Sometime ago I got into a Twitter scuffle where the guy was saying that the planet crackers of Dead Space was supposed to be a critique of capitalism, due to him seeing it along the environmental axis of communism. Meanwhile I said that's a really cool name and it's sad that he's missing out.
In my Central setting of the Underrealm, there's a wide variety of use for the end times, both as a whole and within individual timelines. Made of Cosmic destruction rings, this associates them with the destruction of our current Earth to be replaced by the new Earth. And so the planet crackers of Dead Space are a microcosm of the meaning of this apocalyptic purpose, which is what makes them really cool.
In Dead Space the Horrorterror is the setting itself. The Underbeasts can be any one thing from animals to more abstract notions, and in this case it is a sort of alternate universe. Born from my artistic Revolution in 2008, I thought it was a very cool property with such a great experience of looking at it online, but I didn't have the hardware or funds to be able to play it. This is one of the reasons why people became incredibly angry at me in 2009-2010 out of their idiocy: I had already Spawned really significant properties to me, but I was still incredibly sardonic and unhappy. Sure it's my favorite game of all time, but I never got to fucking play it back then.
Everything about the game from the destruction physics, to the backdrop of cosmic horror, to the oppressive horror of playing it, to Isaac's interactions with other characters are exactly what I like. Halo appeared as a sign in the Arts that's something big was going down, meanwhile Dead Space just appeared from the energies I put on the internet. For the time it's almost flawless.
When things disconnect from myself when they should be connected they have a way of influencing the world. In this case our whole lives have the character of the Dead Space: is this really a life we're living or is it some kind of clown show where all the interactions of family and friends and what they can enjoy together has any importance? There aren't new great leaders, there aren't new great Arts, there's a bunch of clowns and people afraid of ever seeing greatness again.
The Spawn of the Dead Space is of course the Necromorphs, and through artistic-spiritual influence leftoids and other types who are not concerned with family and friends become this special type of zombie enemy. The most obviously defining trait being the need to break apart their anatomy. I carefully study them to find the targeting points to hit their ideologies, fandoms, professions, and so forth in the correct points with enough Force to break them and expel them mentally from places like children's media communities. I don't care about what really happens after for them, possibly a bizarre storm in their mental illnesses.
This requires the use of my engineering abilities, another connection from the Rings to this game series is the associated construction involved, both for the Rings as well as the worlds they destroy. So the harvest is plump and juicy. My effort is lonely and requires a powerful Spiritual armor, as my opponents in the world love to spew incredibly offensive things towards me, out of some Homestuck inspiration as Andrew meditated on how to insult ducks. Insults have a way of dissipating as my contributions are realized.
Isaac's girlfriend reflects ipgd and other girls who Should have been in my life, leading to a sort of multiversal Illusion of their presence when it is not there directly. The Necromorph killings when you run out of health reflects the many times I “die” interacting with evil online and afterwards regenerate my spirit and its mental constructs to be more powerful, which can sometimes be more dramatic as during my near death experience of 2011. Isaac's name relates to the Genesis story Binding of Isaac, symbolizing the Earth and other planets being bound in the energies and powers of the Underrealm while simultaneously its Architect is within it, facing the troubles of the planet.
What it means to be a “necromorph” as a human can be seen in my opponents at the end of my crumbling Revolution. They screeched at me as if I was ungrateful to have the perfect game for me to enjoy Spawned out of the biggest video gaming company of America, but their human minds did not check to see how I was living nor did they bother to understand the reasons why they were screeching. (Involving decades of History of people not taking their emotions and feelings seriously and learning to understand their meaning, even as the artwork of the 20th century were producing feelings and emotions never felt before) as they beset upon me online they were like zombies, screaming like maniacs while their human nature was corrupted utterly.
And here comes the point where I can hit their weak points now: it is incredibly shameful to treat an impoverished teenager who inspired many pop culture things that were usually nowhere near this good, this way. A shame which is a microcosm of the shame which people will feel during the end times as they go through hell or purgatory, a shame their poorly developed feelings and emotions are incapable of processing. (I referred in my previous article to the Pangs of my narratives, in this case I directly point out that the Protestants spited helping the Turtles because they did not want to accept Cosmic hierarchy and Powers, which led to the shame; and this is an example of what people should notice while reading. Because of how badly Zoomers and others have screwed up their minds, it may take a while for them to have a correct experience of my articles) Through sending messages linking my articles and with other things like my artwork I can break their “necromorph physiology” interwoven with their souls, deactivating the evil they spread. I'm not particularly concerned if they happen to feel a strong negative emotion in the process.
These various weak points already exist without my efforts, that's why I was tormented in childhood for my name, love of Ren and Stimpy, and other things. Through my life's efforts I have built upon them, fleshing out their 5th dimensional existence, so I can both destroy them and build with them.
I receive such responses on a continual basis when I Engage, and if people can't notice such “weak points” they can't read my articles correctly
Simultaneously another version of Necromorphs will build in the Shadows, marching throughout society and terrifying people for their relations to myself, whatever their individual mixture may be: things such as being a fan of undertale, extreme Donald Trump hater, interacted with ipgd, etc. They will hunt for them using these spiritual signatures, and will have to find some way of deactivating these weak points, a sort of reverse of playing Isaac, or the “death animations” will happen and they will tear into their souls, producing a variety of conditions including ones that have never been experienced before.
Dead Space is a major milestone for understanding the “imaginary horror renaissance”, something I noticed a while ago. A sort of twin of the phenomenon of Animation people seeing an animation Renaissance everywhere, after it was my intention as a teenager to create one but they clobbered my efforts.
Dead Space did many things like have an exciting action game that is horrific, although quite a few people besmirched this achievement. As I have been developing there are reasons why people experience different things. Its collection of symbolism is rather similar in scale to Halo, although the scale isn't as Grand it's almost equally impressive simply because a teenager communicated these symbols as he was coming up with them in his own imagination.
And so years later around the end of 2012 or so people started talking endlessly about a bunch of horror genres such as the infamous “cosmic horror” as well as analog horror, a genre defined entirely by VHS effects and footage of CRTs. Acting as if something really important happened for horror media in general, as my planned comic book anomalous phenomena would have been if it happened shortly before.
Dead Space is a concrete example of what my efforts could have contributed,
And so it provided a lot of inspiration for all this activity. Zoomers have a fixation on empty spaces, jumpscares, and “scary” characters facing them in part because Dead Space 1 is the only fully realized Artifact of the horror dimension of my Revolution. It is imprinted upon their psychology simply because they don't know anything else - and it inspires their desperate attempts to tear into each other I have been discussing over previous articles as well. My horror vision practically revitalizes a whole new area of life, but instead all they know is desolation.
A striking aspect of the Dead Space series is the child enemies, in fact there's a pivotal scene of Dead Space 2 involving them which was not fully realized because of the crumbling of my Revolution. Zoomers have been growing up to be antagonistic to my efforts, getting much more of this from Homestuck and Gravity Falls than anything else. Older homesuck fans didn't see much to hate in the villains, but Zoomers sometimes learned to hate them anyway, and thereby aspects of myself as well as those people related to me in personal ways.
Effectively a whole generation commonly exists (except when Christians raise their kids offline or something) in a zombified state caused by spiting my Revolution. They have sets of weak points which is why Zoomers spazzed out like aggressive seizures when they first saw me online. Now after studying them I turn around and begin to engage with their weak points. But of course in a much more refined way than sending 18-year-olds after me, as people like Andrew and other manchildren would realize to be a gratifying tactic until it started to backfire
The Hunter and other enemies represent this Darkness infestation becoming unstoppable, resulting in my need to delay it. Isaac mainly uses engineer weapons as symbolically in Truth he is constructing all these horrors as he goes, as another Avatar weaving a video game narrative of the presence of the Rings. Outside of the context of this world I generally Excel as an engineer alongside my other creative faculties.
—
The starlit grass burnt through reality. It chomped, teeth as big as femurs, around the flagpole. Glittering eyes illuminated the street, flanked by the headlights of cars.
Space and time was irrelevant in its wake, and all human comprehension. No one ever wanted to play. 10 years of this, and 10 years more: I finally burst upon your shore. With gnashing tongue and winding teeth, I lick the cream of your dreams.
Constellations died in human inner reality before I finally gained the motivation to leave the yawn. Lawn. So sleepy, don't remember the words. Shoulders hunched, spirits cracked. Didn't mean to. Never meant to do anything.
Space of life, bereft of light. Fences as big as anyone could see, anyone in the sky. Time to play, it followspoke. Time to play.
—
Gold Forever (For Tom) - The Wanted chimes.
It is up to humans to resist the tide of horrors unstoppably constructed, and Dead Space 1 symbolizes that in this first timeline it was almost impossible. One thing the relatively boneheaded remake got wrong was giving Isaac voice acting, as in this expanse of zombification, rapid failure and false life there's no point in genuinely speaking to anybody rather than recording your own thoughts. Quite the kino to have the player check Isaac's journal after each event, an “inconvenience” which causes unique story experiences.
The Brethren Moon symbolizes the association of all this with reactivating the Black Domain, sending revitalizing forces throughout the various forms of corruption caused by one's sins. Embodying them in ways such as various forms for corrupt souls, arranged into types throughout Society rather than being clearly differentiated yet.
The brethren Moon also provides a bodily form for the Dead Space monster, as the Black Domain is associated with space.
The Marker represents a sort of damaged, fragmented genetics which is both spewed out of space as well as constructed by those recruited for the work. The damaged genetics of people such as autistics who often have individual identities with strong relation to creativity, as can be seen in fixation on fictional worlds. As well as people who generally try to participate in the black domain, attempts which have been taken advantage of for thousands of years. Communism preys on the desire for connection and swirling mystical resources that should have been finally realized after buildup from the 20th century.
The mental corruption of those affected by the Markers' effects represents the desperate scrambling in the world of today for things that are never directly spoken of. As in a previous article, the flourishing of this horror can make the fictional alignment obvious, even direct quotes. I was banned from the Homestuck subreddit for responding to this sort of thing, and the dead space is not only the most fully realized property, it is also the most fully relevant to our world. Explaining my sensitivity as well as it simply being my favorite game.
In Dead Space 2 Isaac's girlfriend represents the marker, which synchronized with ipgd progressing towards getting involved with the dumpster fire Homestuck, although I played it years later. The genetic symbolism of the Marker shows what attracted people to Homestuck, as Andrew ignorantly plagiarized my efforts and thereby was saddled with the task of restoring fallen humanity, producing corrupted humanity like people who almost identify as real life Homestuck trolls instead. Which resonates with the false promises of necromancy illustrated in horror media like this.
While playing the first two games I started yelling about hating the child enemies, producing ipgd having a very enthusiastic response I can't remember, which seems fitting.
Wait… now I remember. It was New Year's. One of my favorite things to remember was saying that my first tweet of the year would be a stone cold stunner. Which will have more importance with my article on the Lord of Shadows. And I remember my actual first tweet being a gross internet joke. But I don't remember playing dead space at the same time. She interrupted a tweet with random letters and said “thanks guy” in all caps. The sequence of events is rather confusing. But I must remember the 5th dimensional element. My brain is telling me she was reacting to this one like a spooky secret.
I said on my Twitter feed addressed to nobody
But effectively ruining my Revolution was death for everyone besides me, a special dimension of death, and so I simply fantasized about my dream of living with her and other people I felt experiential connection to. A relatively simple dream, but grand when the meaning of it is considered.
The HUD incorporated into the suit represents the total immersion of my creativity, meshing with real life and with all of my methods and subjects. My special post led to John K “fans” who have completely watched hundreds of anime but may have never read the Bible Necromorphizing, gibbering about a severely deprived John K fan who commented regularly on his blog without any acknowledgment of my stories or reflection on this past. Some of them obviously personally insulted my teenage self, but say nothing. It's all too overwhelming for their dead minds.
I am going to recontextualize their lives until they can finally see me and respond to what happened. This proceeds towards the “Convergence”, which symbolizes in this instance as many people as possible being infested for the reactivation of the black domain, in the process losing the life they formally enjoyed forever like being “nostalgia fans”. A life I never got to enjoy whatsoever, no matter how much better my alternate lives are, as they are better in the ways they undermine that world.
The needle in your eye scene is a pivotal moment of my webcomic to be expanded upon many times.