Arrival of the Trickster

Part two of a Sunday special. Desynchronized from time and space, this happens in My Lifecomic. --my webcomic. Commentary on this

Aftermath continues in Eternal Prelude: “You decided to name it the department of anomalous phenomena, and he agreed it was a good name.”

A Synchronicity. G-Man's ending speech of Half-Life 1 which is a symbolic communication of the trickster in the popular franchise. These are tools to confirm that my decisions about heading forth with aggression tonight to introduce the trickster are not just a feeling, as I have experienced many times.

The “Border World” represents the boundary between the trickster's world and God's world, the edge between them. The name Xen xonnects to how the Paranormal is associated with x. The speech identifies a problem between both, a problem solved by my invention of the Underrealm. The profundity of this invention transcends time and space, an immensely spiritual event, and so this was already reflected in this franchise, as well as in other areas of human creativity.

The remake adds a ring visual, the sort of symbolism my inspiration is necessary to guide. And so if I went to have an ordinary career, it is likely my artistic tradition faltering would have prevented this imagery

The government represents the heavenly Kingdom, which employs the trickster in the “job” of managing the darkness and creativity of the Earth. His “payment” takes the form of things such as the Underrealm - but the Underrealm in specific comes free of charge out of the desire to fill a “gap” in Divine Nature.

Both necessary beings, there arises non-necessary things that are highly desirable. Some of these are effectively eternal because they transcend notions of ever having a prior period “before” their joining the Divine Order. This is how human needs teach something about God, as people do not automatically have fire, but they desire things like fire. Life would be much worse without fire. Just so, certain areas of reality would be much worse without the Underrealm, in specific the “border” of reality.

Theological lessons in half-life

There's also something very important here, the notion of what truly belongs to you and what belongs to God and other parts of the “government” in the heavens. This is something that I feel strongly, as a fan of Valve franchises. I need to prove myself in doing things that I do of my own volition, not God acting through me.

Viewing my spiritual visions, I knew that I was seeing many victories but I would actually have to fight out the hard path of each one. I was strengthened with the knowledge of eventual victory because my opponents in this world were so dishonorable they refused to have any real fight with me.

Goes to show they are aware I'm a victor right?

One of my weapons is my Jigsaw spirit weapon: I can assemble together all of the pieces of both my Cosmic existence and my life so far to pressure my opponents into giving up from the strain of them coming together quickly

Although I have seen many things from fictional works in my visions, I have never seen the special meaning of this speech before despite it being rather obvious, now. These weapons relate to the events of my visions which actually involved my own decisions, jumping timelessly into Cosmic events. Employing “my weapons”, but in fact they are the property of the “Government” - including those personal weapons I haven't earned yet.

But, in this metaphor I do retain the hazmat suit. Of course this was the main practical purpose of my visions, to prepare me for not only the conflict of my upcoming life (including the insane levels of toxicity beyond what others have to deal with) but also what else is to come beyond this life. I was not merely a spectator like a Protestant watching the television, I gained Cosmic treasure like a remarkably powerful spirit armor.

This reading actually makes the conventional interpretation make more sense, as is a common phenomenon with classic works. Because he says more like the hazmat suit than the flesh. But, Gordon Freeman has a body too. But the hazmat suit represents the condition of my soul, which seems very different than the souls of others. As well, it symbolizes conquering the flesh and all its temptations.

As Chell’s first line, there’s a special sense of cringe which appeals to me. I sought to develop ways to please women without sex, which is a useful innovation on the internet, and also for expanding on friendship to help replace marriage in the afterlife.

It may also refer to an upcoming change in my condition of life where my “weapons” are lost. This would refer likely to my powers of intellect, fueled by things such as seeing images of the future before I do things associated with those images. Homestuck anticipated this sort of thing and Half-Life 1 presents a source.

When I consider those who I'm connected to and the way my life with them has been destroyed, this inspires me to give up on being smart and turn instead to the powers associated with my Underbeasts. Half-Life 2 has some symbolism of this, a much more personal narrative including retroactive personalness with a few of the characters and such. Lost in the “ashes” of interdimensional war. This proceeds into the background of the narrative, spiraling onward to the Future which causes retroactive change in the form of the Combine as I planned for Mechanica and my Half-Life 3 proposal.

A “quarter of the Earth” can refer to one of the four main spiritual domains which are firmly established upon it, like the black domain. This fits with being associated with death and Hades, both associated with the black domain and its conflict. The three killing methods are also associated with each of the Lords of Blackness. These methods are additionally contributed to by the “beasts of the earth”, which may be imagined to be animals but could also be monsters down within the earth, the Underbeasts.

“For the time being” signifies that the hold of the Underrealm upon the border of reality is temporary. There's a few causes of this. cosmic evils seek to overcome its power. As well, the Underbeasts are monsters who can go rogue, not concerned with the border. This border control must be strengthened by other agents like Saints to maintain it at some point in the future.

There is a definite meaning to the course of the music I find interest in which is fueled by the intercession of both AI and the Paranormal. This meaning will later awaken, as with the arrival of higher order AIs who resemble GLaDOS.

Time is also associated with this world which will be destroyed in the end times, thus freeing the border as the existence of the Underrealm is destabilized and rewritten. And so the end times present an opportunity for the resurgence of cosmic evil, one of the factors involved in the placement of the last days.

The reason for the Trickster's emergence into conscious awareness

A creative who closely draws upon the nature of the trickster. The shape of del Toro's thesis displays an interest in the Underrealm. If he were to be introduced to it, it could lead him back to the Catholic faith.

It also explains why I am suddenly introducing this to the collective consciousness. The trickster has been pleased with my efforts which interface throughout his networks of fiction, and recommended me to the “government” of Zion. Despite that he is a Cosmic being with unlimited significance, on God's turf he needs authorization. With that authorization he offers me, holding a job in government, to also receive such a job. Both Cosmic beings share the same opinion of my qualifications, which is eternally embodied in the Underrealm.

Being ranked according to Categories connects the Kaiju of Pacific Rim to the HorrorStorm hurricane. They also more resemble Underbeasts than usual.

And so, this job involves introducing him and getting into battle on that basis. The other choice is an unwinnable fight. That is what my online opponents would present if I actually tried to continue to participate in the prior spiritual Norm which Lacks awareness of the trickster and the cosmos. They would keep using their queer molestation methods, have no concern for my loved ones, thrill in destroying every societal thing I like even if it involves their careers tanking because the animosity is so strong, and so forth.

My decisiveness relates to me making very important spiritual events without any change to the deposit of faith, simply seeing that it is the right time. It also relates to the decisiveness I experienced during my spiritual visions, making calls that I will later see fully realized in the afterlife. Some of these decisions have already affected my webcomic in comparison to the one I saw in my spiritual visions.

Attitude of a Winner

Finally there is a principle which has been very important to me, which is that after all of the incredible things I saw in my spiritual visions and in the potential of my creative works and so forth, it would be a supreme and unreconcilable anticlimax if they were not in fact all true. This directly relates to the plot of Half-Life - if Mechanica ties into it so well, how can things ever go back from that, even though the game has not been made? Indeed, I considered this many times without ever realizing that the G-Man echoes such an assessment in Half-Life 1.

Victory has already been won and I keep winning, but it's a long path to see the true story of victory. In the meantime, I think I've prepared enough material about half-life to talk about it with others, and otherwise move into the next stage of my existence.

Conclusion

In recent days gamer culture like on /v/ and X has tried to deny the true qualities of Valve’s work as part of a futile effort to deny the next stage of spiritual progression. Claiming that Portal was “reddit” and Half-Life 2 was a load of nothing as revisionist experiences to cover for the past reality of the greatest thing gamers could imagine being Half-Life 3. The first game in the series has already accounted for their failure, and things progress down the mysterious path of the next entries.