The story of Grimm
Using a TV show to introduce things.
“Look, I get it. You're the outsider, nobody understands the world the way you do.” Nick, protagonist of Grimm
Grimm is a TV show from 2011 which involves a cop going after the crimes of creatures others cannot understand in a normal police station. It poses people like himself as descendants of the lineage of The Brothers Grimm, whose stories rather than being mere fantasies explained the activities of animalistic humanoids posing as normal humans. They are born with the duty to deal with them.
Previously I presented the concept of Outsiders and referred to them quite often. They are people who linger on the outside of society and perform a variety of empowered roles there such as being an artist. I referred to Stephen King as one of them. To be a paranormal cop would be a second example of Africans born outside of Africa. If the trickster’s domain affects the whole world, then it would be fitting for his people to not be limited to his Nation. Such types of individuals born in other nations, who may be part of a lineage or arise spontaneously, can govern the paranormal in communities there.
In our fallen world these people still exist but lack the African power and knowledge lorded over by the trickster. When the trickster returns all these things will be reactivated and perhaps things can resemble the TV show Grimm.
Although such things exist there things are still difficult. The main character’s Aunt has cancer and is fending off creature attacks at the same time, certainly quite a trial. Perhaps the setting represents a world where the trickster has not returned but there is more paranormal and supernatural things in the world.
Previously I supposed that John Kricfalusi could be either a white guy or my next type of outer-African to introduce. Being a paranormal cop well-explains his various fixations and insistence on depicting the African art form of the cartoon properly. The incredibly intense resistance to his activities which passed down to me goes to show fear at the arrival of the trickster's domain.
It could also be true that I am an Outsider born to a family of African cops out of Italy. This explains my curiosities and my family's consistent fixation on police work as well as things like my mother's understated interest in stories. And ascending to my full empowerment as ”the library policeman” at the end of this world combines being an writer and artist on the outskirts with this heritage of being a cop.
And so the various activities on maintaining the qualities of stories as I have been pointing to already ultimately traces back to fealty to the trickster, maintaining the purpose of fairy tales and myths and legends and such things.
And so making anything like the rescue rangers movie is an assault on the trickster, undermining the transcendent meaning of stories like Peter Pan, which have significance beyond this tarnished existence. And so it is my duty to destroy them and prevent them from being made further by reforming the animation community and related communities.
In addition to other things I haven't spoken of, this validates that there is a reason why the woke speak of Africans in world history before travel between Africa and the other continents - but they don't need to be literally black-skinned, just lineages of Africans and spontaneous Africans that can otherwise be any race. That is the kernel of Truth which they surround with their lie that it is a morally good thing to insert black race characters in medieval stories and other settings. They don't consider Stephen King or (possibly) John Kricfalusi black or African creators.
Back in those days I read about episodes of Grimm and found it sad to read about the Bee queen who died trying to give the protagonist a message. The show suggests meaningful narratives that are not entirely fictional. It shows that there has been the basis for my second effort I began with this substack for quite a while, all the way back in 2011 when Homestuck was just about to begin the obscenely awful Act 6. Act five can represent an assault on my first effort, act 6 can represent a mountain of trash in the way of my recovery from those attacks in my late teens. I will carefully pick apart them both.
In later years the show made me mad because I didn't like the look of the transformed creatures. Perhaps they would have looked differently if my Revolution had not been spoiled, with more subtle nuance such as cuteness.
The actor for the wolf guy impressed me. His character is my favorite part. I like his gradual shift in helping people and related things.
I started watching the show again after I began this article and caught the quote at the top. Meaty writing like this is what I wanted as a teenager, without the cacophony of wacky jokes you had in the 00s from imitating Shrek. The thoughtful scenarios shows the rise of the early 10s before wokes invaded in around 2015.
Although I act on stories like in the show this is done based on the effects it can have on society rather than for the sake of interactions with individuals to whom the stories relate. These cop figures can exist even if the strange creatures they primarily police have little existence in the world. Possibly this type exists like normal in this world, while analogues for the humanoids are few. Possibly it is impossible for most of them to exist without the heightened paranormal and Supernatural phenomena of alternate world-types.
This second category of outer-Africans can themselves be called Grimms just like in the show as The Brothers Grimm give real life precedent. Although Grimm can represent its own distinct lineage of cops amongst others.