The Construction of Art Culture: The Life and Destruction of 2010s animation

A new series, I dive into how art professionals and others progressed the culture of cartoons after they tore my life to shreds.

Astarian Nights continues with The Dog: “Of the manifold notoriety of the great enemy RA-RE was the curiosity of his dog form. He arose to create the race of titanic snakes during the Mechanica War, a unique invention…”

An imaginary caricature of a nonspecific ginger girl based in approaching her like Katie Rice sketches.

When Katie Rice made her accusations, she left them vague enough that she could go back and revise them later. This is so because of my existence in her culture: I learned from John K to develop new philosophical thought and not only that, my drawing style clearly is based in hers, a bit of a merger with John’s like the silly cuteness element. People shrieked in cosmic epiphany when I was a teenager due to what this meant in 2010, like that they completely tore down an art culture that could support a genius in favor of a culture that would make working in the industry “better”.

A RoboCop kind of design that I gravitate towards. Coelasquid loves RoboCop, ipgd doesn’t, so this aspect of my aesthetics distinguishes them as present in my work. The aesthetic presence of past works forms scaffolding upon which Mechanica rests, expanding on their philosophy and all that. And Coelasquid specifically dissected and merged the philosophy and craftsmanship of her favorite works for years on Twitter and Tumblr.

Robyn was much more direct: “I was his 16-year-old girlfriend.” Katie has art friends who interacted with me and experienced exasperation or whatever about my later years of Johnkstuff comments. I avidly enjoyed and defended her projects. I reflected on things like the way she exaggerated girls to form philosophy. She cannot and could never have pretended that I wasn’t around to emerge like a Locust.

Abandon — Abaddon is noted by God to be king of locusts. Individually locusts are unimpressive, as a swarm they are a top tier natural threat. When I began my Initiative people did not care that I was an active participant as a minor in John’s community or that I needed his example to make my own work, laughing and attacking me and saying things like that I was a “menace to society”. Then the abstract locusts kept piling up like that John’s cartoon philosophy in his work inspired me as a kid to learn from James Cameron films to invent Cosmic Theology.

Their imaginations deadened and dampened through years of industry intentional idiocy, she and her direct peers would not have remembered the overarching meaning of my words which excited and sparked imaginations through exploration of God’s design and its depictions by artists as well as my own contributions forming in my mind. And my mind was like it came from another planet compared to art consumers today. Not sure about back then.

Cultural Crafting

I produced a particularly good painting after being enchanted by VivziePop’s new fujoshi character, resembling her through leaving out the rest of the eyes. Creating a spastic shock to enemy culture, trying to cope with me constructing their first big hit for years, conveyed directly by the spasms of one of my harassers on 4chan. Then I made it my avatar on one of my email accounts for messaging the industry.

The animation communities saw all the valuable information created by John K’s blog and the promising artists emerging from it and decided that rebelling against executives is “too hard.” Despite that John successfully did so basically on his own initiative with help from established people like Ralph Bakshi and Bob Clampett. By the thousands they adopted these same attitudes: “The industry is the way it is, I have to follow the rules, if I protest for better benefits I’ll have enough to fix the problems” - while I was fixing problems for them for free largely through cultural craftsmanship. Ironically, spitting in the fucking face of the makers of Finding Nemo with its ending after becoming enraged at me for criticizing such films.

The first panel is such a panel someone inspired by me would made. Pear’s narrative about working retail reflects the cosmic confluence between our reality and my teenage plan to revolutionize the conditions of lowly workers. I don’t know the internet habits of every artist but evidence of internet connections can abound.

As they did so they were working with ideas that came from me. At the beginning, it was amazing how their current people asked me to prove my plagiarism claims with such intensity. Skipping past my careful philosophy that with fresh new creative ideas you can either give the individual artist credit for the amazing achievement or you can give a cultural figure credit for being a genius. Philosophy gives basis of cultural construction, many things in Western culture are founded in reflecting the thought of Aristotle. So to do so would have made them empower my story, showing they know my story is true and it is merely convention of their culture to pretend otherwise.

Mainstream culture spasms with nonsensical appropriation of my story in random places, like that I sought to reform public school so it would not demand verbal communication while disregarding facial and bodily expression and more complex forms, 13 years of that being enough to cause that aspect of autism in a large proportion of the public.

Sacrificing Children

Supporting abortion goes into the abortive mentality: rather than seeking to grow the initial seeds of human potential just getting rid of it. People did so around 2009 regarding the legacy of Bob Clampett, the novel ideas of John K students like Dana exploring demon dimensions and Sugar finding greater nuance to relationships in visual exploration. Co-opting the fabric of this striking creativity that intuitively makes people say “this will be a success” with no actual evidence this is true and reality turns out otherwise.

Plato being the very first to believe proceeds out of his philosophy being merited as love of God, and its work proceeding into the heavens. My own prioritization of God meant that when people tried to co-opt my exciting creativity I preferred to recede it into my mind and talk about squirtles instead as people bellowed, then spend a few years fixing my relationship with him rather than caring about their neuroses.

My work combines the central innovation of other students, the legacy of Bob Clampett and other things as a Renaissance leader. The industry is so desperate for an animation Renaissance every single year, but they need artists to give credit to. My work advanced upon Injun Joe, upon Coal Black, while industry folks gave themselves up to the college social justice swarms to be blanked of personality.

A new Mechanica antagonist for the new Astarian Nights saga. I look at Titanomach and imagine his head separating into a bug, which the generic thought of past industry would have asked how it makes sense for a T Rex kind of guy to transform like that, but being Locusts it makes perfect sense, founded in Cosmic theology.

Embracing political correctness gave them a childish thrill of rebelling against John Kricfalusi who advocated against it on his blog, but to do so by the thousands means they know he is an Elect who will be honored for his greatness in this life in Heaven. Meanwhile they pretended my fight against it as it became woke didn’t proceed directly from being a student of John K’s blog, making it like plunging into acid.

A fanartist makes satire of Undertale fans destroying my life after Toby Fox taught them to analyze monstrous personality like in my best friend who worked on it, in the form of pushing Ralsei into acid. For me to be active in cultures means this happens automatically.

Towards the end of 2010, they experienced one of the more cosmic of their perversions by thrilling in seeing me stumble around as they tore down legacies of 20th century cartooning out of the upbringing of their Protestant parents and the cries of paganism lingering in nonwhites migrating into America from intuitively recognizing the power of cartooning to fight their evil. They mainly conveyed this through saying “nobody agrees with you.” Today they all agree with each other as they draw the same few failed styles, beanmouth and Avatar imitation and a few Tumblr ones, and they cannot acknowledge that my art projects emerging agitate with the destruction of their entire way of life and history since 2010.

As a kid, I loved the Disney Channel, and had the abstract thought required to grasp John K’s vision merging with Walt Disney’s. I preferred this thought to thinking in language. As an adult I set forth to make their combined vision fully fledged.

Batty flourishes with my view of her as a developing cosmic goddess. On top of other dimensions of the meaning Batty has levels of Ren and Stimpy content including sometimes forming the dynamic with myself, hence her art coinciding with a descent into evil, which is underwhelming (as it merely evokes her end times self from my spiritual visions)