To Confront the Animation Community: On My Work Needing a Public Narrative

The Department of Anomalous Phenomena continues with chapter 7: Underbeast. “They contemplate forever, and hear chimes of heaven - to think, to pray, would be too much, twisted by the domain of the monster, flowing inside, never reaching heaven.”

This chapter is inspired by this news, drawing from life in a way that proceeds from the idea that every little event has overall importance. Such stories serve a serious purpose of actually explaining why Christians believe dragons are real, going from vague notions of why they aren’t found to entire history, spirituality, physicality of dragons appearing in the world. They also show why Batty’s interests, like Junji Ito, are so perfect in connecting to my brand. And so cosmic theology is made from my stories by developing alternate forms of knowledge and science through fiction.

A dril tweet that loomed large to me, as reflecting my interest in silencing to this degree. Despite the disingenuous surprise of the animation community, he worked with my best friend and on Homestuck and is a cartoonist and I aggressively supported him when he was becoming big - in imitation of Bob Clampett, who helped start Walt Disney’s career. His tweets have various levels of comedy and resonant meaning and one of those levels is towards me specifically. The bitter hatred of him by the Spumco enthusiast “community” is that he received my blessing while many artists they preferred did not, and their hatred was silenced when I started confronting the community.

I went back to grilling Alex Hirsch in this podcast because one specific /co/ poster tried to excuse his actions with Planned Parenthood as being “edgy against boomers.” This is exactly why I hid my story for so long, to prevent such bullshit explanations from being invented, and “compassionate” individuals coming to me trying to claim I can’t expect everything to be ideal. I can expect things to be honest by my own power.

Anomalous Phenomena has the purpose of introducing the paranormal as an intentional part of life that mediates evil in the world for good purposes, and it is the job of the animation community to explain why they ruined this explanation with Alex Hirsch leading that ruination, Bill Cipher symbolizing an abortion of my project, pleasuring many elders who enjoyed having their kids watch the show, who spite God by desiring a sanitized creation despite all the evidence that it intentionally has very challenging things, including God’s own behavior. In part, Underbeasts are based on the most badass aspects of God, reverse-sanitization, and doing such a thing as a creative is incredibly badass by itself

As a Catholic participant in the community Jade highlights superstition that relates to Underbeasts (which is better than superstition that is pure media stupidity.) He also synchronizes with my updates for my monsters.

Meanwhile, the best non-catholic in the community counter signals letting Christians become cool, fashionable, etc. Indicating awareness that they are specifically seeking to prevent Christians from becoming this, but hardly ever letting it out of their mouths. (Gee, what could possibly be demonic or satanic about that? What would be a method of spreading ideas nobody ever actually says? Fallen messengers, perhaps? I reconstruct Christian notions to make them cool.) As they do so they prevent God from being seen as cool, thereby obliterating a variety of atheist arguments that depend upon not seeing God as badass: “Mighty, gains vengeance,” etc. They had their corny responses to me illuminating the fact that they seek control of the taste of the public so it stays in line with their preferences, not what is good. That they refused to see the qualities of my work because it would obliterate their selfishness. Let’s see if they can handle my stories they refused to read as people read them, the mere osmosis of my stories.

Sacred to Hauntlyre, this Skrillex song empowers interconnection, losing faith in worldly narratives and gaining faith in things like your love of rabbits infiltrating the government, associated with trickster power, which pays off for my brand.

This is part of what I was working off as a teenager, cartoons- the actually good ones- form framework for other artistic mediums. I observe the world naturally instead of according to careerist eyes, who “exchanged the truth of creation for a lie,” made only gay and lame things a decade later as with the latest example, Netflix devil may cry.

They gooned that making really well drawn pictures of Ren and Stimpy wouldn’t fix the production system - as with dedicated fan artists whose work is an internet novelty despite all they have learned from the art of Spumco - and after doing so it took years to cycle back around to my actual POV as a 15-year-old, that classic works like Seinfeld in all mediums are built on the shoulders of giants, not by the industry method: watching shitty cartoons, like the Bob’s Burgers film, in the hopes they will reward you with a good film.

Discussion on John’s blog involved how to make an actually good Looney Tunes film, as the characters were built for shorts. I thought it could be done and my contributions to discourse came out of that mentality, my analysis of characters and stories and drawings and all. People benefited from my mentality and that helped produce this new film. The Innovation I have made myself can be seen from my e-books, my very cinematic writing which include non-literal cartoon traits.

Psy Corps

Dino Legacy: Primal Wars of Mars

I like to see FNAF as a Christian series and also my friend lolkaysea’s fav, which does tons of Smiledog content, which orients to my actual horror POV as a teenager (finding out about it drove the animation community insane because using words like “horrible” made some of them want to kill me, that’s how pathetic and childish and petty they were, which served the interests of their protestant elders who seek a sanitized world, not one with people like me, Lovecraft, and my best friend, born living according to horror). The series conveys I have the glory of God to guide generations of children, that my artistic brand organizes their popular media, which is the only explanation for them gravitating to a skinned dog. I told animation Zoomers they were the animatronics (not the cool ones like these, stupid and stupidly evil ones) and their mindless screaming expressed rage that naturalistic indie like FNAF resonates with kids in a way animation industry can not possibly, later whining about “groomers” while acknowledging my genius as yes, they are the villains of indie, as proper Christian art emerges where bad people in real life are shown for their errors; they have no place in my world, which perseveres in my spiritual visions, large populations lamenting they are the enemies or the cannon fodder of popular art.

A repost after my previous article explained I exist to punish feminists for fighting patriarchy all the way to my first video game design. Expressing gratitude for the support of men. Batty’s brat sensibilities extends to correcting ipgd in our big fight over feminism in 2013, which led to me refusing to work with the Homestuck team or become involved in Undertale. And bury my special sense of humor that made Grummz look cringe back then, etc.; he made her fav Warcraft, and I was not going to endorse giving the middle finger to great elders. The animation of Hearthstone reflected gratitude that I sacrificed so much to preserve my ideals of art. While on the other hand, Hussie went from ironically staring at feminist books to explaining that Caliborn was a method of torturing all males he represents: which was better? Cheesy males like Grummz were better, even if he didn’t have Hussie’s slimy cutting edge appeals. My actual critiques were simple and about helping kids and art, having been tortured by my mom ranting about everyone persecuting her and hating her entire family out of the ideological mechanisms of her unused college educations. To me, ipgd’s problems were the subject of a quest to fix, leftists in the lives of her social environment giving me the middle finger for my “Gamer” style solution, part of why they hated Caliborn. Batty reflects my philosophy that being friends with ipgd was being friends with me, and so a massive psychic disaster was etched from my conflict with ipgd, basis for Homestuck’s storytelling from that psychic resource.

This animation lies basis for dueling my cosmic corporate brand, “high stakes narcissism and annihilation.” My very identity and soul is an artistic resource, prompting card games like the Legendary abstract card Abaddon, who features heavily as a motif. Warcraft 3 was an ideal to me in its custom maps, an ideal lost in later multiplayer works: anyone could make one and anyone could find an audience. “Platform” culture is against the existence of this animation, as Abaddon is a biblical power, invoking him in art requires spiritual interaction - not materialistic numbers on social media apps, pumped up by bots, and the real people have their brains rotted to some degree. Art put together by platforms is hideous and fetishistic, like many Netflix productions with their ideologies and actors and themes dictated by platforms: “ oh wow, this is a thinly-veiled analogy for last year’s political discourse.” This Hearthstone animation is eternal, multiversal, and designed for that purpose as well as for making money, just as Valve make decisions that go beyond making money.

I wanted to help people make cartoons like this new film, receive the reception that it has received, see the benefits to culture that have begun, then go back to becoming involved in Blizzard productions and doing things like that. The desperate grasp for cartoons to be a center of worship for its major creatives robbed me of the life I actually wanted, and I am glad to have left people screaming as I spit on benefiting their careers a few years ago. I do this as a Catholic not from some moral calculation, but rather an emotional torment and rage that is tempered by my faith, so I don’t need to calculate or rationalize anything. John K received many attacks on his ego as a mere reflection of the god complex of millennial animation circa 2010, while he had in fact chosen to serve others by educating thousands of artists for free. I chose to do the same thing before I gained a career, “giving up my riches so I could have treasure in heaven.” It is the most pathetic middle finger both to your elders, and also to the support you have received to live the life you live, to not acknowledge that service whatsoever, which is why the animation community was tormented years ago by my refusal to help it with my genius, all while I had no actual money at the time. That’s the intensity of a badass Catholic life, which I love bringing closer to the public every day throughout the day, despite that people like Tapir struggled to grasp the beauty I saw without consuming an enormous amount of productsI could not afford. Some, like devil may cry, still loom in my mind as legends to finally discover like the Dragon in the chapter attached to this article/podcast. It is the greatest irony that I could make good stuff for the franchise on the basis of its memes that resonate with my spirit like nobody else. (My proposals processed by people who actually played/made the games of course.) As bad as this new Netflix series is, at least it is honest in its millennial cheesiness, which is all that is necessary for hints of potential, unlike the latest imitation of Gravity Falls.

This riotously hilarious tweet had an unintentional meaning in our culture, but I believe it was intended by the Holy Spirit for special situations, just as the shifting meaning of Dante’s Divine “Comedy” also conveys transcendent meaning

ipgd called her “her wife,” and the name Nihkee Moolah expresses my Space Jam mentality; I study from Lil Wayne (“Young Moolah”) to increasingly learn about the peak of black greatness, and his enthusiasm for Space Jam (music featured in 2, a solitary good part) plots a course to an incredibly good Space Jam I felt and glimpsed as a child, and so I am an entirely unique living resource for making Looney Tunes better. Being pronounced like the goddess Nike instead reflects my sight being on final victory while Homestuck capitulated to social justice in 2012. And her route reflects being chased throughout the Multiverse, a nightmare of my spiritual visions where I hunt the Homestuck team in rage for their decisions across the Multiverse in the mid 2010s. So let no one pretend they are surprised I have been attacking the animation community for ruining my best friendship as if I would give up on the “timeline where it exists” to make their shitty brainless garbage.

In 2012, I felt like i punch gay deer could tell me to do anything. Her respect for me (extremely unique for the time as I constantly talked about having no money and no job prospects, yet my spiritual riches enabled the fisticuffs Achilles pays for) led to consistently letting me do as I please, very unlike the body of feminists with their ideological scam to seize as much control as they could with their natural ability to take advantage of social media. Being a high school dropout, it goes to show what females would have done with social media naturally without the public school “animatronic suit” causing a desperation to get an advantage over everyone else.