The Owl House
In which The Owl House is explained and haters are desiccated.
Sometime ago I witnessed an initial test animation for this show. This obviously displays the fact that it is inspired by Dana Terrace reading my teenage posts on /co/ and John K's blog. Those who have read my articles before this one should be able to notice many details. I never watched the actual show, I looked at some things and that was that. As is my way.
The animal character known as the King of Demons relates to my own identity as the King of the Underbeasts, who play a sort of demonic role in the artistic realms as explained in my article on Space Jam. Some of them are named for being particularly demonic. His canine appearance relates to Underdog, an underbeast transformation between myself and the demonic beast horrorterror Hellhound. King's desire to restore his identity as King of Demons is a sort of character pun on being the underdog.
And so King represents a dream form of myself that arose in Dana terrace's imagination. A ”dreamself” is one of the corrupt concepts of Homestuck meant to obstruct the real concepts of my Revolution in a stupid webcomic. This real instance of dream forms points to why I obscured my own identity - to allow for meaningful generation of dream forms in the imaginations of others. Instead of just being distracted by the reality, emanating and manifesting more immaterial things.
For instance my own first name is “Anthony,” meaning Priceless, which relates to the cosmic jewelry which is the home of the Underbeasts. And so King has a very similar meaning to my own first name. This is not a meaning that will be possible if she knew me beforehand, but she did have a reason to be attracted to the name in the form of her favorite cartoon Ren and Stimpy and its episode “A Visit to Anthony.” so too did a child fan of the show be attracted to inspiring the episode 5th dimensionally for this purpose. It seems likely to me there are timelines where I inspire it myself as a child. Possibly because the spumco show runs for a good long time and it gets made later.
I manufacture my creatures through my artistic activities and they are active in the world already, as when there was a massive sound of an aircraft synced up to me just now when I was walking. I looked around and couldn't find it, and thought about how you're not supposed to do that. The Underbeasts make real life more cinematic. Beforehand, I thought about how I was walking farther than usual, which facilitated this experience.
And so one of the reasons why I avoided watching the actual show is because of the soiled artistic essences. Through executive meddling and other factors like Homestuck fan-tier “fans” of Dana, it would be destructive to contributing to the artistic activities of my soul. As I advance my artistic ability in my soul, perhaps I can gain the ability to refine the experience of the show for the useful and good artistic essences it has. Instead of expecting any money and other material things for inspiring other artists and giving freely to them, I expect things like this in return.
Now there's the matter of the Harry Potter content the executives forced into it. As I spoke of in my prelude podcast episode. In fact King is already a symbol of what the executives sought: a masculine creativity which is a big deal in society to complement The Owl House. Harry Potter could never be that, it was made by a woman. The Harry Potter character is evocative of myself to the collective subconscious of executives, but I haven't even gotten to the part of the first book yet where a bunch of letters fly around the house even though I try.
Next there is the remarkable good girl vibes. Dana seeks to be good from my own perspective, to fulfill the principles of artistic Revolution. But, other people do not. As with Rebecca sugar, many thousands of people sought out a special status of former John K fans who happened to make TV show concepts through inspiration from my posts. They wanted to enjoy the exciting and new things of such concepts while giving me literally nothing and spiting John K completely. But without myself being involved and the guiding philosophy of John Kricfalusi there was no way for either show to be made well. They landed like wet farts.
This is why both cartoons are such icons of LGBT culture despite their lack of success as cartoons. My revolution has a lot to do with relationships, as girls particularly enjoy. The brokenness of the cartoons translates into the brokenness of identifying as lgbtq. As I have spoken of previously, “queerness” relates to seeking perpetual lack of understanding of yourself, literally being queer - in the old sense of strange - to yourself. I understand myself well.
Being someone like myself provokes jealousy and resentment because I'm such a careless big deal which was totally upsetting to the norm of the late 00s when my Revolution fell apart. But they sought to exaggerate this perception in the real world out of their sin by obstructing people like Dana terrace and Rebecca sugar from participating in my life as was my intention. Making it look like it was all about me even though I couldn't function on my own. They did everything they could to obstruct me from living any sort of normal life in the animation community, an effort that continues up to today to finally fall apart through defeating my trolls and other opponents in the present. And so ironically they made it so that in the timelines of the upcoming Multiverse where my efforts happen correctly: though I may appear careless and live carelessly I have been the polar opposite of that.
There are also the hard theological problems for the late 00s of what my new forms of male-female relationships mean for traditional marriage. Something which Dana seems to gesture at with her cleric-themed villain, without being able to make meaningful criticism to go along with it without me. The artistic works of herself, Rebecca sugar, myself and others are spiritually aligned in a ring formation to complement each other in a certain time period, an aspect of my Renaissance like nothing ever before seen. It would be too much for late 00s hearts to see this artistic relationship in a context of the time which includes frequent divorce casual sex abortion and other such things. They were not ready for the next level of male-female relationships, expanding on the old ones and forming new ones. And as a result that thing which should have happened corrupted to produce energy for the LGBTQ movement. Which is why I went into social isolation in 2014 to prevent any further energy from coming from myself, no matter that this is the exact opposite of what I needed.
This transformation is written into the owl house, a greater demonic energy entering the Underrealm being built in my soul when in fact the Demonic Beasts are only one faction. Also bringing less emphasis on things like their ability to enrich artistic works in the world, directly leading to the vast wasteland of art in the 2010s. The fan base has accused Dana of ripping off Cubone for King many times. This species is said to yearn for its mother, wearing her skull, which ties directly into my own relationship with my mother which inspired Steven Universe. As well, I said I was a Pokemon - a squirtle - many times as my Revolution ended.
Next is the magic of the series. As in my audio post, the magic can both be seen as a symbol for the development of personal abilities and a useful tool for the development of personal abilities. The massive aircraft sound happened like “magic”, which helped me understand better my abilities for posting. This makes the pagan imagery a subversive way of rebelling against the Mainstream christians of Dana's childhood conceived when she was a teenager, but she was frustrated from expressing this properly, thrashing around trying to say meaningful criticism of authority figures but unable to. Owl House “fans” see this and miss the whole point.
My various “magical” internet performances like making metal gear solid happen in real life, a special magic for my friend ipgd I kept concealed for a long time, are meant to activate the souls of artists I have connection to, which is one way I can help them make their own projects. When people interfered with me simply being silly, they were directly interfering with the ability of people like Dana terrace, Rebecca sugar, and various girls attached to Homestuck to make their own projects. I can do a great amount of assistance for their projects without anybody even noticing it, and I did not seek self-aggrandizement or to be noticed. Interfering as with my interactions with ipgd on tumblr, passionate artistic performances which fell on deaf ears as they prefer to listen to Homestuck, which proceeded to give them lots of mental illnesses.
Seeking to help the bird is a very empathic scene. As in my article on the Color Nations, at first the Black Nation was defined by three types of creatures: sea monsters, crawlers and birds. My creatures can frequently resemble birds as in Skyscar, a lesser augment of Worldwind. This displays her desire to help the creatures whose Lord is represented by King.
If in the consciousness of mainstream culture Harry Potter represents myself as they grasp for someone like myself, that points to a complementary nature to my “wizard magic” and the “witch magic” of these female artists. Though they are not so differentiated in Harry Potter. While I focus on crushing, reshaping culture, and being a king of “demons”, Dana and Rebecca yearns to be more nurturing in their initial ideas of their series as conceived. It is remarkably resistant to corruption by other animation people, the fandom, and the executives, showing a certain creative power beyond the world of the late 00s. They tried to enjoy it but perhaps the addition of my “wizard power” will cause a reactant fusion which they will not want to enjoy anymore. This gives an actual meaning to Dana's attempts to rebel against Disney, even though none of the things she says makes any sense, and she sounds like a total idiot who shouldn't be trusted with a pencil.
Getting involved with people like Alex Hirsch means her teenage ideals were severely tamped down but still visible. When she went around flipping middle fingers at Lego girl sets that communicates her desire for a more meaningful form of youthful femininity. Not only does it make the Lego sets rather crude and primitive in comparison, the little pieces snapping together can represent the materialistic and basicly functional femininity and masculinity of the previous level of the sexes, when they are not raised by true faithfulness in Christ. She yearns for something more immaterial: like artistic male-female relationships which inherently makes their inner life more vivid, which makes femininity much more meaningful on the internet, so there's no need for careerism. Dana was certainly lacking at preserving her career for after the Owl House.
Lgbt is incapable of loving Dana, they can only perceive her as just another member of their own. As happened with Toby Fox. The special immaterial qualities of both individuals can be clearly perceived by those who are willing, as is demonstrated by 4chan memes and some memes elsewhere.
The funny thing is that after the owl house, the calarts enjoyers don't seem to have anywhere to actually go. They scream and cry when someone posts the meme about the beanmouth face shared between dozens of shows, and they talk about them being over, but they have nothing to say about where they go from then on. They've got their spider-verse movies which lowers the frame rate and has other obnoxious traits, but aside from that trend they don't seem to be going anywhere, and that trend lacks the ability to Manifest the things CalArts fans tries to manifest like incredible Gravity Falls lore - which they wanted to manufacture out of the ruins of my Revolution, but I did the unthinkable of choosing total social isolation so this effort would be completely off-mark without the siphoning of my personal energies to guide them. And so ironically despite supporting abortion and doing abortion fundraisers with Alex Hirsch, Dana ended up aborting the artistic ambitions of her fans, who settle for hyping up spider-verse aesthetic.
Dana's struggle to express herself extends far, placing her extremely exaggerated self-depiction into the show who asks King to read her story, calling him her inspiration. This form of Dana was very popular on /co/. She searched for something to achieve, but without the overarching framework of my immaterial artistic constructions throughout the art communities and society, her desires fell to distorted teenage rebellion as an adult. The same was done by many Tumblr people but in an even more pointless and immature way.
Unlike them she knew peace and was not constantly flying around in her identity and self-labels. She sought to activate King's dream form, just as my article on Portal 2 activates the game's dream forms of myself and ipgd in Wheatley and GLaDOS. (Another thing which Andrew Hussie got severely wrong through his “dream self”, leading people astray. Instead of the activation of a fictional character to be imbued with new life and vibrancy, people die and “become” selves which are really supposed to represent fictional characters and imaginative figures. This explains why Andrew's most persistent fan who intends to harass me on a daily basis finds it meaningful to say I am “a cartoon character”. And he is also a “fan” [perverter, rather] of the owl house.) Despite the cacophony of morons in animation of the past decade, she remembers what is meaningful.
Eda as in the test animation rather has John Kricfalusi energy. (Another big uh-oh for modern cartoon fans who want to give him credit for nothing, which motivates their Insanity about him) She's utterly casual and unconcerned about Luz's interest, but willing to guide her in witchcraft. This is rather similar to fairy tale characters like puss in Boots, who after being inherited by the lowest son tells him that if he trusts in him and has faith in him he will guide him to becoming a Royal. Involving a series of seemingly daft decisions, like buying boots for a cat. As an adult John Kricfalusi adopts the poise of a fairy tale character, which represents a representative of the trickster, ready to play his tricks amongst humans.
The show the Owl House is one of those shows which immediately falls apart in its premise at the beginning and gets lost in damaged relationships. After my Revolution never materialized, and myself with it, one of the ways which the girls I touched in my preparatory efforts can cope is by getting into relationships with each other. As when the Owl House and Steven Universe became a common package deal, representing a relationship between Rebecca sugar and Dana Terrace. People of the animation community saw the damage in certain girls, Katie rice and Robyn Byrd included, the first being my first crush and the second had a child with John, and I am much like an actual “son” of John who is alive, which can easily cause severe psychological disturbances. Seeing this, they refused to give responsibility to themselves (they are man children, they never want to accept responsibility for anything even if it isn't really bad) and gave it all to John, disturbing people like Katie rice who are connected to him further.
Amity represents Dana, Luz represents her college roommate, although these personal perspectives can easily shift. This represents a more meaningful form of life in animation than the insane cacophony of animation culture since 2012. I never managed to make much of a connection with males in my attempts in the late 00s. (Again, one of the things my trolls loved to do the most in the past few years was post a picture of a dude I tried to become friends with, a Gurren Lagann fan) and so they needed to seek this superior life among females.
In the late 00s my efforts manifested as hypermasculinity, though that perception and understanding of the time can easily change and be different. The meaning persists to be fulfilled as in writing articles like this one, arising as a hypermasculine male to claim the artistic projects of various women which poses a serious trouble for society, helping to cause a type of black event called a Space Jam. Michael Jordan was one of the greatest males of his day, and so this astronomical showing-up responds to society not having constructed itself for males to meet the challenges I brought from the Trickster.
Watching this test animation provoked a transformation in my soul, I felt infused with Dana Terrace. I can clearly recognize her personal signature from posting on 4chan, even though unlike Rebecca Sugar she's not known for doing so. I think she was underage at the time.
This forms a Nuclear Reagent that led to my opponents as a teenager breaking out to new levels of outrage due to the significance of what I was trying to accomplish, from introducing another God of darkness to other things. My trolls have spoken of trying to “dox” me but this episode already features my hometown and its significance, which illustrates that my Revolution will prevent dangers from doxxing.
This power of Soul Merging and melding makes lgbt a sad joke, but does not come easily. I have needed to advocate for easy things like friendship, which can lead to more advanced things like interfriendship abilities. Dana would have driven me wild to discover her as a teenager, but that would have distracted me from ipgd. And so the careful arrangements of people, including the deranged maniacs who got apocalyptically angry about a teenager trying to improve cartoons, facilitated the absence of this.
The other teenage characters display Dana's interest in meaningful friendship. As King illustrates my Underdimension suffuses everything I do, I cannot be properly understood without it. But it is not properly activated yet. Luz goes around with King learning magic, and the magic is an analogue of underbeast Emanations and other things. This makes the show more learning about being more like myself, and from this perspective Eda can represent Dana and Luz can represent the viewer. Since the show was made so badly, this process must become more abstract than if it was made properly.
Walt Disney established a great many things in animation, but certain things like having Generic Boy characters for the child audience to self insert into is rather lame. The swapping of perspectives and related aspects of interpreting Dana's ideas is an actually meaningful contribution to the legacy of Walt Disney which proceeds directly out of John Kricfalusi's philosophy. Showing that they were never in conflict in the first place, they were complementary masculine visions. Much unlike a series about squat beanmouth sneed and feed Simpsons characters who are MAGA stereotypes even though you're not supposed to say that. That's just cultural sludge that will not be remembered
Dana exhibits great frustration at achieving anything, but crawls along to doing so. I experience the perpetual desire to abduct her so she can settle down and sort out her own desires, perhaps firmly strapped into a homemade asylum. This is the final piece of the absurd John K accusations. When The Fifth Dimension opens up in the near future, this will enable time travel and such things under certain rules. Therefore the teenager Dana will not be safe from my dastardly plans and intentions. The insane obsession with Katie Rice's 15th birthday party and John's other interactions with young girls relates to the ability of a man like myself or him to set a girl's life on course through virile guidance. Their obsessions with his actions go mental to corrupt Katie Rice's own memories, even though she was such good friends with John, in full view of his fan base too. The episode of House illustrated exactly this sort of thing they hem and haw and pull at their collars about.
In a way - though they shouldn't try to claim any credit at all for affecting my actions - I did listen to them, as Jesus said to give my enemies what they want, and the teachings of Jesus take precedent over the reality of the trickster in this world. I completely avoided girls until I forgot the degree to which I was doing this. And then they started begging me to be in their lives, and exhibiting misery and withering away, and completely failing to develop their art careers even when they get that big Creator job, and it becomes obvious to even manchildren like in the industry how badly their values and desires have fucked up people's lives.
The opponents of John and myself have to scream about things like rape because oh by the way, my Revolution also makes sex increasingly less relevant as an on-ramp to the end times, which will completely end sex and marriage by the end. A gradual introduction of more meaningful relationships to show people that nothing has been lost. And more meaningful interactions which make sex look primitive, like a club compared to a battleship. And so as well sexual misconduct of all forms loses its power and relevance, its ability to traumatize people and other such things. Which is why John K and people he impacted by the millions loved to joke about rape, which is why social justice in 2012 needed to rewind things back to rape being a real and dreary problem, no different than trying to rewind back to when starvation in places like America was a dreary and real danger. Oh yeah they tried to do that too, guess it just comes part of the package of trying to do something so stupid. Also a bit of a prank from The Lord of Shadows, who finds people's suffering irrelevant and funny except when it comes from holiness.
A last thing is that the addition of Harry Potter-style content converts the meaning of the owls of the Owl House into a messaging system for magic. As opposed to what the owls could mean if the show was made properly, like wisdom. This points to when the show was first conceived Dana Terrace had already incorporated how executives would react to it, and made her property ready for their revisions from popular culture.
I miss my friends I never had.
So whenever you people type these sort of things out, do you ever like, look over them after the fact and consider even momentarily just how insane it is? Like you *have* to be aware on some level of how unhinged this comes across as, right?