At long last, the truth of the John K accusations
Explaining what John Kay being accused represents, according to the Theology of race and according to the curious twists of personal history.
As my teenage Revolution was erupting in flames back in 2010, ipgd made a parody anime DeviantArt account where her name was โEllie Kricfalusi.โ Once on 4chan/co/ while people were yelling about me she went to a thread and said I was a really nice guy, they shouldn't be so mean to me. I replied โI love you, Ellie Kricfalusi.โ She replied with a smilie.
I met her while she was a minor and this provides a clear direct source for the John K โrumorsโ. As I reminded Katie Rice's friends, gossip is a sin, but gossip was upheld as sacred by the longhouse as Gossip is the primary mechanism by how it functions. When Jesus will reveal all sins there will be shame and contempt, and there should be an instance of this kind of thing here. God specifically referred to EVERLASTING contempt, which implies the existence of a non-everlasting kind.
Anyway (I was an Italian Catholic teenager, whose Faith mysteriously vanished into my comic books I was planning in my mind; I wrongly misconstrued this as being an atheist, but nothing has changed about my comic books)
I believe that ipgd, also known as Kayleigh Campbell (she said her last name made her feel weird because of the metal Gear Solid character, isn't that cute) intentionally created the basis for fake accusations. And her motivation was that people would not be willing to confront how I was abused as a teenager, not only because of the magnitude and the way it relates to the development of society, but especially because I was simply a male and men in bad situations were considered to be disposable, no matter what they could do with a little help.
She did something so intelligent and also anticipatory because white females are spiritually built for organizing the psychology of a Trickster. A trickster is an adopted role which simply involves performing all of the things of the cosmic entity called the trickster. This includes storytelling, magic tricks, drawing, making riddles, playfully interacting with society, and so forth.
All these strange activities create a chaotic state and white females are built for bringing order. This situation is perverted into the subversive pornographic meme โmade for BBC.โ THESE SUBVERSIONS OF MAINST-LOL I need to keep that because my dog did it. These subversions of mainstream culture are meant to keep spiritual reality at bay through blasphemous obscenity and other mechanisms.
And so she was organizing my thoughts, and my thoughts had been powered up by the Cosmos for a couple years. As this happened between me, the cosmos and her: seeds were sown for fully resolving my teenage conflict and in a single timeline.
Out of this context she planned an imaginary victimization by John K grooming a โchild brideโ. Since my teenage interactions and this interaction itself were so meaningful this embedded into the minds of observers stronger than reading the comments would create in a vacuum.
We were essentially becoming engaged, but not in the Christian way, in the way of ancient Africa. She knew I would not be willing to go along with anything conventional because I was alienated, and so naming herself after John Kricfalusi was a substitute mechanism.
The symbol of this Union was my dog creature, which is a trickster animal. A typical trickster animal is the cat, as cats are playful creatures, good observers and good at having fun. The animal can also be supernatural.
My dog creature is associated with psychologically embedding images. Images that linger like a comic panel that stays in the mind somewhere close or somewhere far. This dog, too, intentionally planned the accusations, not letting people simply forget about what happened but accommodating their desire to screech about a poor victimized damsel like spumdonor.
And so when people screeched at me for the past years, they were defying this African Union while they imagined they were punishing John. In the process they brought back many things from the late 00s, like textual sexual abuse, insane mental breaks and absurd personal grievances. There is no archive of those comments on 4chan and so they were recreated, just as in Metal Gear Solid 2 they recreated the events of Metal Gear Solid 1.
This gave necessary fuel for my Initiative. In the process ipgd punished John K for losing belief in his ideals as his haters were going out of their minds about me.
I named myself Addy as a catgirl, signifying my fixation on adding things as the trickster's reality adds to God's creation.
Advancing interpersonal interaction
Artwork is the expression of people and when it comes together into things like large projects or arrangements of various projects an interpersonal reality is formed intermeshed with the creativity. It simply logically, necessarily follows from the artwork of an individual artist being personal. The basic example would be the artwork of brothers or something.
This interpersonal connection interwove a narrative about John K into various animation artwork. He was the most important figure in animation and guided both society and children both directly and indirectly as through inspiring work like Dexter's Lab. And so there is an obscured mythology to be found. This explains the extreme intensity of recent generations of Animation people to spite him besides the spiritual conflict.
Up is an example of such mythology. He even looks like him at one point. The meaning of this work inspired derangement in supposed fans like spumdonor, their tweets and comments come to mind that echo these realizations they intentionally resisted.
In this mythology it does not relate only to him but also others like myself. When ipgd named herself that on DA she was inserting herself into this mythology, a way of being intelligently cute I found incredibly appealing. Just as by doing things like discovering my dog creature or exposing what would make anime appealing to me she did the work of exploring my Revolution almost everybody else refused to do.
I liked the individuality of her anime portraits even though they were supposed to be parodies. Up! connected dogs with flight, and it would probably be better if they were in UFOs. The talking dogs relate to the discovery of potential in nature which materialistic science avoids. My relationship with ipgd led to my personality becoming merged with my mythical dog's, contributing a wholy distinct, doggish personality. I am essentially a talking dog when viewed from certain angles.
The dog is a childhood hero and associated with powers of duty, and so relates to the perversion the villain represents. This villain essentially pits garbage animation like filmation against the ailing, aging legacy of John K โฆ. At a point that is still in the future. The strange age of the character relates to how he extends back into the history of animation as an abstract saboteur who tries to look friendly to people like John and kids. In fact his friendliness only appeals because people don't know what a real hero looks like - including John, as he grasped for a role he did not know how to fill properly.
His wife represents the potential of animation he tried to provide for, and when you consider this feminine image as a creative everyone starts to seem like children. The movie also anticipated the Revolutionary Cycle of cartoons, things progressively becoming more difficult for Bob clampett, John Kricfalusi and myself (others like Ralph bakshi and Walt Disney can be interwoven into the cycle) to the degree that if I did not do something drastic (the Imperial Campaign, starting with the Blockade) the next recipient of the cycle would either never gets to impact cartoons or would receive unallowable evils by God's providence.
And so Up in 2009 remarkably anticipates my difficulties, the metaphorical age of the main character representing me progressing in the aftermath of my teenage Revolution as things mostly decay. As it would have been announced and publicized before release it presented a source for the concept of Homestuck.
In addition to other things, those who exploited me created manic fans who would attack me upon sight, which is bad on the internet and in real life could lead to injury or death.
And so it was difficult to live outside my home. The balloons represent pockets of inspiration contained in the structure of many artistic projects whether in the overall concept or more subtle things like a sense of aesthetics. Taking off represents my Initiative, leading a full-scale assault upon the abstract villain through things like creating 5th dimensional theories and messaging people involved with exploiting me.
The dog represents a variety of dog concepts relevant to this process as well as the ideal of duty to children I believed in strongly as a teenager. He represents my dog who is enmeshed memetically in a variety of mainstream projects, which could provoke hostility from similar, symbolic figures.
The boy character represents youths who take away the proper message from these layers of symbolism, as well as the unknown recipient of the next stage of the cycle. The scout's code represents developing the artistic, cultural, personal principles involved in honoring the film.
The bird represents an unusual Cosmic discovery in children's media which the dishonor of children's Industries and the legacy of things like ruining my relationship with my best friend delegitimizes enthusiasm for.
There are a variety of ways the movie could have been improved. In particular I don't like the villain falling as was a habitual ending. He represents a serious bad dude for the world of children's things and so should be responded to with vengeance. A double barrel shotgun blast would be a good finish, and in a series of events where this version of the movie was made kids would be stronger for watching this.
If the scene was perfectly attuned, a bunch of the balloons could be taken out by the shotgun blasts, drifting down as his body falls off-screen, representing plagiarism and otherwise inherently and heavily exploitative projects.
There's still deeper levels like why the wife's name is selected. โEllieโ identifies her as a feminine God figure like a seriously potent muse, and the notion of Ls have alphabetic symbolism.
The villain is named Charles, which again connects to the villain of my webcomic Charlie who connects negatively to the pioneer of anomalous phenomena Charles Fort - who on Earth could think this is a coincidence?
Conclusion
The deep meaning and relation to a major Pixar film before the studio died could have seriously messed with the minds of Katie rice, robyn byrd and others. There could be elements of truth to their stories but realistically John was obviously the sort of guy who embraced a very casual sexuality. I saw that as a teenager when I hated sexuality as it existed in the mainstream world. This loosening is not loose sexual morals, this loosening is progressing into the state of Heaven where there is no more sex, but there are still powers of the adult faculty which have more wide-ranging and common effects. It was reflected in a lot of his fans and this was perverted for lgbtq culture and aligning with groomer activity in various big communities. I aim to restore what John was developing. Katie questioned if she had been in a cult. In the world of the trickster she was in what is called a Glade, a little pocket place of special interest to the trickster and his reality. There are a lot of ways to fail the trickster, but simply remaining childlike at heart avoids them all.
There is a reason why my friend owns my heart, and it is because the special way she became actualized by direct exposure to the energies of my Revolution justified everything about dedicating my life to it and its restoration, which extends into a cosmic and multiversal War. There are many who should learn to be more like her and less like cancel culture harpies.