Friendship, the comics and cartoons community, and Coelasquid
Addressing the formation of /co/ culture and how it impacted today's art industry, leading to it gatekeeping my career. The Terminator, St Anthony, X-Men and other topics
“Creator! A priceless beauty!” Some of the commentary of the Underrealm I hear in my mind as I finish the email for this article. As part of the affinities of the Rings, they venerate the significance of Close human relationships.
Something of a continuation of my previous article about Dana Terrace's search for the things I started to introduce as a teenager.
Despite that when I arrived at the board /co/ at 15 there began almost immediately Non-Stop screaming, especially whenever I discussed John K, I had nice experiences in other threads. This was shortly after the board itself was made in 2006. That initial state was one of nerds and stale fan discussion and obvious industry artists taking advantage of anonymity. Things changed over time to one with a heavily feminine presence, weird memes, empathetic narratives, and other traits. This is how I shaped internet culture as part of inspiring other artists for my Revolution. And so the board's culture was made by a 15 year old.
The primary task of creation of social fabric and similar cultural duties is assigned to females. As my previous articles have discussed I impressed many girls, and as a result I unlocked powerful abilities of Cultural Change. This is an ancient African practice which is necessary and fundamental to the world, otherwise cultures fossilize and become irrelevant to the time. It is associated with the Lord of Shadows.
Moving forward in time, this led to the Seismic meme of The Dark Knight Rises' plane scene. This struck such a chord with the posterbase of 4chan that even moderation could barely keep it at bay in the peak years. Being a “Big Guy” plays on my analysis of my previous articles of playing many roles, both ones I have made myself and ones I directly inspired in other artists as well as characters without direct relation like ones made decades ago. Being the beginning of the movie it almost serves as an explanation of why people found the rest so confusing and weird; “crashing this plane with no survivors” back in 2012 is a fifth dimensional reflection of my suicide attempt, conveying the ‘next step' of entirely dissipating my crumbled Revolution into the Shadows, leaving behind no conscious knowledge, often even for myself. The Aurora shooting was an attack upon this spiritual meaning, out of the consciousness of the public.
A “Big Guy” reflected what had just happened in my personal life, exhibiting a power beyond other such cultural personas. Instead of brother, he might as well have said anon. Rewinding back a couple years, this explains another reason for the insane aggression I faced at 18 besides involving Dead Space. I had formed connections with, by the standards of that 2009 world, a ton of girls. And so they sought to tear down my masculinity and prove themselves, a pack of injured males who were anonymous animation students, industry people on Cartoon Brew and other places, porn artists, /ic/ artists who could do nothing but copy photos, and similar types.
This conflict became permanently imprinted upon the consciousness of the art connections of women, leading to the flare-up of feminism into a war between the sexes. I had brought a nice and mysterious form of masculinity out of the Cosmos, and through boneheaded idiocy it was e-lynched into the Shadows. In fact this bringing is associated with the next level of masculinity and femininity, one of the wide set of gifts from the Trickster returning to creation.
The Internet waited with bated breath for such works as Steven Universe and the Owl House because they had been formed by the creators coming into contact with me online. There were other people in the field such as Coelasquid. The connection here is such that it single-handedly gives a basis for denying my mere basic identity to today's animation students and such people. If they have been reading her tweets, getting in contact with her friends, etc. They have gained knowledge of my presence. She constantly emanates an aura of it.
If you read my article about Edward Feser, then go on to his blog, you will see on the 5th dimensional level of his commentary various responses to the societal symbols involving myself I talked about. Now if you've seen the past years of her Twitter, it frequently involves those very same symbols and similar symbols. Sometimes she makes a string of such tweets and I wonder what goes on in her head as she does so. A long while ago, this simply made things seem unreal because I was so disconnected from the world.
Kelly has said she is a Terminator for a long time, she even decided to become like the characters after watching the movies. Her internet presence since the late 00s gives context for this notion in this account. Manly guys doing manly things, making a manliness themed brand at 18, designing a hypermasculine sequel Gordon Freeman among other characters, it's all on point.
Despite all that I never came in contact with her, though I came about as closely as one can without contact. She actually inspired mental planning of the clear demarcation of these new relationships I actualize from marriage, as I wished to avoid the perception of flirting with her or any of these other girls. Homestuck mocked this as an obsession with tepidity, but if these weak males like Andrew were actually capable of perceiving these relationships like I depict in my own webcomic he wouldn't have bothered. Oh, one time I went wild because I felt like I perceived Coelasquid in the narrative, which proceeds from the Afterlife.
Her similarity to the posting style of Ed Feser among other factors inspired comfort with talking about God with her, though this was in the swarm of LGBTQ, CRT, and other factions obstructing any sort of normal life for me, as they did here. After years I eventually replied to one of her mutuals as well as her that I have a relationship with my unborn brother and I don't need to go to heaven to do so. This is a kind of post called a Stunner, neatly encapsulating the problem the animation industry had created for me. And the primary way I have this relationship is through my webcomic Hauntlyre, so they needed to stop obstructing me or it would become its own kind of abortion through not allowing this brother to participate on the Earth.
This condition of the animation industry and other /co/ communities that prevent my participation if I am a Catholic came from the Protestants. When I was born, I was in the awkward situation of having a name that evokes both one of the most legendary Saints, St Anthony, as well as one of the most legendary angels, the Archangel Michael. When I developed to receive these two mighty heavenly powers I would become one of the most powerful people on Earth from the determination to live up to this name. And so this is why America of the '90s caused immediate problems for me even as I was a little child.
Protestants resisted and protested Greatness, but it came regardless. Part of the progression of Greatness would have happened if people had never sinned. The beginning of the second millennium marks the beginning of such things as unleashing the powers of the Saints, which is one aspect of greatness. St Anthony himself despised the greatness people knew because he knew that Cosmic and heavenly greatness is infinitely Superior to the greatness of the world, and he was preparing the way for what was Superior.
And so in the course of Life above heresies and confused ignorance I was intended to do all the things I'm setting about doing. This is why I could not budge an inch about anything when I was younger, even when a reasonable person could think I could. The course of the church is not defined by Protestantism, even though the America I knew was. Not entirely though
The powers of St Anthony include such things as finding the lost histories of people who posted on /co/ in the late 00s, which I must make myself worthy of. This power is key to the proper functioning of 4chan.
And so St Anthony established a fifth-dimensional existence above time and space. This provides the context of associating me and all these other things with The Terminator. And the necessity of confronting Coelasquid about abortion comes from the true meaning of The Terminator as I have gone over in multiple previous posts. Of course God was not surprised when people spoiled my life mission, and so St Anthony is associated with things like discovering lost alternate realities and actualizing them in the Multiverse. James Cameron presented to the world a broad set of works that are stories that lead to the Multiverse, and became a wild success for it.
This is the motivation for Andrew Hussie's otherwise bizarre obsession with spoiling his movies.
I knew that his life could not be the end of the story for St. Anthony even in this world simply because the name “Hammer of Heretics” is so cool. Through Spirit Link I channel his power to confront the masses of heresies that have formed using the burgeoning power of the internet, often spawned by Protestants. In so doing we, he and I protect the Future from the damage they cause and aim to cause, which is especially important when it is part of God's original design that would have happened regardless of original sin.
St. Anthony is also associated through 13 to the Underrealm, which currently revolves around the Book of Revelation, which was dictated to John. This provides a source for the name John, and Connor relates to the Italian mobster affinity for hustling and the Long Con, as when I conned people about the true meaning of Steven universe, the owl house, the evil of Homestuck, and other things for about a decade which allowed me to gain a foothold in the animation industry.
And so the Terminator franchise is a depiction of the Cancer prophecy, one of the most powerful Christ figures yet made.
/co/
I established a community upon the comics and cartoons board, using the ability of easily making friends with girls which can be seen reflected in John Kricfalusi. The same power which of course the industry community recently sought to smear completely. As a result of what I did a lot of posters who used the board back in those years were my personal friends. Not only did we directly interact with each other we also indirectly defined a community shorn of identities in which we intermingled. But when I began to establish an identity about when I became an adult I was harassed and attacked by males unwilling to tolerate a man in such a position among women, which is simply an aspect of God's original design.
Today's animation students and other, highly frustrated, male tourists speak of some kind of reason why industry people don't come to the board anymore, but they need to settle for some nonsense about today's posters being “spergs”. In fact in actual History a black debacle involving male-female relations as well as the burgeoning Arts happened which was such an outrage it led to these Zoomers growing up under the hostile specter of feminism. They are afraid of addressing the facts of what had happened.
Once I went into the thread for a new show she worked on and tried to sound like Coelasquid (which comes easily to me) and someone who was presumably a bad coworker lost it and imitated the way he abused me when I was a teenager, pretending that he couldn't understand simple ideas. And once I went into a thread for another new show and did a WWE-style takedown of what it meant for her artistic history which she posted the cropped text to her twitter. I didn't read any of the replies aside from a few which said everything about how much these people didn't get it. Didn't get life.
Despite what some of my trolls suggested to me there is no actual way for me to form an art career in this situation aside from bringing all this to light. Otherwise it would practically amount to living as an imposter of myself, and who wants to work with an imposter? I don't.
Using this article as well as other recent ones I shall begin contacting those involved with the maldevelopment of /co/ culture until my demands are met. This will lead to a destablizing of people's art life that has not actually led to much of anything. Webcomics just died. Etc. The internet has brought new ways for humans to exist, and these ways which have existed for decades must be finally addressed instead of letting people be obsessed with consumption and the stupidest memes of all time.
I spent so much time in the past few years participating on the board because animation Zoomers became determined to make their own God awful culture based on kiwifarms and having a broken masculinity. I made the real culture and it was worth defending. Naturally this was crippling to my other efforts, but I did what was necessary. I expect that the whole animation community will see to it that such things will never happen again.
In the early 2010s and at other times like when Zoomers were driven to /co/ by covid restrictions people expressed such an insane degree of entitlement because they recognize that I am important to the culture and the artists, the most important parts of animation. They will give me the position I deserve as a result, destroying the Manchild behavior of always wanting to have one's cake and eat it too. And they completely missed how people like Heysawbones suffered from the absence of the things I freely offered to the world, which she looked to me for. And some people like Spumdonor's mutuals have clearly based their personality, understanding of art and interests on the 4chan culture I directly created, yet give me nothing but confusion at best. This must be changed
Kelly tweeted again a thread that reflected an opinion I fantasized about /co/ posters having about me, then I promptly went to sleep for 8 hours. Yet another of those powers of personal interaction which Andrew perverted. Now I finish this piece, hopefully to the standards my hidden creatures saw in the email.