Explaining Hazbin Hotel's Insane, and Smiledog motifs
Dispelling PrideMonth again on day 1 and 2. I analyze my artistic brand infesting lgbtq culture through abstract entities that can manifest in popular characters, dooming 2010s ideology
Eternal Prelude continues: Hauntlyre stomps into Creation as you go, bristling the weapons batteries of Oblivion. Again and again further levels of the creature brace itself upon the Earth, invading inside it. The thing lets out a sonic screech, as it pulls together the threads of the End.
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The latest liked song connects to how the world of the Underrealm is sandy, meaning dreamlike. Among other things this propels ambition, to achieve things previously glimpsed briefly. VivziePop had brief glimpses of the rhyme and reason behind her angel depictions, etc.; lgbtq came in to give false explanations of what it all means. They tried to make the fulfillment of my heavenly vision as unsatisfying as possible in its sandiness and other aspects. Meanwhile the threads of Hauntlyre pull the entire project towards itself regardless, and the furious face above is a glimpse of what the intentional dissatisfaction accomplished, if anyone is willing to receive it.
Introduction to the Google document linked below
I will now explain the narrative of this song expressing my 2010s personality, which Zoomers barbarically harassed me about as they couldn’t handle a random 4chan anon having responsibility for the next big thing in animation. While I have been refraining from doing so I lost my cat Samantha again who was extremely important to my functioning as a person as I am dependent on relationships. It can be easily expected that if I made the article earlier, she would still be here. But I make decisions about things like avoiding causing a massive fracture in the mental health of artists connected to projects like Steven Universe in the way I roll out my story. Otherwise people could have been pressured to give me an art job or something like that and thereby avoid homelessness or leave it earlier. But people got their art jobs by sacrificing me, so I wouldn’t do that.
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The value of a personality
When they did that the Zoomers had a point that it’s unseemly to keep up my Alastor style personality now that it has been manifested in a major cartoon production. But that point was completely at odds with the desired industry narrative for me that I am “a Ren & Stimpy fan who wouldn’t let go of people not wanting more John K style shows.” I blew that up immediately at the beginning of Covid, people refused to learn about my real life as my first version of Hauntlyre invited them to. An intelligent production with spidery senses, Hauntlyre punished them by compelling me to put in Kesha lyrics, etc., driving them insane as me and Vivzie would make great (ideal) collaborators in an alternate timeline.
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They were very far away from acknowledging that deciding to form a new persona is something I can even do. And that I have always intended to generate personas to inspire artwork, from characters to more abstract traits.
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Quite simply, they wanted me to be “insane”, as that means I have no power or agency in my exploitation by projects made by hostile people. Since 2011 people intentionally overloaded my brain with things beyond my ability to process to achieve this result, as I am naturally practically invulnerable to losing my sanity, having powers of mind, as well as cosmic powers over what defines sanity. To me, losing one’s mind like in the Twilight Zone is something desirable to cause as it creates meaningful events. Happening to myself is something that naturally makes little sense, as I have authority here. And so my enemies did their best to make it merely look like it was true through mechanisms like complete social starvation from people I could connect with.
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They could have a conversation with me, they never did, because I’ll sound like someone who knows Coelasquid, or I’ll sound like Alastor. The easy option was to relieve anxiety. after all those years of easy options they are now forced to consider me, as an abstract presence, to make content for characters like Alastor. Just like I knew Vivzie well as an abstract presence before she displayed her vision in Hazbin Hotel. Her Good qualities I know well from my spiritual visions compel her to force her people to admit that I’m not insane, or rather that what they call that is desirable. And that they are not ignorant of the real meaning of my 20s, or my adolescence for that matter.
The various cultural phenomena branded with the name Birdman combine together into a meaningful metanarrative about the secret heavenly figure. Just so, the various content named Underdog combines together into a meaningful metanarrative about me, part of my heavenly Inheritance. The words are more than empty symbols, they are part of definite arrangements and designs. all around us is the kingdom of heaven, and it takes a definite choice not to see the beauty. I remember well all my decisions to hold onto the beauty I saw in the world and its culture even when it seemed all the odds were against me for anything to come of it, and then I saw myself in the heavens.
Friend narratives
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The adolescent fantasy that generated Alastor would need to be conceived by the porn-brained as a threesome, while I conceive of it in terms of potential lives and desires for friendship. ipgd became my best friend, meaning an eternal place in my artistic existence. Vivzie felt longing for it, not verbalized. The character intersects between my friendship with ipgd and Vivzie’s passion, just like Batty puts our friendship all over her webcomic.
In Internet debates about things like homosexuality I affirmed that everything someone wanted from lgbtq they could get from friendship except the sex and surgeries and nonbelief. Meaning everything of value. Years and years later, Vivzie and Batty have produced the best illustrations of this, potentially alongside artists like Coelasquid. The way Coelasquid spoke of her birds eventually reminded me of ipgd and myself. It is fundamentally a communal narrative of mourning that I was setting up something big with ipgd, but the financially obsessed got in the way. To be without ipgd is the closest I can get to being insane, but it still makes perfect sense, hence how multiple different artists reflected my woe in their own way, just as I would expect for the meaning of it to be manifested.
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To enrich careers people cut themselves off from me and cut others off from me, but my abstract presence remained. As a sort of stormy insanity between Katie Rice, Homestuck animation artists, lgbtq fanartists, and representatives of other factions. Make that decision to rationalize that presence and tons of things make sense. Just like my mom is a very rational woman, which mainstream society pretended like couldn’t exist: “women are just hormonal and emotional!” So I wanted it dead. I’m an emotional man, which drives art and culture and the meaning of life. The society I was born into is pathetic. We can all make the choice to Upgrade ourselves and see the rationality of girls like Batty, but then the old way of “career planning” is gone, and the new way of “I am participating in the vision of John K, Walt Disney and a random 4chan art philosopher” begins.
Conclusion
Vivzie as a non-believer ends up obsessed with my artistic vision, producing ideal cute girls and demons to me. God is the “center of the universe”, meanwhile I am the center of The Underrealm, a heavenly destination defined by my soul. The famed Christian C.S. Lewis observed that the dullest person around you, if seen in Heaven, could strongly compel you to worship this figure. I’m definitely one of those to the point I need to manage potential problems involved. Moreover, Linkin Park connects many many times to anticipation and living in my artistic Revolution as through Transformers connecting to my Mechanica franchise, and so this song specifically expresses the reason Chester felt compelled to suicide, the selfishness amongst the populace sabotaging my Revolution leaving the shadows. That “gravity”, was knowing as an artist that even the tiniest things like mannerisms reflected in Alastor could have great significance in people’s lives, and I held onto it with all the miserable consequences, which my mom’s anger I have been seeing reminds me of
I just wanted to have fun working with other artists I inspired after gambling for the biggest result of what my potential could contribute to the world. I did not care if anybody thought I was special besides them. I found that I could not ask any questions despite what I had accomplished through artistic philosophy, and I could not practice my style of friendship, despite sacrificing everything necessary to advance the cause of friendship.my way was difficult, involving treating me like a scary boss like Walt Disney. I would make many demands and people would work very hard with a long time for the major payoff. And the easy way out was lgbtq, at the cost of them all losing their minds about what was getting them excited in 2011.
They ended up nowhere, sticking by justifications that accomplish nothing like a hand sticking by a dick that won’t produce any children. Hazbin Hotel finally was produced as a fresh new success.but on the higher levels of the work are many reminders of all the devastation that took place preventing it from having neighbors.
Vivzie kept the me I wanted to be in mind as Alastor, who I was often like in the privacy of my mind. Her fantasies and actualization sustained that mentality. People can think spending a lot of time posting on 4chan is stupid, but being like him was worthwhile. But always, always the reminder that a provocative personality gives the most provocative glimpse of how things will be in heaven and the fire and fury that will take place as the Elect get there.