The mechanics of personal identity
Explaining the functions and significance both societal and general of personal identity, as well as a relevant tale of a HotDiggityDemon video.
In my previous article I discussed my new webcomic which is a more fully realized version of some previous web comics, which is itself a preparation for a more fully realized comic which will be the true beginning.
I mention how even from the first page it points to very important things about myself, such as looking deeply into someone's choice of words. It is simply my writing style which contains this element that the writing of other people contains as well but not as prominently.
My various opponents such as the homestuck team and the animation industry have needed to prevent people from finding out about my personal identity, such discovery of personal knowledge prompting realizations such as that some things in the past years of mainstream artwork would not have existed without me, such as the general garbagefire which is Homestuck and the king candy character from Wreck-It Ralph. This explains incredibly unnatural Behavior such as people in online communities demanding people not to read my posts and ignore me and the lack of natural response to such behavior from others. On HSG/HST, people would fly off the handle at just a little personal information in my posts, which would start letting people know what they were reading in Homestuck. I intentionally avoided truly letting them know as part of my plan.
Personal identity is a focus of the True black culture, isolating what is distinct about the individual as is a theme of the role Blackness plays in creation. And so in my view this is the main explanation of the many troubles in grappling with personal identity we have been seeing in these past decades. One of the major elements of this in the mainstream culture being the lgbtq movement, which claims to be a solution and fulfillment of one's identity. It is the opposite: it is relishing in damagedness, and brings one away from his or her true identity, farther and farther. The ultimate fulfillment of that wandering away is experienced in hell by those who are not saved.
And so in order to solve the various problems I will identify, spiritual combat is required in order to Stave off attempts which themselves Stave off understanding of true blackness.
As in the beginning of the article where I involved details of my personal identity and the interpersonal/spiritual conflict I have gotten in and continue to get in. It is the beginning of real solutions.
One’s true identity can be discovered in many ways, in every trace an individual leaves behind. It is quite fitting to begin the proper expansion of discovering real identity in the internet age, which brings us many tools for finding both your own identity and the identity of others. Indeed people have been doing this for a long time, as in the artistic identity theft Andrew Hussie committed against myself. And so properly understanding personal identity and how it can be known can eliminate many forms of evil.
As a teenager, my main thesis about artwork was that things sucked. What this really meant is when an artist brings things in from other artists and other things instead of putting out his own identity through expressing himself in his art. Obscuring the meaning of this, even to myself, was an expression of my personal identity, and also an aspect of my plan, my plan arising in part from my personal identity.
A basic case study is looking at artists who are heavily influenced by Disney. When you look at them, and there are thousands of them, the identity they are expressing in their work is the identity of Walt Disney as well as various important artists at his company both while he was alive and after he died. They are prominently featured in the artwork rather than the actual artist, his or her own identity failing to be prominently featured except perhaps perceptible to friends and family. With an artist like Chuck Jones or Jim Smith you don't need to know the person to see the identity in the art - when I was a kid I didn't know anything about Jim Smith but I loved him anyway for the great characteristics of his artwork.
Identity proceeds automatically into artwork and other things through honesty. Basedness is the quality of being yourself with no filter- you know this is what the person really thinks, and he's not just trying to please others. The term based was invented by a black rapper, an instance of expressing Black Culture through a major term online.
The opposite of based is called woke or cringe. It prevents basedness and thus prevents true artistic quality and meaning. Every single artist who becomes woke either loses his or her artistic skills or never gains them. As I have spoken of you can even regain them as with KC Green.
Woke people have all kinds of rules and are always coming up with more of them but the essence of what they really believe is to Simply reject one's individual Humanity and adopt a bizarre group identity which provides no fulfillment to one's person. This creates great anxiety and aggravation and so the psychological consequences of being woke fuels their destructive politics, claiming to fix problems which really come from their worldview, tainting their experience of life.
And so this makes them my enemies since I was 15 years old and began on the projects of advancing one's individual Humanity to reach greater and greater levels of one's person. Inspired by John K's blog as well as watching his cartoons.
Before based we also had “keeping it real”, which more involves being vivid and direct in what is going on. Although made in God's image black people approach the things of God such as the truth or Building Society in a different manner which other races do. Creating a Natural Balance which promotes the flourishing of Life instead of a still inertness. Identity proceeds out of these Myriad of factors in which humans relate to all other things.
Much of the conflict of the past 15 years involves both group and individual identities. Of course I do not refer to the ones that are spoken of by the mainstream world, that's just a cloak for the real conflict and the real groups and the real traits of individuals.
Yesterday I viewed an animation made in 2008 by HotDiggityDemon, real name Max Gilardi. As I watched it and did other things a Past Experience arose Within Me. This is not actually my current experience of it. It's the experience I would have had as a teenager.
I fucking hated it. I gradually felt a volcano of pure loathing. I feel fine with saying this as Max is a different person today that I hated the animator who made it as well and would enjoy watching him die. I believe it is the product of the counter forces against my artistic Revolution which I Advanced with great Passion regardless of the difficulty in my way, and so the content and the animating Style exists as a personal insult to myself as well as an impersonal insult to things Beyond Myself which I represent always.
What are all the things I hated so much? Well there is obvious Ren and Stimpy and Dexter's Lab influence, but it's shoved in your face in a nasty way. Artists such as him had an “edgy” feel, and in this instance the constituent factors which made the work edgy involved flashing a subliminal middle finger to people like myself and the proper way of learning from great artists like John K and Genndy Tartakovsky. This explains why I hated his animation during his Pony years and warmed up to him only recently when I began defending him against the industry people who denigrated his work, which looks much more proper today.
The animation is of the mega64 podcast, a now-woke production which is adjacent to things like ‘Tom goes to the mayor’ and dril wannabes. When woke got seeded into the world in 2012 it was a big and harsh change, but it wasn't so for every individual. People like these guys are obviously undermining the proper crafting and enjoyment of geeky stuff. A personal impetus which likely comes from being an “enemy of the trickster,” a classification of the damned.
They make racist jokes but in the precisely wrong way from how someone like myself would make them. “Edgy" individuals such as themselves ruined such subject matter -Oopsies!; and ruined efforts to salvage the reputation of cartoon work like coal black and Tin Pan Alley cats. There's a clear continuity in the sort of people they are, but not on the political level. On the personal level they never changed.
They pick at things like Pagan cultures of Africa in such a mechanical fashion that they were buffeting people away from the kernels of Truth to be found among the pagans. Thereby creating Shadows of racism among people from what they did, and thereby enabling woke to give all the wrong explanations.
My experience of this film is like if you saw people put on a play, putting badly made and ugly masks of your family members on sticks, tossing around things which you love the most and making a travesty of your life and everything which you live for. This revisits the battleground of that decade and was the amount of effort required to undermine a single cartoon-loving minor. And the stickler is that I don't even know on this side of Heaven how much HotDiggityDemon is willfully participating as well, sinning against neighbor, and has now reformed as someone who genuinely likes cartoons would do. Causing the mental maladies he speaks of today, because he did so much to fight against what he loved, creating something which had the essence of Homestuck.
Back then my experience was not so concentrated and vivid, and certainly not so understood. I had a stormy swarm of feelings going by too fast and too numerously to feel them all. I don't remember if I watched it or it was some other cartoons he did. I had a lot of animus and estrangement back then and this validates all of it. I am reminded of when John said that if given the opportunity he would just make ‘man's best friend’ again. If I was put back in that literal past context I would make all the same decisions despite knowing what would happen, which is not the sort of time travel which I anticipate.
My conviction and determination proceeds out of my personal identity and those things associated with my personal identity such as the true Black Culture. My opponents discovered my personal identity, but not well, through my vivid development of it transmitting understanding into their minds. And much of the conflict we all experience since then proceeds out of those personal factors.
The only solution is to return to those things I aimed to advance in the 21st century and to advance them properly. Otherwise there will always be simply conflict. It's now funny to think of Max's haters pleading with him not to be so inoffensively problematic as it must make them uneasy on deeper levels to think of him defecting since 2008.
Without understanding of the mechanics of personal identity, civilization will continue to go into a tailspin as it is thrown into chaos from manifestations of the significance of personal identity arising everywhere continually without real understanding.