The Origins of Steven Universe
Explaining the surrounding framework of the show both within itself and associated with me, to show how it proceeded from my artistic efforts.
When I was a kid my mom went into the schools practically constantly to tell off the school staff, saying wasn't true that I was autistic and many other things. Some of these things don't even seem like things I could understand regardless of how old I was, which is perhaps evidence of timeline motion.
When I grew up and became a teenager this was my basic model of confronting the animation community. It was as if I surged forth with her spirit against it. Because of what she did, I already knew what to do. And I was intimidating for animation people immediately.
Strangely enough both now and then people associated with the industry seem very focused on disrupting my teenage self, but the combination between myself and her seems like something they couldn't really handle. It is possible that as part of the Plan of Evil they had become ready for me in that time, but they never became prepared for me and her combined. This is likely true because this power to combine is associated with the underrealm, which is made of treasures of God, and so the existence of their power proceeds directly from my victory: at the beginning of my fight.
It is also possible that the curious timeline motion of my childhood, which seems beyond my ability to understand currently, facilitated this path to my fight and the gaining of my power for it. All children experience unusual things in the domain of the trickster, and for myself that could include things beyond my ability to understand before the end of my life, while other people experience things that are pretty easy for me to understand, most of the time.
Rebecca Sugar was a /co/mrade at the time, a regular on the board while I used it as one of the places for my creative-spiritual battle. The concept of a young male fighting with the power of his mother is pretty inspirational for a girl. As part of the plan of evil, none of my opponents said anything about my fight even when it provoked absurd circumstances and situations. But this was a response that did happen. It would be really unrealistic and contrary to life for no responses to my fight to happen at all. For that to be real the forces of evil would need to triumph, which is why my opponents and trolls fantasize about this being true.
Being a primarily defensive power also is thematic. My primary conscious drive was to protect cartoons from decay and the effects of bad things associated with the medium like Filmation or bad advice. I wanted to protect kids from the bad impact badly made cartoons can have on their lives as I had experienced, such as with the games seasons of Ren and snippy. A mode of combat that is not defensive would be associated with my Underbeasts, who have fearsome teeth and such things. The Rings can align to form a shield.
On /co/ and other places, I would critique the grotesqueness of modern artworking and artwork including some of her own, which went into the content and not just how it looks. This is also reflected in the softness of the look and elements. Rounding down from works such as Simpsons fans dying and losing the ability to recognize the lines, the resulting look with the CalArts style was desperately copied when really it should have been improved. The various elements of the setting have a buoyancy and vibrantness which proceed directly from my artistic vision. Studio Trigger became fixated on it despite the lack of ability to do it properly. Trying to go beyond cartoon characters made of lines and simple shapes, the βcrewniverseβ lacked the ability to understand how.
I had experienced disaster from Homestuck fans, political correctness metamorphosizing into social justice, and other parties. The next step of the stages of Inspiration would have been to actually become involved. But I was too weak for that and there was no pathway for this happening. I slowly moved away as soon further pains would enter my soul. The mainstream animation community would rant and gloat about the storyboarding being so weak on Steven Universe, but they literally never got to learn how to do it. Homestuck fans flooded into the fandom as they were desperate for more of the vapors they were enjoying- for the most part enjoying, in Homestuck.
The Gem characters rather resemble the creatures of my Underrealm, although they tend to be animalistic and fleshy. This would be an example of actually being inspired properly, the gems resembling a play on the Rings being cosmic jewelry. On the other hand Homestuck just took the terms ring and horrorterror, copied some lovecraft, and didn't know what to do with them.
So, too, does the space empire proceed directly from the action of beings associated with the Underrealm, as was key to my Half-Life 3 pitch. Instead of realizing this the whole concept just fell apart into the gems colonizing planets with nothing above animals and not realizing apparently that they hit one with people. My first pitch document for Half-Life 3 by itself shows the direction to doing the Gems properly, and of course I had already wanted to have made Half-Life 3 by the time Steven Universe was made.
As Steven Universe represents myself he represents my power from the Underrealm, and as master of the Underrealm they heed me always. This explains how the Steven Universe character would actually be capable of easily reasoning with the Gems who are related to the Underrealm and proceed from its energies, and cause them to reconsider their war. Instead of this higher level context of the black Renaissance, both the narrative of the actual show and the fandom had to devolve into some nonsense about pacifism and Steven just having some magical power, tossing in some nonsense about Hitler, and calling it a day.
Β» Knock the Dominoes 0/0 %Β»
By waiting this long into my substack to explain this, I have set up further confirmatory evidence. As from my pitch document. Stevenβs war against the gem empire which forbids its gems being anything but almost identical copies resembles my war against the mainstream world which forbids people from expressing their inherent selves more than slightly. For those desperate for more such as Steven Universe fans, it recommends LGBTQ as a bandage for its wounds. Through fusion by relationships the characters become much more interesting, and the setting can be analyzed to show this is how the species should be in the first place, just as the mainstream world was created from Protestants.
The perversions of the mainstream world go into the show, even as Rebecca sugar explains she has important things to say about relationships they try to force in lgbtq, with the result of implying incest near the end of the show.
So too do Homestuck fans try to import Andrew hussie's philosophy just as they do with Toby Fox, no matter how obvious it is that he's a special asshole and they're much more peaceful. Depicting Rebecca Sugar spitefully βmaking it gayerβ, it makes one wish that one verse of the Quran is real.
The symbolic power Steven Universe should have is actually manifested in real life by me, Homestuck fans and animation industry people, former New Atheists and others terrified of actually saying anything to me. The Underrealm is an actually real place, and the first response they should have to broaching this subject of what they did with it is terror. As a result, I cause much action against the mainstream wound -world, which is what Steven's actions against the gem empire symbolizes.
And there are further details. My last name means βRawβ, which can be a reference to the fleshy visceral creatures of the underrealm. Despite seeming humble my own name refers to a cosmic Kingdom, which is one of the factors that inspired being known as βguyβ. So too does βUniverseβ imply a bigger destiny than is ever actually depicted in the cartoon. Pointing towards a much more meaningful resolution to his conflict with the space empire than what the elements of the series settled into. Thereβs an additional religious element for later.
The Gems themselves, the stones, also resemble an element of my βgame of the decadeβ, of the 20s. My Dota 2 analogue features the βSupreme Spookβ trying to understand why his fellow ghosts have given up on innocent scaring in the ongoing storylines. This leads to him defecting along with his friend from the other side to become neutral characters. My sequel to Anomalous Phenomena features a character gaining the power of an Underbeast to gain vengeance for losing a world made of sand.
Branching lines between points to connect with the artistic works of those artists I Inspire and are otherwise associated with. Without these creative realities like many others Steven Universe fell apart. The ugliness increased, the aimlessness of the story lines, I compared it to a succession of blueballs.
Rebecca sugar withered just as Katie rice did, associating with people she would prefer not to, such as her Homestuck fan βfansβ. From 2013 I supported her as someone I inspired and said nothing about it until she started putting political propaganda into her PSAs. Then I started publicizing a few details of how Steven Universe would have never existed without me. This article contains many more
I can go on and will later. Calarts Style came from desperation to truly have an artistic revolution without me, copying a few superficial elements as if it really means anything. Just as when they leap at Renaissances they see everywhere, which have no substance to them. Every time a studio makes a better movie: βA renaissance!β If the animation industry and related communities had accepted me, Steven Universe would have become much better and season by season just like wen and Stimpy. And so the potential can only really be seen at the start as the industry was taken over by self-serving people who have no meaningful selves due to their own choices. Their actions also led to studio trigger losing steam and many other events.