The problem with classic cartoon fans

It is quite poetic that I begin this article on December 2 2022, 12222 Path to duality of (black conversion of 2 to 5, 5 to 5th meaning black) black culture proceeding to duality of (2nd conversion) 5th dimensional reality (add missing 20) to proceed to the restoration of the true 20s. Which is an example of Black Mathematics, which I use spiritual apprehension to find the correct interpretations of the date.

As this is the day where Elon-owned Twitter is starting to publish internal documents showing woke Twitter collaboration with the Biden Administration and other such things. As birds are Black Culture.

Part One

Ultimately their problem is that they did not respect the spiritual meaning of cartoons and comics (which contain many branches of cartooning) as Black Culture.

Every word of this screenshot of my playlist is a Black Message celebrating what I have done today, which is establishing stage 1 of my upcoming webcomic Hauntlyre, which has the spiritual mission of aiming to lead the way to the formation of the Multiverse, which is the full Return of Black Culture. It constitutes a musical Bounceboard

In order for this screenshot to exist, it needed to involve the programming of spotify, my musical listening choices, the musicians in the songs they made and the names they chose, my development of Working Out, and my decision to have a good walk tonight. It is a confirmation of the meaning of the decisions I make every day and is an example of 5th dimensional phenomenona. It is a message from the Black Kingdom.

In order to finish formulating Stage One, I needed to listen to this song. By the time it was over the formulation was complete, and I saw many meaningful scenes in my mind.

All this serves the purpose of showing how serious creativity to is to me, as someone who took the path not taken by anyone else, of truly respecting what cartoons and other art forms mean. Even when all the institutions of life just say it is something people to do to entertain themselves and record ideas, like journaling. I don't think such a narrative at all reflects the Transcendent meaning of great works like Lord of the Rings, nor does it reflect less obvious things.

Classic cartoon fans did enjoy cartoons and record ideas about them, but they did not see that there was a big conflict between real cartoons and the mainstream world, as I did when I was 15 years old. Because I saw the facts as they really were, they never really had a narrative for me aside from seeing as me as just a fan like themselves, a troll or John K himself. They did not want to go towards the path not taken. So much is riding in their personal lives on them not doing so.

My mouth comparison 2 Instructional Image, which I feel pleased with while being not fully satisfied with 1. Cartoon fans identified problems, I now present Solutions.

When they chose to have such a trivial attitude about cartoons despite all the massive evidence there is more to disrespect for classic cartoons than their disrespecters are willing to say, they were failing to actually formulate a method and pathway to a recovery of cartoons to be more like the classics, such as Looney tunes, Ren and stimpy, various early newspaper strips such as Popeye, or all the Innovative and accomplished work of golden age Disney. Merely hoping that some artists would do it was not good enough. People like Max Gilardi became capable of cartoony cartoons, but they were beset upon by the industry seething with jealousy and defensiveness, and the industry people had many more numbers to sabotage any real cartoonist with, such as all the sabotage I received as a teenager and in my early twenties. They never even got to see a full glimpse of my work, but they set about sabotaging me frantically.

Instead the classic cartoon fans should have been more than fans and actively constructing a bridge to the restoration of cartoons. But they did not do so. They sat on their asses ranting about how good classic Bugs Bunny acting was and doing nothing productive. And this all comes from the project of bridging to the restoration of cartoons being a solidly Black project coming from ancient Black Culture. A project largely constituting Cultural Change, an ancient black practice whose techniques have been lost to the corruption of sin since the ancient period.

Most classic cartoon fans as you can see in any random discussion of golden age cartoons on the internet weren't even brave enough to look at all these designs and say that they are obviously CalArts Beanmouth.

Not all of them were so deficient. There were a few who did Serious work, and others with a lot of passion but without the means to get a lot moving in the direction of restoration. But the general trend was just obnoxious laziness, as is my objective assessment.

When I saw the people in the modern cartoon Community when I was 15 years old, I judged them to be bad guys. From a more serious and adult perspective they are obviously deranged and depraved lovers of evil. And yet classic cartoon fans almost all expected people to engage in respectful discussion. It's not so bad to want politeness and civility even when bad people are in the conversation. But they never acknowledged the moral dimension of people who had no concern for the impact badly made cartoons were having on the the kids in the audience, nor have they ever acknowledged with words the massive torrent of abuse I received starting at 15 for caring about it. They weren't willing to unravel their acceptance of the mainstream world for my sake. They focus on their friends, families, and careers, what importance was there in art for Art's Sake as so many people have said on the internet unless they have witnessed directly what I have to say about art.

Here you can witness the practice of cultural Breakdown in action, a basic form of it for public forums. This substack has a more advanced form. It took all these years after I was 15 years old for me to become capable of this so effortlessly, like learning how to swim instead of splashing around

I have never been attracted to forming a proper relationship with any classic cartoon fans for all these factors. I Get It. I saw people give up on Cutting Edge critique of modern cartoons after interacting with me, one of those sights which filled me with despair as my attempted Revolution crumbled apart and people like Andrew Hussie and Alex Hirsch moved in to do their campaigns of evil disguised as a comic and as a cartoon as I am beginning to analyze. No one was able to stand against them, not even me. Because classic cartoon fans failed.

I have thought much about the Multiverse and I expect that pretty much every time line aside from this one (Which is leading to the creation of the Multiverse which will retroactively make all other timelines exist simultaneously with this one.) contains people who are more helpful for the mission to recover cartoons and defeat the modern toon. This can be read as an intentional Choice by God in arranging good and evil to make a statement on how few people there truly would have been to help me with my personal spiritual mission before they get to see what I have been working on since I was 15 years old.

Classic cartoon fans and others who have entered this context are so fearful because what this is ultimately about is Satan and his evil forces creating the Evil Darkness to replace the role ancient Africa was to play on Earth before the fall of Man. Hooking up to the metaphysical dimensions of the Earth, replacing the absent blackness, to lead a failed assault to overthrow God's Kingdom and his created order for the Earth. Their faith was too weak, or too nonexistent, to enter a context where this passage becomes highly relevant for the sake of the Black Nation:

4:13, just like Homestuck misused. Not everyone was so weak, such as my best friend who saw in me what I could not and went to help make Homestuck, inflicting upon Homestuck people spiritually a condition which Andrew depicted as making them into clowns with Psycholonials, sabotaging them in her daily life despite collaborating. The Psycholonials thing is a sort of Lament of the black conditions surrounding your life, an aspect of human expression I have understood since I was about 8 years old, which I saw in certain episodes of things like Dexter's Lab, as well as things like Stephen King books. I didn't know that people didn't understand this aspect of human expression.

I can appreciate my best friend's efforts despite living a much easier life than myself. I cannot appreciate classic cartoon fans no matter how close they come to tearing into modern cartoons properly, because they lacked The Bravery of having distaste for the mainstream world as my best friend did when I met her. The consequences of revolting against, as it seemed when I was growing up, practically the entire context of the life of most modern westerners would be severe, but you could still live a very comfortable existence even if that life lacks the meaning of something you can truly enjoy.

I believe in alternate timelines at least one random Brave cartoon fan pretty much always exists during my fight for cartoons. Thereby earning credit for the Trickster in what they accomplish. This is not only an intentional multiversal detail, it also simply comes from the plain practical fact that it is so PLAINLY OBVIOUS something is up with cartoons and related matters that it must have come from the intentional plan of God. This also facilitates all of the things I have accomplished so far, because I deserved to have them facilitated.

I was unfollowed by the “John K Respecter" yesterday, I expect because I was digging up the drama coming his way from the usual modern animation fans who can't muster a single intelligent statement. The timing of this being just before I realized myself that he likely wouldn't desire it. ( navigating social situations is a slow and uncertain process when you have never interacted with someone else about art in real life) I was also more expressing astonishment for their reactions and conduct - as I have been doing for more than a decade, the astonishment always being refreshed by the next thing they come up with.

This was also just before I resumed updating my substack so I wouldn't spend so much time on Twitter and my tweets would become less frequent and higher quality, as I would expect would be another factor.

This is a fitting symbol of what it is like to try to interact with anybody who enjoys mainstream culture. I'm never quite able to please them, and every interaction is never close enough to be in reach. It is as if I show up to a restaurant but it is closing, and I show up to a job interview but someone was just hired, I go to where they're passing things out to people but they just ran out, I see some flowers but they include none of my favorites and favorites of everybody else nearby, and I go back to my favorite childhood place and they're tearing it down. After being used to living like this all my life it caused severe dysfunction of actually doing things instead of missing opportunities to do them.

Their Mainstream commitments make them wisely out of the way of someone like me, even if I am basically the only person actually trying to fix what they are complaining about myself. As is true with modern animation and has been true with other things.

They know them - they use logic to analyze the culture instead of just cultural referents. Cultural logic opens the mainstream culture up to being bad or good and demolished or preserved, and being split up into those categories. Classic cartoon Fans almost never broach the subject of advancing beyond the classics such as Golden Age Looney Tunes and the creative mechanisms of achieving this as that means analyzing cartoons without referring to some other cartoon and thereby preserving the ecosystem of the mainstream world.

Using logic made me feel like the most bizarre robotic person as a result of this mainstream attitude.

Many other factors can be discussed. I maintained a healthy distance from people like the John K Respecter because even though we are supposed to be on the same side we really aren't and have never been. And I know they want to maintain their distance too, I evoke a social Horror in their minds of needing to give up too much that their family and friends can benefit from for the sake of an internet poster if they wanted to get truly close and truly accept my point of view on cartoons and other things.

And so I chose the path of learning to demolish the mainstream culture so that cartoon fans, and people in other contexts, simply do not become inseparable from the mainstream world on levels of their psyche. A long and slow process that would be dreary for a while, as I revive the ancient fifth dimensional art of wiping out bad culture.

Before his return to Twitter I was thinking regularly about him flipping out over over me not taking the stories about John K seriously, even the couple that may be true - they always flip out. He didn't bother to discuss the people in the industry who inflict their varieties of child predation on kids in the audience through cartoons, such as pushing your fetish on them.

Nor did he approach the discussion of the real meaning of all the made up stories about John K and thereby approaching the subject of how some of them actually come from me through people who trolled me when I was a teenager. Because to entertain those two considerations is to go into the direction of becoming a total social outcast in the world I grew up in. The direction I chose which makes me actually capable of returning health and vitality and creativity to cartoons through grotesque levels of difficulty.

The only real problem with people who critique cartoons like they read John K’s blog is that they don't come up with new important criticisms too often. One of the things I innovate here is pointing out the industry obsession with putting characters in school, as if the public school model is the natural ecosystem of kids instead of an intensely abusive and badly put-together way to raise kids by the mainstream world.

Nor did he have reactions that I would have expected normal people to have - it's true of everybody else too. Like questioning why I was so poor that I could not afford Thad's Sick Little Monkeys as a younger John K fan to analyze all the various information in it. Nobody wanted to know that story.

For people of the John K respecter's generation I never feel like I can really be anything besides a special adult. Some of the traits associated with autism and some other public school mental illnesses can easily come from someone like myself who disregards what is popular in favor what is good, even if people of my day look at me like I'm an alien in response, like my trolls who hollered in fear and confusion especially in my mid-teens.

By participating in the mainstream world he and other critics of the comics and cartoons Industries can preserve their social connection, raise their families, and hang out with friends without real difficulty, but the artistic dimension of their lives since birth continually degrades as the culture they accept salts the Earth of things like the Looney Tunes being Universal pop culture and Ren and Stimpy being one of the iconic shows that appeal to adults. They sour on the Looney Tunes despite the obvious Artistry and Appeal as they start to realize what it really means and why it has such an impact in their brains.

Others of the generation just go woke and hate on Plenty of classic artists. Loyal classic cartoon fans, as opposed to the ones that become weirdos celebrating Drag Bugs or whatever, try to remain based but have the same attitude about John K that wokes have about Doug Tennapel, HP Lovecraft, Butch Hartman, JRR Tolkien, Bruce Timm, Andrew Loomis, Bob Clampett, Gary Gygax, and others and say nothing about all these good or great artists getting smeared at the same time with “really serious accusations” of doing serious harm to wokes.

In my opinion this drawing is serious harm.

I can't imagine the old Katie rice drawing her son for the first time with such little soul. Classic cartoon fans capitulate the real meaning of artwork when they pretend that it terminates short of actually resembling a physical violation. What things like garbage '80s cartoons devoid of even cool ideas, the original Animaniacs, and much of Steven Universe do to kids is worse than the stories about Katie rice and other victim-minded women even if they were true. If you can't acknowledge that you will never be truly based.

I was willing to lose everything in life for the sake of art and was rewarded with broaching the subject of the first Creative Lord in Creation for the first time. No one is artistically morally pure besides myself. I sustained many atrocities which people in the animation industry and other bad art communities try to simulate in their enemies with their stories about John kay, Doug Tennapel, Butch Hartman, Jacob Lenstar and others. Such to say that they didn't really do it all to me, all their enemies symbolically did those things spread over many people, easing the load of imagining them happening all to one person.

If you believed in any of them you were fooled, as is a trick of the Trickster.

This can be easily about artists going woke if you change it to 10 years since 2012, the campfire to getting art jobs from SJ social media, the wolf into a normal guy and the dogs into blue hair ex-Tumblr clowns.

Classic cartoon fans older than me don't even want to see me succeed even when I'm just about to do so because it reminds them of all the choices they failed to make to help me as an enthusiastic online art revolutionary, people like me, and to help make the choices I have made easier and to help staying true to being people like me easier. I imagine they conceptualize all this as uncomfortable and dim Sensations without the artistic mental apparatus to understand the issues.

It is quite poetic that I estimate the John K Respecter unfollowed me at about the same time I referenced the Millstone Passage in a QRT of one of his replies from modernists, the passage of the Bible which clearly puts into context all of my solitary efforts to fix the animation field properly so that it always nurtures kids. I think it is a good note to leave off on with my annoying interactions.

If classic cartoon fans were real animation enthusiasts they would celebrate this show simply because it looks like it was made by people who love kids rather than being weird perverts with unhealthy fixations on children and their media.

My intention is to destroy the mainstream culture I grew up with so that not only do people never again become modern cartoon fans, they never become classic cartoon fans even if they are much more redeemable than the modern ones. And so people like me can grow up normally instead of being harassed and belittled for being autistic because they use nonverbal communication - wow, just like in the cartoons!