The Groomswarm of LGBTQ in art communities
I discuss the history and meaning of this tactic while preparing to cover the many examples of its techniques.
Mechanica: Astarian Nights Part 1: War Embers receives an introductory synopsis. “Within that endless land is the terrifying possibly that the Machines will follow us to spoil world after world, or perhaps the ancient enemy RA-re has already infested it, and we fly our starships to meet only his laughter, spread amongst the endless winding devastation of his snake titans.”
Another song I merge with the other to sound like Hazbin Hotel. One of Batty’s friends gatekept me for talking about Catholicism, so I lived up to him calling me a “wolf” by chomping up LGBTQ straight out of the stars like Titanomach, my newest Soulspawned character. When I could’ve focused on black culture or something instead. He and others come from predecessing cultures which excluded me for asserting my Catholic identity (And no, not a special customized Catholicism for “accompaniment” with them, just regular ancient Catholicism. Didn’t even put together Cosmic theology yet to be special) and now they have to decide their relationship to this consequence.
The bizarrity of animation Zoomers - now saying things like “they liked John K to be edgy against woke” (which they pretended to be true of me to get off on treating me like a teenager, so I absorbed knowledge of their grooming tactics) - is “comeuppance” from animation Millennials who hilariously are jealous that I sound so much younger than them because I choose to be capable of Mechanica, keeping my interactions with ipgd as a teenager alive in my mind. They persistently pretended I was one of them when I could eat them alive by saying things like that God gave me the task of protecting children’s upbringings so that unallowable evils do not happen. They are still youthful enough to hear the dread heavenly resonance of that remark, but Millennials need to see this synopsis to realize it.
There are those internet predators from the early days of YouTube and social media who started posting comments like “wouldn’t it be funny if you posted your feet haha.” There was no one I hated more as an adolescent. For they take the beginnings of fun and exploit the lingering remainder of childhood innocence in young teens. Fun is a sort of competitor to sexual obsession, hence being dispelled in many after they hit puberty. Fun in adults is essential for cartoons, without which you get Amphibia which transliteralizes crying lgbtq teens suckerpunching the phobes. Everything worth crying over in their lifestyle can be had properly and with more happiness from fun.
LGBTQ youths do not only target powerful Republicans, they target other youths. They know how to split up to target different emotional buttons and such things to make an artist do what they want. Their lives and personal development is directed by those they follow, and the artists they follow are familiar with the process of gradually tapping to refine a drawing or 3D model. With my abstract senses, I can feel that “tapping” as an artist myself from them when they do this, and it disgusts me. Hence lgbtq youth perpetually seeking to make me look “schizo”, but I don’t even try to expose them on this if they don’t make me angry. Why? Because they are holding the development of art communities hostage and Boomer neocons will reemerge to spoil artwork being a part of normal life again if they understand how art communities work too well.
Indeed, my calculations include accepting cartooning simply dying out as people are not good enough to have it. In past ages, many things left humanity they don’t even remember anymore because they chose to sin, and I know of parts of life others don’t because I chose life in the heavens from earth.
The development of cartooning is interwoven with myself, geniuses like Michelle and Xamag strongly connected to myself, then they improve their surrounding communities. This makes lgbtq-infused communities angry as instead of babbling to get their little piece of the direction of artists, they receive the artistry of top geniuses like a good student listening to a good teacher. Such a system produced the series of master painters over centuries, but master storytelling artists are different as they tell stories that form the bedrock of the narrative of society. Tons of influence tracing back veins to a lone genius, like Bob Clampett or Chuck Jones or Jack Kirby.
The Groomswarm Plague
And so, Groomswarm is a substitute for accepting a “fascist” art leader, like a Platonic Philosopher-King. They group together to get their “votes”, and participate in “voting” by doing things like replying to unpopular artists and reshaping the environment of their lives like with gossip. It is part of the Sacred Democracy that the left speaks of “protecting,” as it is so obviously disgusting that people naturally want to destroy it. People aren’t even talking to you, they avoid grasping your personal essence, they are just gaming you.
It is an alternative to taking internet interactions seriously, my enemies have the dying insult of saying I “live on the internet,” the internet is the model of the cosmos, so that was one part of God’s punishment of populations with covid restrictions so they are forced to improve their attitudes about internet interaction.
I would be fine with the cartoon coming to a more noble end than it was having in the 80s-mid 90s, animation techniques flaying apart to produce the fucked up minds of the bulk of the internet cartoon community, having an insane fascination with John Kricfalusi as he did much to avert total disaster with stern direction. This time having a respectable funeral by people educated by John, me and others as to the nature and purpose of proper cartoonmaking. That way you aren’t watching a bizarre process of lively art being ground apart by soulless companies and executives.
It turns out there are notable talents arising in cartoons, but then the Groomswarm starts screeching when it’s an independent artist just making funny cartoons instead of a parade of fetish characters calibrated to their tastes like the average lgbtq popular artist. I took the time to spend days pummeling them about the elf comic artist who came out of /co/ so the message is absorbed into their Groomswarm that I will fuck them up beyond comprehension if they continue being infuriated the comic merely exists.
This is the sort of spirit that goes into the structure of the elf comic, hence my very same haters getting angry about me and angry about the comic in similar ways.
My enemies have had their stupid little replies for so many years, but they increasingly strain apart. I have “sexual motives” for defending the elf comic, Zeurel, Max Gilardi, Butch Hartman, John K, Doug TenNapel, Matt Williames - in that case they are expanding the definition of sex to include succeeding, accomplishing and dominating as a male and rising up to meet my peers and mentors. Something they can do but they prefer the ease of sodomy and casual sex that channels personal energies that go into my artistic leadership for me.
Conclusion:
You have two paths when it comes to making media that is primarily for kids. “Wouldn’t it be funny if you posted your feet haha,” and someone like me who actually discusses the framework behind the art and the childraising it serves. I’m polite enough to keep discussing Cosmic theology and other topics mostly to my Substack and emails to the industry so I don’t “space the brains” of random 19-year-olds into cartoons. However the infuriating choice of art industries to act like colossal retards about art and seek to bury John K’s blog and how thousands of artists like Coelasquid benefited from it for that reason produced Groomswarm culture and other things instead of minors who impress me with what they have to say about art. They “saved minors” from being “victimized” by John by making them such idiots they can’t handle questions like “have you seen golden age Looney Tunes to know what masterful cartooning is,” and instead they get played by Groomswarms and less coordinated grooming until those who do it eagerly consume their porn characters when they are “no longer minors” at 20.