The Fatal Temptation of Games Animation

How the misbegotten studio behind the production of Ren and Stimpy after John K's ousting swore allegiance to producing decades of Animation evil.

I had already been developing my theory that the reception of Ren and Stimpy is highly defined within both the animation industry as well as the public consciousness by hidden Christian values which are not obvious to see at first, especially for someone who has not already entered the faith.

In the past days I discovered the last episode produced by games animation, headed by Bob Camp and populated by others who stuck with Nickelodeon in producing Ren and Stimpy after the man who created the revolutionary show was fired. Called The Last Temptation, originally titled The Last Temptation of Ren, it concerns a parody of Ren and Stimpy grappling with coming to the Christian faith. I never saw it as a kid as it was never aired on Nickelodeon, I have no interest in seeing it and probably won't for the rest of my life.

I had never heard of it before, though perhaps I read the title in episode lists somewhere, long ago. Since it was never aired on Nickelodeon until 2018 on a spin-off channel, most likely not many people have seen it either. Although it's probably on the last DVD of season 4 and 5, people have never had much interest in watching that DVD. Funniest of all, it must be one of the closest things to a real life creepypasta episode ever made in any cartoon show. Perhaps it helped inspire the whole concept. It seems rather similar to me to the concept of bart being dead or the suicide of squidward.

Events in the long history of Ren and Stimpy as a total phenomenon take a much different light in the context of this last episode by the games studio. Most of all that the games crew drowned an effigy of Ren and Stimpy after production was finished. This now seems like an intentional crucifixion ritual. And they must have known that due to the obvious and blatant religious themes it would have a very difficult journey through the production Pipeline at Nickelodeon, and so there seems to be quite secretive intent as well.

Returning to my theory, if you've ever encountered them you must easily realize how strange and psychologically intense the reactions from various parts are to Ren and Stimpy. It seems rather difficult to explain by merely some booger jokes and rude and scary humor. Certainly people aren't too concerned with the much more extreme content in the games episodes. The focus is always on John Kricfalusi's vision driving the show.

When you look closely and think carefully there's something quite strange which sets apart Ren and Stimpy which goes beyond the jokes and the animation stylings. The duo are totally satisfied by each other. They do not care where they live or how they live. They exist in total focus on their own friendship. Whether in poverty or in riches or on a space adventure or wandering through the outdoors, their attitude to life does not change. Friendship is valued above everything, their own circumstances, their own emotional reactions, their practical challenges. They fulfill completely those vows of marriage significantly more than most marriages: “in Richer or in poorer, in sickness and in health, till death do us part."

They pal around with homeless people. After scamming themselves a job, they save people and creatures from a burning building without a second thought. The wildlife frolics around them. They do not have the slightest pretensions except when Ren is praying for pecs. Stimpy gave up The Hollywood Life for his friend and Ren was supposed to give up his pecs as well. Friendship and human or animal connection always rules.

It is a Christian portrait of friendship and charity and love for your fellow man or creature. Even though the screaming and reactions are intense, they can only distract from this core, it is the fundamental core. It was my idea of friendship since I was about 4. I followed it in school and was devastated when the school did not let me follow it. Resulting in defining decades of my life by this portrait of friendship and human connection.

There are other hints here and there, but never blatant. It would be curious to find out how much this was designed by John or simply how he saw the world. Certainly the animation industry of the day of his show ended up reviling the worldview. Stimpy literally gave up their way of life and believed in friendship instead. I will go in depth about further vast meaning to this at a later time.

If you're interested in ren and Stimpy, I recommend viewing the Ren and Stimpy wiki’s description of the “Stimpy's cartoon show” episode. It is hilariously agonizing. Whoever wrote it, an individual or multiple individuals, was certainly feeling the experience of the episode. It was originally by spumco, but heavily reworked by games, mainly by making Ren a caricature of John instead of the episode poking fun at executives with him, who proceeded to inform John they had no sense of humor.

The agonizing struggle and torture described does not seem like a reasonable portrayal of work life at Spumco, famous for expecting a high standard in creativity of expression for the characters. The only time in his career when Billy West had to work, oh how it haunted him. Did John really refuse to give them paper, and expect them to make their own paper from a log? Interestingly enough one of my strongest memories of the show is being inspired by this episode to try to make paper in class. That's the only real reaction I had because I was a normal kid. I now wonder if I was testing whether the challenge of making your own paper was a p*ssy thing to complain about.

Anyway, what could that possibly be an analogy for with the paper thing? He raised their work to new levels and made a show that did things nobody else had done before. What did they have to whine about? Was tracing the super Friends from the model sheets a better job, more pleasurable and fulfilling? Later on the same people made shows themselves that often found success, like the loud house, the second biggest cartoon the last time I checked. Even when they were pretty creepy and did things like ruin Dexter.

My conclusion is that really the work experience was a small element. What they were really complaining about was the torturous straining to express their souls. I can expect Chris Savino to struggle with that, but he did end up giving himself a real pedo face.

To drill down here, he was expecting them to do things with their souls that they did not think they would ever have to do. Their real complaint can be stated really simply. The true cartoony cartoon puts your soul on the screen. By making Ren and Stimpy and the other characters so expressive like they're alive, they had to channel the power of their own souls. And THAT is what they were getting at by carving thin sheets of wood off of a log. That's what it was like to use their souls to draw. Either their souls were like the log, or Stimpy's struggling arms.

The horrible, torturous struggling ordeal communicated by their version of Stimpy's cartoon show was simply the experience felt in their souls as they tried to adjust to this more spiritual form of making artwork. And so the second religiously relevant element of Ren and Stimpy besides the strong personal connection was the soulful way of making cartoons. I believe he was restoring the Bob Clampett method of making cartoons in its true form, as I will expound very soon. And so the personal connection is really John's own. Makes the show start to sound so mystical.

As my explanations have already demonstrated, the staff at Games were not ready to make a cartoon with strong spiritualism and Christian values. Their outrage at it grew and grew, just as it grew at Nickelodeon's executives and elsewhere in the animation industry and in various places across the country. It's much like Jesus’s references to sneaking into the house of a strong man. If he had come in wanting to make a cartoon about the Bible, he would have never gotten to that point at nickelodeon. He unleashed a hell of a trojan horse, and many people reacted accordingly. My other articles and other works will provide further coverage.

Skipping past a lot of stuff with John getting fired and games making episodes and all that, when it came to the last episode of Last Temptation I believe they had collectively hatched an evil plan. I won't decide who is responsible, but I'm certain Bob Camp was responsible and was the leader of those responsible. God will reveal all.

In the mainstream world, a satanic ritual is commonly depicted to be a gathering of figures in red robes who bring in a captive as they surround a pentagram covered in lit candles. They place their captive in the middle and perform chanting and the victim is consumed by a spewing pillar of hellfire. And to them, that's the only thing a satanic ritual ever really is. But of course Satan is the father of lies and it would not be easy to discern his real methods.

Here are his methods. I have seen many times haters of spumco mirror the ending of the games animation studio. A deranged, frantic spasming of the Soul which can be compared to a scene from The Mummy where a dude tries to get a bug out from under his skin. By teaching them his cartooning methods and having them make his stories he had infested their souls with a more spiritual form of living and knowledge of real truths of Christianity. It was like he was performing Christian spiritual terrorism. I wonder if John had a clue of what he was doing. Well if he didn't, Satan probably struggled to know too.

As the Bible says, evildoers and the truth are like oil and water. They did not feel gratitude for changing their outlook on life. They desired revenge. Messing up his episodes and having Stimpy throw a painting of him into a fire in space wasn't good enough. They must have let out an unholy shriek in their dismal group culture. It's easy for me to figure a lot of this out from being 4 years old.

Their last spasm must have been done with a sneer and guffaw. They placed the secret core of Ren and Stimpy out for all to see in an episode of them coming to a parody of Christianity. Their eventual followers are obsessed with this. 10 years ago I had a troll who spent every day harassing me on Tumblr on various accounts. Once I posted about farts and he screamed just “REN AND STIMPY." Games made them obsessed with exposing what people care about, exposing their interests and driving motivations. They imitated Games by the thousands.

Drowning effigies of Ren and Stimpy completed the ritual. This represented drowning what Ren and Stimpy truly accomplished and truly meant in the animation culture of about 25 years. Leaving behind only vague notions of making funny cartoon characters rip off each other's skin or something. Of course real Ren and Stimpy was not forgotten, but in the past couple years Bob Camp has been crowned as an earthly king by the animation industry. He got everything that Satan could give him.

The Fatal Temptation must have been immense. Thousands of people would imitate and define themselves by their ritual within the animation community of the past decade. They would have achieved revenge for exposing themselves to deeper realization of Christianity by working with John Kricfalusi, a phenomenon I will describe in detail of how it happens to an individual later and did so already a little on deviantart. The whole animation industry would eventually, in the late 00s, begin to imitate the evildoers of games as role models. At the same time they hated John Kricfalusi so, games animation were their secret heroes. In fact, games helped kickstart the sexual societal trends that led to trying to teach little kids about sex in public schools and in animation and in other evil places, something else I will explain elaborately.

They were defeated by the Florida anti-grooming bill.

I believe what they did constitutes blasphemy against the Holy Spirit, and they have no possibility of forgiveness. That the holy Spirit would have been telling them to stand by John's vision that can bring so much benefit to the lives of kids as it is continually extrapolated to improve service to children. I believe that it is certain blasphemy against the holy Spirit was committed and it is a special form the earliest Christians would not have known about, as they did not know the significance of things like making revolutionary art for children. But I will not say which members of games animation exactly committed the sin as I don't know besides that it is almost certain bob camp did. I might as well throw in Chris savino as likely because he is so creepy. Also Billy West as likely for whining so damn much about what I have to endure simply by writing this using voice to text. Slothful to the max, and it's funny but also serious.

I am not shy to say that I have special heavenly insight as a result of their satanic ritual and gruesome sin, and expose things no one else does with my keen spiritual eye. Part of that which they drowned was all passionate Ren and Stimpy fans, and it seems clear that I am the strongest fan. When I attempted suicide, I even tried to jump into a nearby River. Which stands out vividly to me as the river common to near death experiences. Once you pass it, no one can return. What If you experience in the physical world, though? Maybe that messes up the equation a little.

It was inevitable that John Kricfalusi would be accused of child predation, in a satanic twist on the teaching of Jesus that those who place stumbling blocks in front of children would be better off drowned with a millstone. In return, I am now attaching a millstone to Bob Camp and his temporarily obscured co-conspirators in animation satanism.

There is now an anti-pedophile movement that has formed and is growing, opposed to wherever they try to find acceptance. Right now. Our opponents express the same anguish games animation did in Stimpy’s cartoon show. There didn't have to be a Florida anti-grooming bill. Things could have kept going a while longer for the wokes, like for months. They didn't have to experience anguish and astonishment. Though of course losing when they came after kids was inevitable. Inevitable to happen at some point. Later, or earlier and earlier.

Part of what games helped cause was another evil art project that committed even more certain blasphemy against the Holy Spirit, as it is explicitly but cryptically described in the story. I will spend a lot of time exposing this project as well. This project spoiled the life I was trying to build with my female best friend when it was made, and I feel unable to live without her. Drowning, drowning…

They had their 25 years. Not even a whole life span. But the damage they caused in that time was immense. The blood of what they have done cries out from the ground. No one has done this before, and if I am particularly successful no one will ever do it again.

If John Kricfalusi was really a pedophile groomer, then people in the animation industry wouldn't have been shocked by the Florida bill and come out en masse to stop it by publicly supporting k-3 public School sexual grooming only to fail. As if they crashed into an obstacle in the road, a great concrete blockade, after 25 years.

I happen to believe in a multiverse. I believe in this multiverse it is common for me to move to Florida for at least some time. That's because my Best friend lived there at the time the other evil art project began. I believe as part of the multiverse phenomenon the timelines can affect each other. At the same time that Ron DeSantis scored the first major victory against wokeness in heaven’s eyes Elon musk basically bought Twitter and Edward Feser started using it, despite being totally on mark in condemning it. A convergence. Just a small event in a happening that grows more and more obvious and encompassing.

Their fatal mistake helped necessitate a multiverse. That, too, didn't need to happen. But a secret being I know well caused it. That is the scale of their crime of spite.

Games animation was supposed to make a Ren and Stimpy movie. The Lion King was a fitting answer to their pretensions, featuring the best ren and Stimpy clones.

After lying in bed I realize I've been plotting a course I've been on since I was 4 years old. Something planned deep inside me. It's ended in the spiritual terrorism of the Florida bill, at anguish. Log slicing anguish, but this time the process of slicing the log is trying to muster up sincere love for children. Justify what they could not keep secret, justify what I exposed for a year. As with John, keeping one's plans almost perfectly secret is an effective way of foiling Satan, despite that he is outside of time and space. The soul, in a certain sense, is some distance from time and space as well… and after I almost died, I got a lot closer to Heaven too. It all comes full circle in life's journey to good triumphing over evil, just like in a good cartoon the bob camp spoiled animation industry never makes anymore. Not since the Lion King.

As for me, I took well to the spiritual portrait of life within Ren and Stimpy. It took me a while to adjust to the physical world, like I was bouncing off of it. I understood people so well I could read that spirit trajectory of games studio when I was either four or six, I was the polar opposite of autistic. It also made me difficult to function and make me want to hide what I am, I wondered if I was some kind of hyperperson. I don't regret watching Ren and Stimpy so young, since as it turns out kids value growing up to be cool.

All that bothers me in my peaceful and fun life is that satanic ritual performed in the animation industry, and the many thousands of people that followed its lead. But their 25 years are over. This is my art world now.