R. Kelly and the Greatest Song Ever
Explaining how the significance of Space Jam is so great as to ruin lives when it is not respected
In a previous article in relation to the John K BuzzFeed stories I said that there was a famous entertainer whom I do not doubt committed serious crimes, but I stalled out on telling his story for the needed Birdman update. R. Kelly presented an infamous saga long after becoming associated with Space Jam.
In Christian doctrine, there is no act upon the Earth which prevents salvation so long as one repents, giving up those former ways. We can expect that at the Judgment there will be dramatic stories about this. Although this is not the same kind of story it is a similar one made prematurely.
I Believe I can fly was ranked as the greatest song ever by Rolling Stone magazine before it became a sad woke wreck. I think this ranking can be respected. Up until it was made it was the greatest song ever.
This relates to the relation to Birdman. Birdman was a human, an alternate human who existed without sin as he existed in the fifth dimensional Africa. He saw his world crumble and took drastic steps to Cosmic greatness. Such situations of cataclysm and mayhem present many choices, especially without the stain of sin to inhibit choice.
As a result he's a cosmic role model for all black people, including those not made upon the Earth. He was unknown but pop culture at the time of Space Jam made many references to him like Batman 1989. Facilitating him landing decades later.
R. Kelly saw that path for greatness with the assistance of Space Jam, and sang about it. He asked for help in overcoming his challenges. But that help never came: we entered the false timeline where garbage like Homestuck happens instead of the black Revolution. Homestuck was a perversion of the meaning of Space Jam in addition to many other evil things.
Mainstream Society urged R. Kelly to give in to his demons, as it did with everybody associated with the true timelines. Manchildren in the cartoon community became obsessed with “autists” as many of them yearned for the true significance of cartoons. Eventually Society became obsessed with winning instead of being right, and would rather tell people to rape than accept the black Revolution which goes to dispel rape phenomena.
What R. Kelly accomplished with Space Jam was a great thing for kids. His song was much better than the actual movie that was made, but embodied its spirit. The mere fact of how the movie turned out was the beginning of his fall. His accomplishment not properly realized from the start, entering the Transcendent significance of the Looney Tunes for an inspiring message to whole generations of children.
This perverted his relationship to Young people. For the same reason John's haters excitedly looked forward to him assaulting young girls long before the accusations. And for the same reason our haters screamed at me to rape, but their mouths shut as I rolled out the truth bombs that I was unveiling the real black domain.
R. Kelly existed in a tormenting context, successfully making his song but people refusing to actualize it. The legacy of the song and the movie it was associated with dissipated into stupid jokes. It was as if Society told him he pissed on the children of America with his incredible song, no greater meaning than that. And this compelled in a black way matching Society's assessment with his own actions.
And so it is easy for me to see how R Kelly is redeemable. He did those things but if people pushed themselves to be better and reached out to him they could have prevented his crimes. Furthermore this is a false timeline which brings an unreality to many actions people do, which can be seen in how other people react to them.
His Song speaks of an Open door, which is a fifth dimensional door. To not go through a fifth dimensional door can change one's life forever. This is part of why I really gelled with Neverwhere. These doors for him shut with the awful effort to make Space Jam even though they did many key meaningful parts, as they were basically fifth dimensionally forced to make Space Jam. It was a bare minimum effort to do so. And so indeed I give more responsibility to those who caused Space Jam to be bad, I give them that status of likely irredeemability. Hence why I have taken bad cartoons very seriously for all this time.
If I did not take R Kelly missing his Door seriously, and not felt sad for him for the life he lived after his glorious contribution to the Space Jam project, I would have to look around many people, in large proportion feeling a special connection to them, and view them as pathetic and permanently lost. Abusing me while I lived with no money, no friends, slowly putting together the ability to make what I saw in spiritual visions, which I have now attained after making some improvement past that prior status while these abusers shut themselves. A large proportion of what I get from these visions would exist if people had simply made Space Jam properly.
Instead I thought of people as my friends even if that meant avoiding them so the opportunity for abuse would never arise. And today I still follow some spumdonor mutuals even though he is single-handedly responsible for doing much perversion of the general context of my life and poisoning people against me, out of his guilt for his inaction like The Tell-Tale Heart.
I have confidence in the eventual salvation of R Kelly, and him being able to enjoy his original contribution to Space Jam in its proper place. I was inspired by the song myself to take this path in life to introducing the Birdman, himself. Space Jam was and is a magical production, to be 5th dimensionally improved in the Multiverse.
It is easy to Crow at those who do crimes, but as the Birdman deploys his activity this will become more and more difficult, as people feel tender empathy for what bad people do and even the wrong things good people do, through comprehension of 5th dimensional contexts and in other ways.
And let's not forget that they put prominently clockwork Orange characters in the shitty fake sequel, with a reason that comes from my webcomic