The toxin of positivity
Hailing back to a time when people were more real and honest in the mainstream, which is around 2012, I explain the final events before I completely left it.
As I have already well-established all my artistic ideas for series are either horror or contain strong horror elements. My Cosmic setting of the 13 Rings is itself a place of horror, and it plays a role in all my work in one way or another. Presumably this is a reflection of myself.
I mirrored this on Tumblr back in 2011 - 2012. Those days were very different which is important information especially for Zoomers. The sort of person who enjoyed Homestuck was much more humanistic and honest. Even if they were ultimately douchebags most of the time if they sincerely enjoyed Andrew Hussy.
In those days many people sought the vapors of my artistic efforts which changed the world in whatever forms they coalesced in. I was unconcerned with that and was getting started on building up life things. I expect if you consider a Multiverse this would rarely change in any sequence of events which resembles the one I actually live in. As you see, I believe in a certain order of things. Friendship comes before work. Love comes before productivity. And so forth. And so even if I was fully aware of how I impacted the world, and even if I did so more dramatically and visibly, I would ignore it as I consider it absurd to do otherwise.
People also had some more honest reactions to me. But not very directly. I had a difficult time understanding them. After all I had only had one real life friend. I never had a real life art friend. I never got to even look at someone's face while I talked about art. People were very difficult to understand.
A Prelude post to the Imperial Blockade.
But they performed various maneuvering around my presence. There was a certain character to how people interacted with the individuals I gravitated to. A certain frantic energy which was highly understated, and a devious cunning which was also subconscious.
They had two main goals. 1. Was to make art communities inhospitable to me and anyone on my side. 2. Was to separate those individuals from me who were friends or clear potential friends practically waiting.
Number one had clear reasoning as I previously referred to inspiring artwork for over a decade in a distorted way without ever actually publishing my artistic works. Fearful, sad Etc faces became common which were in fact meant for Works infested with monsters in my Renaissance efforts, not therapeutic cartoon episodes. Rewinding back close to the beginning of this phenomenon, if these various artists, fandom leaders and similar people allowed me to get a foothold I would end up becoming a kind of boss of animation and some other artistic fields. Gaining a massive amount of authority and the ability to make things like Steven Universe perhaps go in an artistic direction that doesn't suck.
I remember individuals like someone I thought of as the pizza box artist, a reference to another Tumblr thing. Later he became a tame numale like any of the others, adopting for a temporary time a robust and obnoxious personality like they were desperate to put strong male figures into the Tumblr world to attract attention.
It also extended outside of artwork and Tumblr. Like I was previously talking about, atheists were terrified of me at this time. I was a total shock to their system, especially if I asserted myself more boldly. They were unable to accept the God who creates miracles in Creation to provide signs of his designs. How could they accept an art lesson in the sky from fictional super powerful monsters who seem to be somewhat real, teaching their own creator how to draw themselves, and that's not even a miracle it's just an unusual occurrence called a knock, which will become increasingly common as they infringe on reality? (Though since it was the first time I saw something so robust while I was making an article about my brother's art, it could be considered a miracle. One of the ongoing Mysteries in the designs for life)
Then there is the matter of Homestuck. It became incredibly involved in the lives of many artists. They also thought it would become bigger than it actually did back in those days of around 2012 - 2013. People built art careers with it, it made a vast impact on the artistic cultures, it was a big deal on the whole internet of the time. It was also nothing more than plagiarism of myself. Back then I had already received the spiritual mission to entirely negate and redeem the existence of Homestuck, but I said nothing about it. My ability to act against Homestuck and everything connected to it is so powerful simply making a few statements against it is powerful, making some drawings is powerful.
And therefore they had to prevent me from getting any kind of foothold to prevent me from mentally and psychologically recovering from experiences of Prior years, making friends who would have tended to be in close proximity of Homestuck, and developing my artistic skills and writing skills and other abilities of mine, as it is all a danger for Homestuck and any future projects which share its evil spirit like turning red which came out recently.
Social justice was their first tool for creating this inhospitability. I was horrified by it and yelled about it. Everybody in those days gradually began to March in lockstep with social justice, even if they made fun of it it was ultimately meaningless. People like ipgd and her friends from /ic/ had good reason to make fun of it as they had received initial contact with the real thing which social justice was always intended to subvert. And they did so.
The art communities also distorted to be inhospitable for content I would like to make. Being against offensive content and demanding content warnings meant there was no space for horror comics besides lame therapeutic content for people with an identity-based interest in the Paranormal. These changes will be good to analyze later. They have developed for a decade until the current animation industry is basically paralyzed and incapable of improving at drawing at all, though there have been movements towards things like hazbin hotel and arcane which bring in independent animators and foreign animators.
My first bean boy design, part of a dozen or so images for making fun of the animation industry I made before my hand and neck injuries. They struggled to handle my drawings as well, which took about 15 - 25 minutes.
Their obsession with positivity, preventing negative emotions like being startled by something that reminds you of something bad from your past or how an offensive remark towards you feels was a motte against my work which seems to be reflected in ancient African culture, talking about how important it is to accept black people, indigenous people and others in their culturally and spiritually crippled state is the bailey, and they wanted things to remain like that forever to avoid the inevitable future. I've also had experienced this in real life as I tried to do my best with the scraps I had to live with in solitude, showing that people are willing to do things like screaming at me about staying positive even when I don't even do anything to interact with them, I just try to be left alone. I expect this plays out in the Multiverse in many ways, which I expect develops Beyond the stuntedness of this timeline in all the Myriad directions.
As for the second goal, of course one of the most absurd things about Homestuck and everything connected to it is that my best friend became intimately involved with it. ipgd is very similar to myself, which I attribute to the design of the trickster. For people who dedicate themselves to making stories it would often be good for them to be very similar to each other to facilitate working on the same type of stories and creating the same type of stories.
I figured that out recently but I have always thought that anybody who was involved with ipgd and friends with ipgd should be involved with and friends with me, it is the same damn thing. For anybody directly involved with Homestuck, they would have to prevent me from coming to light as people would immediately realize I'm the same kind of person as ipgd, and I also greatly resemble dril. In my view varieties of clones and clone phenomena are part of true African culture, even though it's incredibly weird at the present time.
(I find that I can meet people who also resemble me, ipgd, dril and others who even share the same strong interest in things like the Warcraft series.)
This proceeds to the conclusion that Homestuck was directly defined by my friend on top of being plagiarized from me in the late 00s. It's a hell of a red pill to swallow for any Homestuck fan.
She also explains how undertale, in a tip of the Hat, has a protagonist who exhibits a similar phenomenon as I did in real life, as she was close with Toby.
There are also a lot of her friends who basically feel like my friends objectively, (who also feel like more real friends than various weirdos like on the homestuck team) as well as other individuals like the friend of one of the biggest fandom leaders. A Lot of white girls. The environment was so hostile for me in those days, although I did not make any direct acknowledgment of it, that I thought even trying to become friends with these individuals would put them in immediate Danger. Mortal danger, Financial Danger, relational Danger. Since I couldn't acquire an income I was uninterested in putting any females in that situation by default, regardless.
One of the more memorable events was when a close friend of ipgd said something about learning to draw cute characters and some male she knew put a description of what I find cute in her Tumblr asks. I lost it and proceeded to see it as an anchor point for when I travel to the Past Through The Fifth Dimension, later. Years afterwards she sent me a Twitter message and I replied by describing constructs of Hell.
They were successful in ruining my life in that decade, too successful really considering their efforts. The consequences of their efforts were severe. From watching TV shows like Grimm and Hawaii Five-O I was reminded of this time and the nostalgic environment for passionate appreciation of carefully made entertainment and intensive interactions between fans and creators. You can practically feel the discussions people would have been having back then about the scenes and characters and stuff. But after a few years that was all lost. A whole decade went off the rails, and art communities everywhere became increasingly toxic, and things are lost in the lifeless afterdays of things like the MCU and Star Wars cinematic universes, gazillions of bad sequels. The cultures malfunctioned and fell apart, and it all points to this being a false future which will eventually be 5th dimensionally Reverted as part of the lead up to the end times.
People have compared these recent years to Sodom and Gomorrah, but it's not going to be the same kind of thing as those cities. This Sodom and Gomorrah event has a lot to do with artistic spiritualism and time and other things. There is so much evidence of what has been going down and will be going down to analyze later.
