[Thoughtful, Long] Trans and the Matrix

How it makes sense the creators of The Matrix went trans due to subversion of it, and how this ties into the meaning of the film and its legacy with me. While exploring abstract life: dispelling trans

Astarian Nights continues with The Similation: “We told ourselves that they were just digital phantasms, but it wore into us the truth of what the red demon said, born-aliens of the Iron Universe, us humans were less true to the fabric of our reality than we yearned to believe, and the simulations featuring our duplicates more fitting.”

The Hauntlyre Songs I add to my articles form my personal Matrix, ones inspired by my Revolution and ones that fueled my Revolution in the first place, each ascending to new meaning. Unfriendly people can simply look over them and prove they can't feel it interconnecting, built by the Hauntlyre meta-entity spider. Instead they're still trying to confuse my content with constructions of the Societal Matrix to divert people away from my content and other things like the emerging purified masculinity for the current age. Constructions like modern Gnosticism: showing that like Neo, I am outside of The Matrix, suffering with people who choose to be there.

This on Sunday afternoons shows my soul seeks out a dark version of Christianity. “The Matrix” knows how easy it is for Hauntlyre to show itself in my life, and so do I, it's one reason I avoided showing people my music in isolation.

When the film The Matrix was made, it related to the abstract structures of society and human existence in general. Incorporating biblical allusions as well as pointed satire - someone willing to knowingly receive illusory pleasures in return for very real and severe betrayal - it produced a very meaningful and classic work. Meanwhile transgenderism also often relates to the abstract structures of society, like a man who breaks his masculinity to always listen to women until he feels like he is one, or a woman unable to navigate having a tough career, social expectations, her once-constantly visible beauty, and other things so she loses her sense of herself. The Wachowski Brothers could be intentionally influenced by Society considered as a discrete abstraction to become more and more like the latter case, dismantling their clever creative abilities with a wide variety of methods to be found in Hollywood Life.

The kind of post this is satirizing is meant to program Zoomers what to do when they see a socially unacceptable person. Often those call out posts involve things as inane as not finding jokes funny or attacking the behavior of people who actually experienced real serious crimes, but the point is to build the alarm in the Zoomer mind to stay away from people outside of their Zoomer matrix and with people inside.

This process could have begun long before they went trans. When you consider the two Matrix sequels, they have some very powerful ideas and very powerful visuals. But, they don't really come together. I mean if you just watch a trailer, or remember scattered motifs, all the framework of something at least genuinely good is there. What happened? Seems obvious that Society said “well, you've done some excellent work, made Hollywood richer and more iconic, created a pop culture phenomenon and least important to me made a lot of people think, but if you keep aiming the dimensions of your films at me, that's going to do some serious damage.” Much like Ren and Stimpy was violently rejected by executives despite being a massive success that built an entire network, and an executive producer of the film tried to work with John Kricfalusi.

#p18 - R&S - the best things about Ren and Stimpy are not in Ren and Stimpy

This drawing that came up on my timeline again has a Homestuck visual novel Style, and the fandom abusing and excluding me prevented them from enjoying proximity to my living development of Cosmic theology. The way I speak of timeless classic films was mocked by Andrew Hussie with Con Air, Armageddon, and others, which share a common which tend to share a common theme of mass devastation for the sake of personal connection. And so they lost a profound connection to such works like I enjoy, able to discuss them for years unslowing in inertia.

Abstract reality

After I lost my cat Andaerz references the striding theme of my spiritual visions depicted in my webcomic, walking from the Earth to the afterlife. Comforting me that she extends beyond. The extreme negative emotions can have a massive impact on abstract reality, even if I find her soon after. Indeed, “The Matrix” could have facilitated this finding - which came from pure luck - to maintain itself, out of motivations and mechanisms that can't be explained in this caption.

After my article about my missing cat there was a lot of /co/ activity about The Owl House, I had exposed my content about demon dimensions with The Demon Commander. King reflects the interior dimensions of my Underdog identity: as fellow John K fans, she found the actual point of me promoting old cartoons with a lot of potential, ascending into the Cosmic meaning of Underdog. Part of the reason why industry types were strongly receptive to my attachment to Dana was how my behavior matches King's original concept, that's classic evidence. There is the familiar satire of my mental dimensions, I was attacked so the contributions of artist girls to my mind wouldn't emerge like this into conscious knowledge,this aspect of my personal history manifested by Mituna with his fried brain who gives assessments of the qualities of girls. In her community there is also the Hauntlyre horror of Alex being implied to be merely a baby, not a real dark horror guy like me.

I knew what my enemies were going to make fun of me for from grasping abstract reality, I already recognize the jokes Mr. Boop made about me from preparing the content of Hauntlyre involving my eschatological enemies. Their Zoomers exploded in mockery at me because they recognized their lives were on pause regarding various things because millennials chose to remain perpetually posed to mock me for my initial developments of cosmic theology and other things, and so they just went ahead and did it without making any meaningful blows, mainly just references to social dramas and “comeuppance” narratives from how hostile people imagined who I was to hate.

The Matrix already contains narratives about the future of AI development and about the Cancer sign from my content. Naturally my enemies wanted to make fun of me for “basing my vision of reality on Homestuck”, despite that it assembled together things like astrology that already existed, but the reality was that I ceased experiencing any more artwork to protect things like the Matrix gestating in my mind to support my artwork like Mechanica as well as connective contributions from friendly artists like Coelasquid. Then I “came out of my shell” and saw where I came up with all these ideas, and my haters say nothing about it because they can watch movies or read classic iconic quotes and see it too.

[Story] Cradle of Creation

Making overwrought maneuvers and responses, my enemies acted on behalf of abstractions, unable to concoct any meaningful explanation of their behavior. I become Neo, and they become ragecases of the Machine, too ignoble and dishonorable to have a Smith. Just losing their minds and disintegrating as spiritually being Human as the alarms blare that “that solitary sentence he posted is threatening MUH CAREER”.

This is the sort of abstract design that shows people trying to work with my Revolution back then, extrapolating designs from machines and the way he behaves. Notably he looks how Dana Snyder FEELS, as was indeed something I emphasized as a teenager. And so things were in the pipeline at DTVA and elsewhere that could have gotten on board with my Revolution, the order came down from on high not to, and then seeing me around on the internet makes people like anonymous animation professionals wonder why they are losing certain projects, and so mediocre minds among them lash out because the course that has been chosen for the industry is being threatened by me simply posting as I had been doing for years.

Trans vs The Matrix

Things like Matrix music finds new life in Hauntlyre. During my isolation the experience of my spiritual visions led to listening to this feel like pure fantasy, like many other songs. Attacking my development of Cosmic theology let the proud Legacy of The Matrix be diverted into things like transgenderism, which was itself a counteroffensive from things like feminism for things like red pill masculinity in the conservative world.

As always disregarding the profound philosophy of the Matrix is a violation mechanism by LGBTQ, disregarding personal reality of the recent past gives them a sense of dominance and affirms transgender identity changes. It was dismissed back in that day as philosophy 101, but that is to disregard the illustrations of the film, the resonance. Philosophy 101 by itself couldn't have gotten us the Legacy of the red and blue pill theme.

My attachment to The Matrix is reflected in the work of Underrealm-linked artists through the red and blue themes. Followers are blue, Ava erupts red, then there is more subtle themes like the powerful bold text which relates to Lord English. Amongst the blue pill is strong text, including from me: I bluepilled people online to think I was obsessed with Ren and Stimpy as a cartoon to watch, and that left a strong framework for crushing their wrongful approach to animation by unveiling that I was attached to cartoons for the sake of Cosmic theology and benefiting creative individuals like myself.

I'm familiar with the mechanisms that wore away the Wachowski Brothers as gifted creatives from people using them on me online: a random LGBTQ projecting incredibly complicated (compared to what they do for anybody else) manipulative responses from their social and mental hives, matrices. Part of their misfortune is not understanding that I was just a random impoverished person who became a cosmic King as a teenager by doing unthinkable things to change the course of Society. A glitch in the matrix, extending all the way to confusing demons by my Underbeasts, which return to the past after the Eternal damnation of fallen Angels, and so they will never gain the ability to understand Underbeasts properly.

Certain people like Chivalry Guild have developed the kind of Outlook I wanted people to have in the first place when I was debating them. I always preferred the guidance of the random elders you meet in other people's lives to the guidance of pop culture. I was challenged to explain how with all of the technological might at our disposal, which once included simply Google by itself, that their guidance continues to exist as competitors, or even superiors. Refusing to accept “just Google it”, Society attacked me bitterly by making Homestuck popular and using the Jake English character as a mechanism for attacking my years of developing being an internet storyteller as a teenager. Then, I was attacked again soon before my Initiative because people like in the animation industry are crippled by needing to develop their careers according to the collective memory of my teenage comments that ceased because of Homestuck.

Social Intelligence

What threatened feminism most of all was a red pill femininity, as the entire narrative collapses if there are broad swaths of things femininity can contribute to society, like being a creative Muse. Ava's Demon oriented my personal narrative amongst the chaos caused by things like Homestuck, which had the goal of “respecting women” through things like having women Express rage at Jake for being a storyteller male, which prompts women to be counterparts of this special type, as Michelle the creator was so prompted, and so she was attacked by 2012 Tumblr. Indeed there is interesting connection between the “blue people” aesthetic to Avatar to be explored later. As with the Na’vi linking with the tree, while followers link with Titan’s vision.

Women make non-literal complaints, and the intelligences of social matrices were suppressed for greed. As the Wachowski Brothers went through their lives, they encountered limitless opportunities for their minds to be manipulated, at first not wanting to sabotage the success of the Matrix sequels. Simply removing the bite from them. If people understood this was happening back then, they would be humiliated: “wow, the Wachowski Brothers are such cool filmmakers The Matrix is coming after them in real life! Haha!” I did understand that kind of thing as a teenager, although to me it was typically just my normal experience of life. Not as much something to think about.

John K haters solidified a contrived narrative for attacking his dad, a mechanism for attacking my own dad through our societally-combined identity to search for a reason why I rejected leftist life besides that it was a violation of everything I believe in. Finding this while searching for the magazine page of “boners” said by executives, keeping an eye out on big companies taking advantage of John's work with zero credit is about the most loving thing he could have done involving his career.

To me I can see a faker, I can see a real guy like John's dad, my mom is the same way, it comes with being a cultural enforcer. I could see the cultural currents and societal powers compelling people to do things. That's what's happening. But me seeing that was inconvenient for a lot of people, and so my natural faculties and my personal accomplishments both made me an enemy of The Matrix. Never again before at least a year and a half into my Initiative did I receive a remotely meaningful response about anything, as cultural currents and societal powers are big deals.

Then came Zoomers mocking me ignoring their straight answers in favor of the opinion of their social groups, “like trans!” then came the slow shame of me rolling out Cosmic theology, they were never giving a straight answer to anything at all, they were lost in those social groups who diverted course from understanding My philosophy I developed with things like The Matrix, a course I maintained to kill the lies of Satan they lived in.

I’m attached to a mouthless aesthetic which conveys those I speak of or to without speaking back. It abstractly visualizes my preferred relationship styles. This became incorporated into Homestuck, and a variety of artists developed it, which fixed what it was like to live as a teenager without it, actually painful and callous.

Fact is, my entire purpose became a critic of society's Matrix, I invaded it as a dropout teenager to revolutionize Society, we have been fighting ever since. As Hauntlyre approaches, a road into the end times, increasingly politics and ideology will dissolve as an explanation of anything, in favor of things like an evil need to stave off an internet hermit's posting power. That's just a basic and obvious thing that will happen, as a spiritual person can estimate.

Conclusion

From sources like Ava’s Demon the Matrix of Homestuck-adjacent art generates Hauntlyre visuals, and also my abstract visualization of ensnared fans. The cute sharp maskfaces signify completely harmless ferociousness, after various fandoms brutally attacked me as an existential threat simultaneously supporting them, rather like The Architect. Their fandom matrices gradually rerouted their behavior away from attacking things like my mannerisms put in characters like Jake, which anonymously nourished female artists like Michelle and Batty, giving them creative architecture through my textual constructions. I adopted sharp insults as a way of ironically communicating what they were asking for without my storytelling, which was extremely meaningful remarks, for the benefit of hacks who can't put together what my storytelling actually means so they wanted me to tell it to them, contributing to sensations of cosmic nightmares expressed by the collective imagination AI is using for this image.

Sometime after Samantha came back, Skipper hit her aggressively for leaving, they both looked at me with expressive eyes, Skipper rocked back with a happy face again, then groomed her at length to welcome her back into my personal Matrix. People can reject such notions to be found by taking personal relationships seriously, but they are merely playing into society's desire for compliance with their soulless, often satanic structures. I can look at a new thing released by the animation industry and say “oh that's what they're expressing here.” Having the collective mind of the industry, and other things, in my comprehension. Meanwhile Batty is constant surprises since she benefited from my philosophy of going Beyond merely expressing the times.

Her smear effect looks like teeth, hence making a massive impact when I first saw it, like when ipgd posted Smiledog. Already incorporating Smiledog motifs shows a history of being connected to my personal matrix

People tried to wear me down with extreme levels of coordination and strain on the level of The Matrix, Batty shows the creative result I actually wanted from my activities as a teenager. This points towards other levels of Matrices: one of my favorite creative motifs is Daffy Duck saying “I was born on a merry-go-round that broke down.” Daffy Duck is a symbol of the Birdman, and an emerging Birdman-type male that becomes a cultural and societal authority even in poverty can result in a elaborate resistance from “The Matrix”, especially in this world. Then that whirling Merry Go round breaks down, the Birdman hatches, and that entire history of resistance becomes a total joke especially for things like Hauntlyre. The creators of The Matrix and others lead to that divine comedy, hence their eagerness to invade every facet of the lives of such threatening creatives until their new “fans” go “actually The Matrix was always about trans, hahahaha”, sad patients of a bad Matrix, instead of powerful figures like a Birdman and his associates, like his mentors and others who inspired him.

My Sunday experience shows an arc into anticipating my own Cosmic setting, a hard iron aesthetic of embracing suffering in transcendent form, and all the chaos involved in my spirit forming my Underrealm. A futuristic spiritualism, a futurism that extends into the 9th day of creation. The Matrix needed to deprive me of friends to hear this in real life, but is increasingly drawn towards following along with me tracing the eschatological path of regaining everything it took from me.

The power of cosmic theology can level up conventional phenomena

Animation industry your Zoomers claimed people didn't like my work and yet here they are about something like I tried to contribute to the world. Oh yes my work does involve Cosmic theology written into every page and chapter and even illustration. Let's see how attacking it for that works out for you, after we've already seen how it worked out for your careers