well as others such as more respectable individuals to be attracted to Homestuck, such as Coelasquid to be later in the industry.
With the Mario Movie Defenders visiting my profile, I entered a defensive mode for my tweeting.
The surrealism of this communal phenomenon explains why intellects broke on internet communities, especially among todayβs groomers and ratio-lovers who lash nasty nonsense out of their mouths like the Strigoi of the Strain.
Sailing off into the Sunset, Valve focused on multiplayer with a few further projects and the initial years of social media yearned for a richness from the art mediums that never manifested.
Next is the astonishing synchronicities. Richard Belzer died that night, and I heard his last words were βfuck you, motherfuckerβ, which I like because of the spatial context of my Visions depicted in the story. It is linked to Roger Ebertβs own near death experiences. Legendary, indeed.
Before, the censorship of Roald Dahl stories was widely circulated, and I RTed the idea of Roald Dahl coming back from his grave in response.
I would not want to mention them all, and yet they are so striking. The next day, I walked again and a giant X was in the same sky, like a signature. I was enamored with looking for it after I passed it.
I watched Samurai Jack for the first time in a while, and the story directly related to the creatures of Underrealm I made later as a teenager. Essentially an allegory for my own setting I was too young to come up with yet. When I emerged into the animation community, things got frantic immediately. This explains a reason why. It also goes to show my Curious patterns for watching things, which the animation industry discourages severely with their consumerism.
My opponents also disrupted the development of actual powers. I had actual abilities as a teenager, such as the ability to play a game and come up with a better version of it whether a sequel or an original property remarkably similar. The very same power which provides yet another motivation for Andrew Hussie to hack it by forcibly making me βplayβ his game Sburb through having my creative passion stolen for his bad webcomic, though it did not end well for him.
Regardless of the lack of a societal narrative for the existence of real personal powers, they can still be demonstrated to exist. As I have referred to before, I believe in some other context for human interaction where Andrew is a jealous candidate who missed out on being the Half-Life 3 designer. All these various spiritual and Supernatural realities were given a smoke screen by the new atheists with their idiotic materialism, enabling the various scams of the time in those dimensions of life.
What these various parties were ruining was artistic advancement, things getting better decade by decade in a clear ascent where each creative helps each other creative to reach his or her potential. This is what should have been developed as people came together over the internet with new technologies. The cascading disasters that happened instead shows that this is the case.
The animation industry and others exists in a state of copium, not even actually believing in a damn thing they say about artwork. They never wanted to be here in the first place. They were trying to fool a revolutionary Italian teenager into being a slave of their industry. This explains why I got involved in Homestuck despite the signs it was a bad idea, as it was much better than actually helping people like Alex Hirsch make cartoons for kids, however it would turn out.
But! ! ! The desperation shine through. Years later I learned that Homestuck was supposed to be a comic for teenagers now, young teenagers. Huh? This is the same fucking comic which features constant threats of dog murder out of nowhere, Irish/Italian mobsters, contextually really complex time travel and other mechanics even I could have a hard time with at 21 despite my impressive brain and the comic plagiarizing me so I was drawn to it more than everything else; lots of sex and alien sex mechanics involving hatred and violence, creepy pervert characters, Andrew Hussie, 13 year old characters who had to deal with very strenuously difficult lives with very little of what normal 13-year-olds get to enjoy and with stuff like porn puppets, actual murder out of nowhere, the need to understand everything as well as fandom crap to properly follow the story with other fans, it goes on and on and on.
The shift is explained by the desperation for the artistic innovation of a Renaissance character, part of something one name of which is the Black Renaissance, I was bringing to the animation community. The fact that I didn't find out about it for a long while also directly points to me not doing so being part of their plan. Their Community was literally Collectively molded using their mistaken knowledge of myself and also satanic factors to prevent me from finding out when everybody else did.
This is also an action in support of all the wrongdoers against me, as now I looked like a big chud pervert talking about Stridercest with Hitler and giant genitalia in a story about Tinkerbull changing Tavros' diaper, both of which was for ipgd. I thought it was for young adults like her such as some of her friends. This helped the industry manufacture a bad reputation for me as someone who wanted to improve things for children forever, and this also directly led to the John K accusations which I see as originally coming from pretending that he was me as a teenager.
This explains why the communities who did this fell apart into retarded perverts, obsessed with super stupid understandings of reality who found it very difficult to avoid becoming pedophiles, trying to overcompensate by doing things like hating anime fans as if their favorite artwork was constructed like those things done in desperation to pillage the black Renaissance
Andrew changed his webcomic to be about crying teenagers with identity and relationship problems, but the first few years remained. Being such a prominent webcomic when he made this change, it explains why morons across the internet thought it was normal for franchises to give up on having normal content and be about Navel-gazing nonsense. You don't actually make a βcoming-of-ageβ story about dog murder, teenagers will internalize the experience.
All the various parties of the late 00s followed really stupid paths through life. An impoverished teenager suffering from internet abuse fell through the cracks of their lives completely. They had nothing to do but continue forward, no other course to switch to, simply becoming more mentally ill, more overly politicized, and more resentful of things that hardly make sense.
They made the opposite of what should have happened become real, and it started to seem normal to them even though it didn't back in 2012. When I arose for my initiative such as the imperial blockade, I needed to duel with their hordes who were never about the things they babbled about every day at all. This is the path I shall take to bring artistic advancement properly to the world, which also participates in the trickster invading the fallen Black Domain.
As he does so, his metaphors will continue to invade people's everyday lives as things progress towards a flipping back to 2009 to reverse the disaster symbolized by Homestuck. And when this happens it will proceed back to a Multiverse where many versions of many things happen. The decisions people made around that year to spite a new vision for what art should be which is the same vision it should have had all along will have eternal consequences in dizzyingly myriad detail beyond the ability of current human Minds to comprehend.
As well, after I finished my Half-Life 3 story Scott Ramsoomair visited 4chan so things really felt like it was the late 00s. Over those years, people became far too retarded to properly discuss VGCats. Must have made Leo kind of obsolete as a retard