Destroying Artistic Romance; Being a Boss part 2: War of Cartoon Culture Part 3: The Spumdonor Subversion
Why my enemies intentionally destroyed my relationship with ipgd to try and fail to prevent her from unraveling their inferior raising up of society and artistic norms. And the legacy of that
Eternal Prelude continues with Emily's simulation: โThe simulation is her own creation, an informational medium hidden throughout the Earth. She progressively grants you greater control and influence over it.โ
The post-release of Hazbin Hotel is the end of the prior period of my revolutionary path, where people pretended like they had no interest in me whatsoever despite not being willing to leave me alone unless I had messaged dozens of Industry people within the last couple days to destabilize their discourse. This resonates with that in many facets to be discovered later
Previous. In my recent articles I have been highlighting ipgd as โproblematicโ as girls guide my comprehension of the social context of 2010. I hammered people talking about Coelasquid as she was the best girl to get this accomplished. Kayleigh was a true anon, a surly exterior with a soft and innocent interior defended with catlike reflexes that I navigated perfectly.
I love getting to know her, but people like Spumdonor backpedalled and preferred Disney sanitation over that. My โJohn K Balladโ depicted the state of cartoons of the time as a real life war, with the fruits of that war being better cartoons for kids. Spumdonor wanted the safe and innocent Alex, the Manchild, the abortion lover. Maybe he wouldn't have if he actually thought about it properly, but it made him feel better at the time. Such is the common result of female-style therapy.
ipgd, like me, dropped out of fucking high school to be an artist and took charge of my Revolution. One of my persistent trolls brought up her incest fanfiction as his last comment, we had so many strange similarities that it started to be understood as โincestโ just as a joke. There was also other context that I had essentially invented wholy new identity, hence โGuyโ evoking Adam, and just as with Genesis people can see strange implications of incest in an interpretation. Indeed, that is a large theme of Homestuck, and so by attacking ipgd the mouthpiece troll is just trying to shed how Homestuck parasitized our bizarrely destroyed life. I wanted to make a big Revolution, but only a few people were properly on my side as thousands of people profited by doing their best to avoid seeing me as their benefactor.
โShock and Horrorโ
Vivzie was raised by lawyers, which as a cultural leader leads to her fantasizing about competing with her background out of my background of a family passionate about law enforcement, improving her own. I call โmy pentagramโ ipgd and some other girls, networking between them for Birdman power. The โedginessโ out of her Catholic upbringing involves personifying mainstream cultureโs clash with my philosophy of childraising.
One of the โnightmaresโ I was inflicted with in my isolation was inspiring other artists and then just brutally dismissing or criticizing them. Of course that was part of the plan. I don't want a million slim shadys, I want to inspire people to be unique.
I quote my wild, playful cat as saying โmewโ, which is the sort of thing I need people to pay attention to in real life to nurture our artist culture. My other cat reminds me of ipgd.
In my original plan I never even fucking explained the Underrealm is my own celestial inventions, they were just scary god monsters that do cool shit that motivates humans to be capable of handling the ramifications of their activity. I had no particular idea if people were supposed to actually think they were real. My entire focus was on improving Society for the sake of more unique personalities, etc. And so if I made a huge impact on an artist inspired by me, that would help them be more unique.
The Collectives did not want me to be so unique and personally-driven, so they didn't want to leave all the consequences of my activities to my own design. They wanted to invent their own consequences, like people getting ruined by my critique. Of course that is just abusing people, which goes to show the original origin of much bad behavior throughout history: when life gets more heavenly, that stupid shit starts to seem more genius, because life is becoming more meaningful. Back in 2010, my Revolution was intentionally making life more meaningful, and like the worst kind of children people leapt for the opportunity to fuck up the course of Earthly development for their benefit. Hence deciding that people deserved to live without my Revolution.
Getting rid of ipgd
Young Cruella and the Joker, primary symbols of how myself and ipgd were cultural leaders since 2012, before my Substack. Over those years people got angry at me many times for seeing through the bullshit of things like the animation industry. This reflected their Outlook on life, their philosophy: they don't want things to be seen clearly. They want to confuse kids. They want to make up their own stories about their lives and the lives of their kids. No matter how good and transcendentally meaningful they are, they don't want the correct stories like that a โcute Cruellaโ type was a secret cultural figure.
It also reminds me of The Twilight Zone episode, which lived loudly in my psychology back when I was first becoming connected with girls like Batty. โNot being allowed to sing Happy Birthdayโ relates to people not being able to connect to my artistry which is symbolized with my birth digits 999. Batty does so perfectly, these drawings reflecting months of experiences. Her artistry involves my friendship, Spumdonors preferred corporate-controlled art that pureed into slop. I became uncomfortable with prior decades of Cosmic resonance as a result, which was fixed by girls like Batty.
ipgd saw me for who I really was, a suffering dog. A dog spirit for enjoying connecting with girls. Since 2012 she has used her connection to Homestuck and a lot of online artists to make me finally capable of that.
My opponents didn't want ipgd evaluating their kids, seeing them the way she saw me. Meanwhile I have healed with her social network to not only get back to everything I was working on as a teenager, even starting to include the webcomics and stuff, I have also fully explained everything. They need to stay on therapy permanently, always consuming new content with nothing new to say besides that there's a lot more censorship and shit. I artistically develop, they don't.
The Child-Raising of my Competitors
Today I found out that when my mom got stressed out about my grandmother and other things, she would go and talk with the police chief. This is the origin of my grandma lashing out at me by calling the police over disputes, because my mom โruined her reputationโ so she's getting โvengeance.โ (She is solidly the kind of Protestant who wishes nobody else existed besides herself and God, so she treats me like my grandpa, my mom. As by claiming that she's โunequally yoked with meโ when I brought up that she shouldn't have married my Catholic Grandpa, an incestuous response) she did much to ruin my life as a result because the police are part of my family identity, but all she cared was getting childish tit for tat.
Operating out of the mainstream networks of longhouses with an awareness fueled by thousands of people, Arvalis seeks to make me feel dismay about people not learning my story, a gradually disintegrating tactic meant for 2014. Of course, I do share my emotions, that's part of the MSPA comic structure, the second-person framing. Andrew tried to co-opt that, Arvalis celebrated him ruining my life, and people don't want to see my MSPFA comic because of course, Arvalis and others are the villains, he was literally mentioned.
People have grown out of the cosmic background of my teenage Revolution to thoroughly define their careers.
People like Arvalis - thoroughly humiliated by the standards of my Revolution, as by his inability to invent new characters - for over a decade have made cringe-inducing jokes about me from interacting with me directly, or participating in the environments of people who did. Hence having their Zoomers exploding on me from all that pent-up social media content they consumed, laughing like they're inflicted with Joker venom. Their followers are neurotic lgbtqs withering from me emailing them on a regular basis to talk to them more about the artistic vision people like Arvalis destroyed. Meanwhile VivziePop and Batty's communities are very pretty, despite that they would get in trouble for endorsing my views.
These themes of my Superior merits will continue in further articles