Groomer /co/lture: The social molding process

As my enemies struggle to notice the point of my gestures for this, I illustrate I'm the kind of person who understands it completely

A SABA design for Valdyr Abysm, the Deepsmoke Entity has begun with his passive and three basic abilities: “An incomprehensibly large entity, in the overhead of the sky floats his ultimate form, in the ultimate dimensions beyond the comprehensive war.”

Intro to the Google document with grooming methods and processes

My anonymous harassers try ineptly to get me to give up on John K who inspired so much for me, but my Catholic worldview incorporates the entirety of my history as a story of good versus evil with something developing overhead - my Ochre realities who has their own standard that I felt strongly as a teenager, inspiring friendly artists in very unique ways. Not even death ends the story, it just levels it up as I was shown

It's apparent that back around 2010 people (specifically people like the Social circles of John K's accusers) thought I was a supercocky John K fan. I was socially molded according to this. This was disastrously wrong. The comic books I was planning embodied Cosmic theology, principles of God's world connecting to alien dimensions outside of existence. These alien dimensions have a lot to do with what distinguishes people in their many differences. When people disregard their sensation of Cosmic resonance as when they pretend that the races are all the same, they create things like the social molding process.

And so for me it was like I was getting into a protracted car crash because people in the animation industry like the ones who shook their head at John's criticism wanted animation to be about pretty images, fulfilling careers and being a polite part of Protestant culture. This form of Animation culture collapsed as things like Steven Universe were formed which were nurtured by my Cosmic artistry emanating on the internet. At first Steven Universe implied that there was some kind of big plot going on involving things like fighting space dictators, this collapsed in a way that is much like that there was an important man involved in the original conception and then it was driven by mainly women without his vision.

There's something which I can see in Batty's stream of drawings which reflects my internal experiences just before, while incorporating her close community. The sort of thing which the mainstream soulllessly, mechanically, impersonally substitutes for people who don't know what it's like to connect with artists like Batty as I did on /co/. A remarkably admirable femininity as an artist, while honestly matching all my dirty feelings.

Social molding internet

This is supposed to ingrain notions of what is acceptable to create in the minds of his followers. Highlighting being inspired by real life (as directly inspired things like the whole slasher genre, Silence of the Lambs etc) is supposed to train them not to draw from real life horror, but rather to draw from things like the mental illness of transgenders in which the things like their anxiety about my connection to Homestuck and Undertale and Steven Universe and Hazbin Hotel, etc. lurk

Social molding methods extend directly out of public school. My elders of the animation Community expected I would be in the boundaries of public school, but I broke those boundaries to discover Cosmic Theology in extreme poverty and pain. They also extend from sources like politics, the methods people used to wipe out other candidates like the Dean Scream controversy were adapted to disqualify people in any areas of life.

I saw nothing wrong with the Dean Scream at the time, which was a good litmus test that as a John K fan I believed in honest and passionate expression throughout Society, as we later saw from Donald Trump which funnily enough, was foreshadowed by John's blog presenting him as a hero to the Republican party years before his run.

People like feminists in the animation community, what John called “dykes” as well as his more self-serving colleagues, wanted to mold his fans to just draw the funny cartoons and have no impact on society, like even the actually good artists of today's Ren and Stimpy fandom. That way they wouldn't be endangered by things like dramatic male expression, while during the same period of the 00s feminism widely condemned any sign of darkness in males and even moved on to simply hitting on women ever.

We can expect this led to the psychosis of my harassers to insist that I wanted to have sex with every artist girl I liked …. At the urging pressure of people like friendly /co/ girls, resentful that their wider social climate sabotaged my friendly development of things like Mechanica which connect not only with ipgd's interests but also the POV of artists like Coelasquid! The profane brains of the wider social climate translate engaging with artwork Beyond purely the interests of their career and fantasy life gratification as about sex.

The basic process involves disregarding everything that is unique, inherent and developed in the individual in favor of group identities which exaggerate traits that could belong to at least most of the population like liberalism or the animalistic attitudes of furries. On top of that in the Arts they use symbolic remarks to dictate what is acceptable to create while having a basically guaranteed following, and the artists who come out of the end of the molding pipeline are inevitably porn artists, strawmen illustrators, algorithm-riding fanartists, mental illness manifesters (many of the “original” creators these days, as with Digital Circus) and other such people.

Meanwhile VivziePop resists any such molding process, and despite all her faults her work is very unique and expressive and reflects an admirable feminine strength not to give in to the social group as was the norm in my lifetime.

At the same time the sheer widespread state of social molding culture in the past years led to her losing sight of her original visions for her series.

My creations have a strong strain of bug traits, and this is reflected in my personality by being disgusted by people who act like bugs in vile ways, as I summarized by calling them cockroaches. Although bedbugs are a better, more feminine comparison here.

Fighting merit

People pretended like their dispute with John was a fight between styles and who was the hardest worker. (Clear Protestant inspiration there; the “styles” are Protestant denominations as applied to drawing, the styles are supposed to coexist without serious conflict just like denominations. John K fans were accused of worshiping John as parody of things like Catholics being accused of “worshiping Saints,” meanwhile I was inspired by hundreds of other artists people learned nothing about) in reality they were rejecting personal achievement in favor of planning by the group. When someone is on his way to personal achievement, the group begins their attacks like spamming that I “sucked John K's cock” as a minor to disconnect my internet mentorship.

The result is what we see today. Animation Zoomers are hardly capable of having an opinion on artwork by their own. If they were locked on a deserted island, most likely they would just stop caring about artwork whatsoever. Thousands of people went into the industry incapable of drawing anything but the same hyperbasic visuals while manifesting the same loaf of their shared culture which I have now invaded with my messaging campaign. This loaf is increasingly pureed into the very same white bread I warned people about as a teenager, an abstract construct which can only thrill people if they have nothing better to “eat.”

The infamous /co/ commissioner who has a fetish for rich women buying white bread likely developed it from my intensive teenage discourse that frequently involved “white bread” rhetoric, sexualizing the well-off females who dismissed my teenage Revolution as a /co/ twist on girlbosses, whose conflict with my teenage self became part of the intricate fabric of 2010s Animation culture. Sometime ago I made the comparison once and it seems an industry person lost his mind over it, as they don't like seeing the true nature of their culture clearly illustrated. Too bad

The /co/ ban that prompted this post. The mod lashes out for dismissing him having the position to have some power in cartoons. To sass manchildren like him, I attach showing that I was trolled in a gross way for my process of exposing Alastor as representing me in progress. It's an honest way of expressing the desire to reconcile the various parties in the animation community through embarrassing fantasy - that is mutual, as VivziePop manifested her fantasies about the mysterious, "demonic" figure on the internet who was involved in her efforts to become an Indie success. Now I need to purge trans culture so femanons and other types go back to making such comments in the proper /co/ way I developed when I was 15.

Social Molding Tactics #1