The Lantern Corps
The Meta-story and meta-levels of the Blackest Night, and how it defined comic books since then.
In June of 2009 began an event known as the Blackest Night associated with the expansion of the Lantern corps beyond the Green Lantern corps. This was a manifestation of my inspiration going forth into the medium, from my artistic Revolution I was trying to put together.
In the first place Green Lantern represented a superhero with artistic power, his ring being powered by his creativity. The ring is a symbol of the underrealm which is made of rings, and being the place where reality blends with fiction it is where artistic power surges forth to impact the world. The Green Lantern property was one of the most direct manifestations of the Rings, which defined part of ancient African culture.
Within the world of DC Comics are legends of the reality that produced their stories, as somber as the eschatology of the Bible. Beyond the comprehension of the human authors and artists and the other staff, it proceeds into the ultimate Origins of the concepts of comic books that make them so meaningful especially to children.
For the guardians the ceremony of forbidding emotion relates to the rationing of emotion in the lower cosmos after original sin crippled the development of the turtles, ensuring that they can focus on their duties of policework without being distracted by the sensations of the emotional forces that power the Lanterns. The Green lanterns being space cops proceeds out of the Underrealm which is the uniting body of all forms of policework. Green Lantern as part of the Justice League represents the interests and powers of art and the interconnected aspects of reality it is associated with. Gaining a lantern from an alien proceeds out of the interconnectedness with alien worlds that artistic stories represents, forming symbols that easily relate between one world and another.
Blackest Night was one of my favorite events, which I followed as if a sports season or a major news cycle, featuring things like one of my favorite lines “that was for charity, Clark.” The juxtaposition is that it came directly out of my inspirational efforts such as posting on /co/. This is why back in 2009 - 2010 at the very same time I was still trying to make friends and start an income people acted as if I was presenting myself as a king. Thing is this is racist - people associated with the black domain thrive in a humble condition of life as part of being focused for meeting life's challenges. Their lack of respect for this Cosmic practice led directly to a whole age of racial conflict without ever actually knowing the real reasons for it - the black domain involves events that come from lack of knowledge.
The art of it was so murky and vivid, an art that goes beyond the drawings as you can see today. I feel as if this was the very last event of superhero comics, and since then they have been lifeless. Corrupting the meaning of the event to prompt an all-out assault on my 18-19yo self, out of the desire to see the darkness I was bringing as evil. The very same darkness that was bringing comic books to life, expanding on the Green Lantern corps into a whole rainbow. The revival of the Anti-Monitor and advent of Superboy Prime presented the ignition for epic stories.
This was a time of extreme aggression, and so the Arc of DC comics which blackest night represents was disrupted. The proceeding events up to today were very meaningless, a good example being Batman who Laughs meaninglessly slapping around the cosmic characters without embodying a story whose significance proceeds into the actual cosmos. Assaulting the creative reservoir which I represented spoiled what was being conceived in the time of Blackest Night like a baby in the womb.
The Blackest Night represents the invasion and takeover of the black domain, as part of the leadup to the end times, by the forces of the trickster against the evil beings under Satan. Merging together into a state of war. The darkness of the trickster and the darkness of Satan is what makes it the Blackest Night.
The protestantized United States would shy away from noticing the importance of this oath and drinking in the tender poetry recited every time green lantern uses his powers. And thereby the Protestants sent the world on course to disaster through the artistic worlds.
The Green Lantern corps is an assembly of heroes who exist in preparation for the end times - expanding on their powers of Will and Creativity in the space in which they exist. As they battle normal evil they exhibit the patience denied by people like Stalin to await the coming of their Glory, no matter if they never actually think about this during their lives. The rainbow corps represents an initial reward for their patience and greatness, a symbol which draws directly onto the Bible which the Protestants, as a collective, only pretended to honor.
The yellow lanterns of fear represent the power of the Horrorterrors, mighty adversaries of all the evil in the world. The red lanterns of rage represents fury against evil and the shrieking of the Skullmonsters. The blue lanterns of Hope represent the persevering spirit of all stories whether real or fictional to arise for the best, the bubbling of vast undersea nightmares which consumes worlds to bring them into perfection. The orange lanterns of Avarice represent the restoration and refining of greed to be good as for greed for goodness and greed for what one deserves, the towering lights of the upper rings that pierce through all worlds to find what is desired. The Violet lanterns of Love represent the passage of all characters into the light of God to find every fullness of their beauty, representing the most precious of all resources in the new realm of death. The indigo lanterns of compassion represent concern for every character no matter how great or small and the feeling of their journey through stories, the space through which unknown eyes glitter.
The condition of this reward for the Green Lanterns extending into the Earth was accepting the Underrealm from which it emanates through accepting me. Not doing so led to another sense of the Blackest Night.
The guardians say they don't know what the Blackest Night actually is. Not only is it an event that extends beyond their reality to the actual reality and into non reality, it is also a meta phenomenon of the real world disconnecting from the process of creating comic books and other artwork, for people in the mainstream to be lost in their own psychology, biases and mistakes as they thought was always how artwork was made - instead of proceeding into the domain of the trickster and other parts of the cosmos to be creative.
And thus a darkness comes across the DC Universe and related universes as a falseness comes to artwork in the mainstream, a long night of literally non-Canon comic books and related Superhero media, not only uncanonized by the trickster but does not proceed through his dimensions of stories. Resulting in comic books that read as Twitter rants and propaganda, and impacting the progression of fictional superhero universes through a cosmic event associated with the real life end times.
This makes it the Blackest Night as it as it is the last and most grim ‘night’ before a revitalization of all the artistic mediums. Within the setting of the DC Universe perspectives continue to progress about the Blackest Night as the writers and artists and others are cut off from them.
As part of the end times The Blackest Night is an opportunity for people who are primarily creatives, living upon the Earth in life as well as the afterlife, to participate in the war between the trickster and Satan. The various corps including the ones I didn't mention are affinities of armies for this effort, which individuals are summoned to just like in the comics.
This is an important aspect of my webcomic Hauntlyre. I take the Blue corps, and I am associated with blue throughout the comic. The Green Snake takes the Green side - a creative Spirit who organizes all these manifestations of the Underrealm in fictional works in the first place, before I am powerful enough to do so with my spiritual existence - as well as my third brother from an alternate reality who was never even conceived in this one. My born brother takes the Red, and is also themed as red throughout the comic as with the dog. My unborn brother takes the orange, representing his ruling presence in the afterlife. The others yellow, indigo and violet go to girls. This participates in the meaning of the rainbow from Genesis.
My blue Powers represent the energizing of the effects of the green snake throughout the Earth's artwork, as I'm doing right now. The green snake exists as a meta-narrative across the histories of certain characters, and my content generates the Angling required to see his meta-character's journey.
Seeing all these metastories, meta narratives, and creatively spiritual elements in superhero comics and other things comes very naturally, to the point where people in today's community simply avoid reading old comic books because they're “problematic” or simply out of lack of desire, sloth that comes from the culture. Reading comics from before 2012 and without the nonsensical interpretations of “media literacy” is enough to destroy their world. As the end times approach, we can already see the swapping of last and first: by reading comics as a normal person as my content encourages people to be, anybody can cause serious damage to the powers of society.
People such as Grant Morrison progressed these story traditions with great affinity, continuing the arc from the Crisis on Infinite Earths to the Infinite Crisis to the Blackest Night, with even lesser events like Identity Crisis having significance too to what is to come. When the non-creative idiots demanded their own participation, they both halted the arc of the inherent DC Universe which has its own kind of reality and expressed extreme jealousy of what the stories and characters really represented. They also sought to corrupt people like Grant, seeking to destroy his identity as a creative to be replaced with their garbage group identities.
The Anti-Monitor died again without doing much of anything, and events from then on lost meaning, enthusiasm, and significance to society over time. Another aspect of the disaster of refusing to accept my 19 year old self.
Nekron in part represents the death extending throughout the meta levels of the DC Universe and other comics. Zombified forms of the characters and stories which breed evil to come.
There is also the matter of the Star Sapphires: This was my issue that they all looked like generic supermodels. In order for the meaning of the event to fully complete, the artists (including fanartists) must have incorporated factors like what aliens find attractive, as through the symbols of comic books species of the Universe find passage and mutual understanding. It was a literal fact that stepping forth into what Should have come after the Blackest Night DC event was requiring acknowledgement of signs of aliens upon the Earth, which prepares the way for them literally joining the Lantern Corps. Such a profound cosmic context to the art of the time - which inspired my critiques - devolved into the nonsense and hysteria of false demands for respect for the human races, which amount to perverting them, and demands for ugliness. That nonsense and hysteria comes from hidden guilt and fear of the lack of facilitation of the trade between worlds.
Conclusion
The emotional spectrum was the last great contribution to Superhero comics, impacting all Green Lantern media. Since then new characters and big developments to old ones mainly amount to stupidity like endless clones, fighting another Darkseid stand-in, or woke garbage. Showing the truth that evil cannot create, it can only corrupt what good has made.
This expansion of the Green Lantern franchise came directly from me posting online, spawning notions of cosmic horrors which the Lantern Corps have vast significance amongst. What people should have done in return was to allow me to become a big part of the comics and cartoons world, after which I would have proceeded to designing Half-Life 3 and making my own company.
Instead with extreme manchild spite they chose to make me the most corrupt form of an important figure for that world, subjecting me to endless harassment from trolls as well as writing hatred and animosity for myself throughout their culture and the garbage comics and cartoons they went on to make. As they did so they sought to exploit the creative reservoir which I represent, as they do not want to accept the world where great people are allowed to be great and other people live in a world which they define. But as Jesus said…