The fiery tale of Puss in Boots and real animation history
Cycling towards my various real issues with the animation industry, proceeding out of current interpersonal conflict.
Puss in Boots was just recently released. I received quite a bit of controversy on my usual forum of 4chan and the comics and cartoons board. I see it as a duty to uphold standards through making meaningful discussion on the board, even if people who disagree with me are rarely willing to reciprocate.
It became evident that I was making animation students as well as DreamWorks employees themselves very angry. They sent me lots of nasty messages, made abusive statements and did other such things. Someone familiar with my animation opinions as I post on the board could find this unusual, as I do see some positive sides to the movie, and as my usual manner is to give movies credit for literally nothing, as with turning red and lightyear. Describing only errors and failure. You would think that my usual repliers would at least not be so negative because my own opinion is meaningfully more positive, but that is not so. On the reverse, I believe they have been angrier than ever.
Next is my explanation of this. way back 13 years ago I was trying to make comics and cartoons and also provoked quite a bit of controversy. I believed I shouldn't bother with any place where criticism is verboten, so rather than refrain from criticism to try to acquire an animation career I made my criticism sharper to indicate an attractive trait for an animator employee. not like I could afford an expensive school to rub with the right shoulders anyway, but then without my unyielding principles it would be easy to acquire a scholarship.
Instead of being rewarded for refining my credential traits as an animator I was condemned for them, an inversion of the opposite way in which cartoonists should be treated, although people of this world do not acknowledge it with rare exception. Artistic ethics are waiting to be discovered, proceeding out of the nature of practicing creativity in a world as well as more exotic spiritual factors.
They conveyed this by saying that I was “Burning Bridges,” a planned subject I will discuss later. Making fun of their movies was a way of showing my quality of what I could contribute to their Studio or another. Affecting offense at making fun of (people like a decade or more older than me) the artists made no sense because no real artist could appreciate being hamstrung by the idiot Executives as in a well known story about Kung Fu Panda where they brought in a writer who could not actually change anything besides, symbolically, changing what was in a bucket. (Bucket?) Their abilities were crippled by such behavior from higher ups and so any real artist would not have reached his true potential. But it wasn't really about being a real artist, about the developing fantasy of becoming a figure like Walt disney, Chuck Jones or Willy Wonka most of all.
And so I was never hired by a studio or anybody to make artwork. My own potential as an animator was not developed as a result. This potential exists regardless. The years passed, and eventually they turned towards trying to be a big deal with artistic accomplishment with the movie, which brings us back to Puss in Boots. Unfortunately for them I am the exact perfect candidate in the world to animate their wolf character from my potential. The wolf is a standout character which has the blessing of not being so really ugly and counterintuitive in design and depiction as the established Shrek characters. But whatever they enjoy about this character is lesser than what I could do with this character.
My new webcomic which I just started, another Prelude series to the true version of my main comic which will come in a few years, will quickly demonstrate this. It currently has eight pages. There's simply no way for people to read the pages that I will make and not see my point.
There's a certain evocative twist to these current artistic events which points directly to the points I want to make. This is the action of the Trickster, who creates twists of the truth in creation. He celebrates this new level of my artistry being actualized with this Twist becoming prominent in the world.
This is something of a challenge as I am now directly butting heads with DreamWorks, one of my opponents from my artistic Revolution falling to pieces. Much like a video game challenge, such as to collect things or deal lots of damage, associating in this world with video games what is ultimately associated with the trickster, pushing individuals to exceed their prior level. This also puts each of us in direct conflict through the various Mysteries of the artistic course of life. The trickster wants us to be in conflict, and so my criticism not only was a good trait of a cartoonist: it is also an expression of the spiritual traits of the trickster which are especially common in Africans, traits which can be developed towards their fruition after being diminished and obscured by Original Sin.
This conflict and butting of heads is not physical. It takes place in the artistic dimension, a very mysterious and difficult to see place in our fallen world. DreamWorks is trying to be a big deal in cartooning art, but with each new advancement and progression of the deployment of my webcomic Hauntlyre, their efforts are stymied and turned back towards the truth.
It was not necessary for DreamWorks to try to be a big deal with the wolf character who is such an obvious perfect fit for myself as an animation candidate. It can be considered a dark blessing, proceeding out of both being blessed by God and the equivalent of the trickster, an expression of the cancer sign ♋️ to perfectly synchronize Justice.
If my opponents actually spoke about me (I do not consider their hatred to count) they could quibble about things like not getting to develop my animation skills through professional work, but it is pitiful and self-attacking as if they are creative as individuals at all they would love to do more than DreamWorks executives let them too.
I received incredibly depraved messages, hollering for people ( presumably Young zoomers, as today's animation people love telling young people what to do, and love little else about making animation) to filter my posts, getting very conflictive and trying to say that I was just being mean to the movie for no reason.
On top of that, they did something I have not seen before which was to act like they did back in 2009 and 2010. The same childish complaints, like the idea of seriously critiquing a cartoon was crazy, even though that later became so common. Just with crap critiques. Acting as if I really hated a certain cartoon, while since then mainstream people act as if there is nothing special to a certain cartoon aside as a vessel for politics and self-interested Gain such as therapy or ‘representation’. Acting if I was being really mean, but since then the industry Community has become psychotic towards anybody who doesn't toe the line of all the acceptable cartoon opinions, and there is similar attitudes towards disagreement with woke people in other communities.
It seemed as if they hoped this would really disturb me, but I find all their behavior to invoke decades-long dismay regardless. Employing this tactic most likely would not be particularly conscious. I also had the theory that their persona had simply broken apart and they reverted back to their 4chan trolling persona which they used to help secure their animation careers over a decade ago. I expect both are the major factors, the proportion being difficult to determine.
And there was still more distinguishing traits to their harassment, such as an ongoing theme from my trolls that they wish I didn't exist. Disputing my online name, my beliefs, posting the wrong photo and saying it was me, claiming that my art was AI generated, pretending that I came here a couple years ago, and posting this crap over and over; it came to a fervor and it still is coming to it currently.
They maintain the childlike fantasy that when they go around bumping people from being on course to an animation career, going back all the way to the 00s, that they magically disappeared and this didn't have a serious impact on the lives of real people for whom straying away from animation wasn't something that would happened for them. These anonymous employees tried to troll me, but what distinguished them from themselves when they were actually younger as well as Zoomers today is the evident guilt for their past wrongdoing online. I already knew that. And I intentionally try to make guilt build up in the minds of Zoomers for when they grow up and this Carboloading activates. And when they do grow up they will know why I name this action with Association with food.
There's also the possibility that the movie is directly inspired by myself. A reminder that I have not actually watched the movie, and all the ingredients are obviously apparent. This follows from others such as Wreck-It Ralph's King Candy and anything inspired by Homestuck such as turning red, profiting from it plagiarizing me. Again, when you see the upcoming content of my webcomic in the very near future, you will immediately see what I am referring to and what the original content from me is.
Would be an odd move in their artistic consciousness to go back to myself when they try to shine with their artistry. But it proceeds from me attempting to contribute things as a teenager which are truly necessary for animation and other mediums. It would also be pointlessly cruel to try to spite me for so long, someone who was only there to help animation, as everything will eventually turn back to my efforts so they will be seen and actualized in creation.
There is also another story involving DreamWorks from that time when they were informing me that I couldn't be employed by them. This has been upcoming for a while. I believe that because of this story that actually DreamWorks expressed support for my efforts through their artistry. This could have died off recently in favor of their employees trolling me on 4chan due to the spiritual and personal memory of this story being forgotten without involving conscious thought, as well as younger members of the company, who like with other major Studios get in through Cutthroat Behavior, coming in and getting Brash like the manchildren they are. And at the same time growing very uncomfortable because they are incapable of preventing the spiritual knowledge from growing inside of them of all this context I have discussed in this article, including those Elements which are difficult to describe with words but are pointed towards by this post. I get better at describing such elements so that this status of not being able to be described is obsolete
