The Animation Industry Masterpost
A fairly long explanation of the history which explains my attitude towards the animation industry and the ramifications of it.
A list of links to my relevant substack articles and and other things are at the end of the post. [Not in yet] I also give my full position on the accusations against John K eventually, which sprang out of factors in the world I will provide deeper analysis of later to find the real truth.
When I was 15 years old I went online and began discussing comics and cartoons. I felt lost in the world and with no direction for my life. Right away when I read John K's blog I was inflamed with a sense of purpose. It was as if it showed me how I should have been looking at life all along.
My two main places for this was the comics and cartoons Board of 4chan, /co/, and his blog itself. I looked at the other animation forums but I saw that critics were ganged up on and Professionals in the industry were very nasty to them and very nepotistic to each other. And so I avoided them all. Sometimes I went to other places like CartoonBrew but they were indeed not hospitable towards me.
I found his blog from /co/ and saw discussions about John Kricfalusi where the posters were all very hostile and judgmental towards him and his whole point of view about cartoons and other artwork. I said that “we couldn't have a civil discussion about John k”, about the same words, and someone replied that John wasn't civil himself.
Proceeding from this I began criticizing cartoons myself and John's haters, who were animation students, venting professionals, and the occasional fandom weirdo for things like ThunderCats, all began to freak out and start hollering and yelling. This was how things were most of the time for years. It is incredibly absurd that this could happen based on the debating of a 15-year-old. A couple times Amid Amidi freaked out about identifying posters after I participated on CB, once with a blog post.
I used to expect that people would explain away my harsh treatment as it was on 4chan, even though the board was known for “being love" back then. And my opponents elsewhere were snootier, not kinder. But that is outdated anyway because 4chan lost its Internet Hate Machine reputation in favor of being an infamous locale for problematic chuds. At any rate people like Amid Amidi created the need for me to use an anonymous Forum with their obsessive focus on identity and hatred for all criticism aside from the rehearsed and controlled criticism of their community. They knew that teenagers would be attracted to discuss animation, but made their communities inhospitable for them anyway unless they were willing to reduce themselves by accepting the Proto grooming of the industry communities.
And I leave off on that history I address elsewhere in further events. I never actually got to meet anybody in animation, never had a private conversation or honest advice, never got anything involving a job even though I was there to find work after dropping out of high school. Or many other things which people normally receive in the course of entering adulthood. Clearly they wanted their Community to be completely inhospitable to someone like myself. But all I saw was the importance of what I wanted to do and only saw them as bad guys.
People in the animation Community could never actually explain why I was making them so upset. At best they talked about the fart jokes in Ren and Stimpy or John criticizing childhood cartoons which rarely anybody could seriously think are well drawn. ( animation students get super upset because they can't even draw figures as well as something like ThunderCats so it makes them feel like truly animating is Out Of Reach for them.) And as for myself they had no real narrative besides frantic screaming, accusations of being a troll or even that I was John.
Later after I attempted suicide when I was 20 I began to learn about the real reasons from spiritual visions of artwork I am to make in The Future. As I explained in my article the Color Nations as well as scattered over many other articles in large detail, I saw that the cosmic being known as the Trickster was Lord of Ancient Africa, that I had been drawn to him all my life, and that comics and cartoons were African art forms and spiritual tools for participating in his spiritual Dimension which is included in God's uncorrupted design for the Earth. All of my activities starting when I was 15 was an important mission for his sake as well as for the sake of God as it is important to the End Times. When my biggest comic book aimed to explain the Paranormal, that was no idle goal I came up with, it was what I was there to do. And I must carve a path through the Fifth Dimension to do it.
And so disliking grossout cartoons that sprouted up after Ren and Stimpy or funny criticism of soulless drawings never had anything to do with it. John's haters all seem to be non-christians, and many of them seek to make Christians mad like various cartoon creators. (Many other types of evildoers aren't so consistent.) They saw it as their Duty to prevent any respect for true African culture from arising and thereby destroying the mainstream world.
Animation people ordered their culture for this goal and policed all cartoony and otherwise African content within the animation itself, screeching about any real cartoons made even though all normal people love them. They made their online communities inhospitable to fans discussing how to improve them, a process that would lead to Black Culture generation. They ganged up on teenagers and aggressively tried to form bizarre self-serving narratives to convince everybody that badly imitating the dead Walt Disney was the best way for animation to be.
In this era the phrase “But the STORY is what matters!” served as their practical catchphrase. This is only spiritual symbolism as one of the twin domains of the trickster is Story, and so they were trying to impress on people's souls that they really respected African culture after all. It never had anything to do with the phrase having something intelligent to say about making cartoons (animation is a visual medium). They started working on other such manipulation such as making the princess and the Frog and ending traditional animation on it, with the friends on the other side sequence probably being the only good part. This tactic ended after the end of the era but they still talk about “writing,” which is a similar but more complicated tactic.
And then someone broke through their status quo who was me and they had no way of dealing with it from the start. They hurled tons of abuse and it had negative effects over years. They also did nothing to help me as that would be the best way of preventing further damage to their evil goals. In real life I had to deal with abusive parents and they did nothing about that, which shows that none of them should have been involved with kids. They went progressively nuts over time because from their perspective they are going down the pipeline of their animation and comics vanity jobs from a spoiled upper middle class upbringing, and there I was online chugging away at my more meaningful approach to the art forms completely detached from all that because I was poor.
After a few years they started to become more cocksure and smug. This was because of a few things. One, I never gained the resources to be successful at what amounted to attempting a revolution for the world. Two, people started to enter the industries with the advice and inspiration they had gathered from my online posts both Anonymous and under the username Guy. They began to build careers with that while I received nothing. Three, they made up stupid stories to cope with my online presence and spread them around. And so they began to celebrate undermining the activities of a poor minor in cartoons.
I was not aware of all that at the time. I was too ignorant about life to be able to tell what impact I had on anything. I just sustained major spiritual damage, and the inner structures of my mind fell apart as I tried to keep my Revolution going regardless of what I faced. I spent years afterward piecing together everything that happened so that it could be described and addressed properly for what people did back then in the late 00s.
It's apparent that industry people told people they knew in real life that I was John K and their interactions with me were arguments with John. This is evidenced clearly by a common phrase in recent years that John "only liked his own cartoons,” which is said with weepy outrage. It's obviously not based on John himself as he was always talking about what he liked on his blog and other places, even when it caused people to express disbelief about what he is inspired by. And even if the haters weren't willing to give him that, they would at LEAST have to give him Bob Clampett, that used to be something people said too.
When I was a teenager I had visions of comics I was to make and made my posts to inspire people so they could make comics like the ones in my visions and we would work together in a large company. These later developed into full-fledged spiritual visions after my nde. And so when they said in real life that John only liked his own cartoons, they were talking about me “liking” what I saw myself making in the future. My creative plans were also greatly inspired by Bob Clampett. This reaction spread into the animation community, as they are such conformists even the weepy outrage reaction was transmitted to young participants.
As I've spoken of previously, I believe myself, Bob Clampett, and John constitute instances of Black Culture raising up a cartoonist figure to create Progressive advancements in cartooning as part of its plan to return to the Earth.
My contributions will have ramifications beyond cartooning and other artwork. “freaking out, yelling and weepy outrage" are themselves an example of contributing to how people understand the reactions of others. They are non literal assessments of reactions people are having in their souls. The animation people may not be aware of them, especially considering how soulless they make themselves, aside from getting more energetic, feeling “trolled,” and getting angry. The process of being transmitted to 20 year olds also shows the spiritual phenomenon, as disturbing as that is.
Many different figures became popular and influential with the inspiration from my cartoon posts. They vary from being malicious towards me and my goals to simply being influenced by me. They include Andrew Hussie with homestuck, the biggest internet thing at its peak, dril the popular Twitter user who is also a cartoonist, and the leading cartoon creators of the tens Rebecca Sugar, Alex Hirsch, and Dana Terrace. As well as many smaller employees and social media Stars I don't bother to remember individually, such as the Homestuck team. The careers they smuggly embarked on around the beginning of 2010 started to fall apart around 2014 as that is when I Deep Shelled, an African turtle power. In real life this basically meant becoming completely socially isolated, thereby starving my plagiarists of any further information through social and cultural transmission.
Alex Hirsch petered out after his one big hit with Gravity Falls, his career perpetually chugging along. I believe he prematurely ended Gravity Falls due to running out of inspiration from myself and John Kricfalusi whose blog had ceased to be daily active for years. Its production ending measures to be on point to that 2014 time. So does Homestuck, which was directly affected by my social isolation tactic as my best friend became intimately involved on the homestuck team. In ancient African convention she would meant to be supportive of my creative aims, but instead she was directly pillaged as a creative “piggy bank”. My deep shell ceased any further contributions to her soul along the spiritual, cultural, social, personal currents. Naturally this is the sort of thing that pisses the trickster off.
Homestuck fans went full circle back into cartoons with things like turning red and Dead End, travesties which groom kids sexually and with the gender ideology. It is incredibly embarrassing for them to see how they have been inspired by Homestuck and other garbage from the Wasteland of the Tens, and as I continue to dismantle the context of the creative offenses other people will see the embarrassment.
And so the entire community of the animation industry became one of my enemies, and I aim every single day to dismantle completely the industry and replace it with good cartoons like by Max Gilardi. And aim to annihilate its culture with things like advancing the true Black Culture into the mainstream world in cultural Warfare.
Wokes also retain a lot of this history. What wokeness is in part the remaining awareness of the vast significance of my attempted Revolution from Tumblr Millennials and other factions. They continue to subvert the activities of a poor teenager from over a decade ago to this day because of the vast power of what he did. They also use obscured references to my posts and my mission to excite the young people so they can be groomed into leftism. Part of the wisdom of my decisions such as the Deep Shell tactic is that I have now infiltrated woke culture like a trojan horse, which is better than other methods of getting young people into dumbass ideologies such as public school. It is already a victory over public school I have made.
Another thing I think they believed was that I was a representative of societal Elites trying to whip the workers in the art Industries into shape. And so in 2012 I was one of the figures in their Collective imagination they were aiming to fight against with social justice. This made my best decision to hide my identity, thereby undermining Woke when I revealed and promoted the information that I had been only a poor teenager trying to accomplish a significant event for black people. This is particularly true among Homestuck fans which had a large influence on woke social structure. And if they thought I was John that could be what they thought he was doing. Later creating the delusion that John was an unimpeachable power in society, instead of someone who had been attacked online all the time.
When I was doing my revolutionary efforts I had an abusive family who gave me nothing. My dad intentionally raised me poorly when he was there so I wouldn't have friends or a community and would grow up, become rich, and he would get to enjoy my money. He encouraged me to overeat and I lacked many normal things he refused to spend any money on, preferring to Joyride. Apparently he saw the test scores I received in public school as a guarantee that I would be rich when I got older so he skipped out on my childhood to enjoy himself. In later years my mom and grandma took after him more.
When I was a kid from when I was about four I was a big fan of Ren and Stimpy and tried to establish relationships based on what I grokked from the show. This made my dad angry because he wanted me to be greedy like him and he beat me. As friendship and other things connected to ancient African culture which Ren and Stimpy represents was so important to me, being punished for it was like sustaining brain damage. One of the reasons why I needed to advocate for Ren and Stimpy was to simply make possible the life I was naturally oriented for, which was suppressed as part of the spiritual warfare of the world I grew up in.
Seeing how bad Public School truly was as I got older and seeing how bad the social climate of the early 00s was solidified my desire for Worldbreaking, a miniature version of the future event the trickster will cause, leading into the end times. I could not rest until all the things that had prevented me from living a normal life as someone like me is born for were destroyed. Bad parents, Bad cartoons and everything else. An upheaval of the climates of the world so that everybody born from now on like me could live a normal life. This is another thing the mainstream World fears, which they now symbolize with the fake Narrative of “climate change”. So that the wound I left is not further driven with the full blow.
Each action I take to promote Black Culture drives things towards the full completion of my plan formed in childhood. My plan could not have taken place in this timeline for many reasons. Instead it will take place in the 5th dimensional future. One of them is that knowledge of Black Culture was too little, even though it should not have been. Stimpy and the other aspects of retardation in John's cartoons symbolizes the lack of knowledge for him and others, although he respects it fully despite his lack of knowledge. This symbol was carried over to The Lion King, which includes Timon and Pumbaa as expies of Ren and Stimpy, and Scar equivalently sings about this symbol for lacking African knowledge.
Despite this lack of knowledge all the elements were there in great artwork of the '90s and some later and earlier to begin my Revolution, hence starting on it without any self-conscious doubts. Dexter's laboratory, Star Trek the Next Generation, Billy and Mandy and other works are suffused with symbolism for the natural progression to my Revolution which many artists are supposed to take place in. The trickster puts his Doctrine in fictional works, and it is practically a necessity for a great work to contain a substantial amount of hIs contributions.
The screeching of my internet opponents was itself an acknowledgment that they grew up seeing this Doctrine and they know it is in good cartoons. It provides an actual motivation for them to hate good cartoons so much, as so many of them do.
Their own narrative for me that I was too mean to them and their cartoons makes no sense because I never even watched cartoons aside from a few downloads and YouTube uploads for all those years. It would have been trivially easy for them to ask about the new cartoons I haven't seen to learn this. But instead they were freaking out merely because I survived their attempts to salt the Earth of the Black Revolution to start it anyway. They also didn't want to learn anything about me as it would humanize me and leak details of the black Revolution and true Black Culture into people's awareness.
In real life I couldn't tell my family about my goals either because my dad came back and it would make him angry. He would go into my room with a flashlight to find my drawings. To them I was just someone who sat at a computer doing nothing. The computer wasn't good enough to play games properly, I dedicated everything to my Revolution.
John K became my substitute dad and his blog posts were there for me everyday, I would anticipate them coming in a day. The animation people who said I was John may have had a point as seeing such enthusiasm from a young fan could have been very inspirational to his blog posts, making them different than they would be in an alternate sequence of events where I never got into cartoons. John the Blogger thereby is infused with myself. Homestuck fans would crow about homestuck's daily updates but really it was just an inferior version of how John updated his blog with great content, which itself contained symbolism of the things of the trickster.
All this was meant to give A, context for the significance of reading John K's blog and forcefully discussing cartoons online on the basis of the worldview we share, and B the reasons why people refusing to accept my message had disastrous consequences that explains why the tens became so bad at artwork after a promising few years. In those first couple years people in general were most likely chugging along as if the path from Star Trek at TNG to my Revolution was still intact, a path which artwork like the TV show Grimm participated in.
The careers of people like Rebecca sugar fell apart because making artwork with the inspiration of a person who never actually became established or known creates a state of indebtedness which makes it very difficult to create artwork. After the promising beginning of Steven Universe the show fell apart, becoming the show its worst haters said it was. If myself and people who supported John and me came in, there would have been no reason for the show to turn out like that.
On the other hand Ava's Demon was an example of making artwork which was part of the way there to resembling artwork from my Visions no one besides myself ever actually saw. She was beset upon by Wokes until she went into a very frail state. I was in a very weak State myself during those years. I also see various artists who live up to what I have wanted to see in artwork. And nowadays it is regular for me to see artists who look like they are making artwork I was working on in my past. I was so secretive that my best stuff only existed as wips I deleted.
In the present I have regained my strength and no longer have anything to fear from my enemies, it makes me laugh when they try anything. But it is a sobering reminder of their evil when I see them spamming encouragement to suicide when I am now in my victory lap.
I Now work on destroying the animation industry, destroying Homestuck, destroying everybody who ever took my inspiration without respect, and creating a great Initiative to replace my Revolution not happening properly in this timeline. After Zaslav slew a bunch of garbage projects, I became more helpful as I didn't want people to exploit my contributions anymore. I once again post great ideas online to destroy the bad things surrounding my artistic works, this time fully.
There is also the matter of the accusations against John K. I suppose I left them for the end to spite the haters who only wanted to focus on them. Well they are obsolete now for two reasons. One, there is now fake accusations against literally every real cartoonist, including young ones just getting their start. Two, the reformed John K fans like Rebecca sugar and Dana Terrace have proven to gone on to make content for grooming kids.
It never came from the actual desire to protect kids aside from some on the outside who were fooled. People in the new industry climate do not care about kids and many of them actually actively hate them for various reasons. If that was a concern they would be worrying about John doing it again. (Previously I did not mention this to avoid inspiring misbehavior from his haters, and mentioning it now can be considered a gesture of my confidence that they are obsolete.)
For those who hate cartoons and what they represent, calling cartoonists pedophiles is powerful symbolism for two reasons. One, Black Culture is associated with childhood and is currently most active in childhood. It portrays lovers of its Things as so desperate to participate in Black Culture that they are willing to mistreat kids who are currently soaking in it and will carry what they soak in with them all their lives. Two, it is the sacred holy Duty of a cartoonist to help kids as things like The Rescuers film symbolizes.
They hate the eventuality of cartoonists starting to do this, and so they smear them sexually. As African things tend to be in the mainstream culture. There is also the matter of the more profound straight white male I discussed, and John being the straightest one so far equivalates into the profane meaning of the term as the most incredibly depraved sex offender. Or maybe the sexiest man of his day, but they wouldn't like that one.
John doesn't need to be a perfect man, but he has done more to help kids than anybody in cartoons. Certainly he has done the most to help me.
As well I believe these phony accusations were always meant to preempt My Own Story of when I was 15 years old getting regularly abused by hundreds of people in the cartoon community, which I endured for a spiritual mission. The effects on myself were disastrous and they didn't want anybody to know what they did to me. They also did things like harass me with references to sucking John K's cock. This fake history completely detached from reality ( Katie and other girls were regularly celebrated on his blog) can even be a sort of internal coping mechanism for sexually harassing a minor. “ I wasn't literally doing that…. I was just saying that he was acting like he wanted to suck his cock! I was warning him about John the retroactively infamous Open Secret sex criminal! Yeah!” this is also an example of how they incorporate extremely shitty derivations of true Black Culture into their own to keep their leaking boat going a little longer.
As I will write about later in my substack archive, women are easily influenced especially in the current climate to be used for the purposes of a culture, despite the post-feminist delusion and illusion that they have produced the most independent and free-thinking women ever in history. The matter has a lot of relevance to Black Culture and thus the things I talk about. A truly independent-minded woman requires a currently unusual feminine true Strength which I believe my mother represented in childhood.
I carried my mother's Great accomplishments in her soul with me, leading to inspiring Steven Universe. To avoid revealing to the world how based the 2010s comics and cartoons are upon John and his online student, they wanted to convey in the culture that I was him. I had demanding standards as a teenager and it should have been easy to tell some of my preferences for females. Since I was a teenager myself and rarely have any interest in older females it would have been easy to make up the delusion that John K was advocating for very young looking characters among other things, anonymously. And thus ends all there really is to say about the accusations. I expect that the whole affair is one of the most entertaining things involving me to see in the Multiverse in how it Alternates.
Links to other relevant articles later