Beyond the Illusion of Life
On Good Friday I explain the major aspect of what people missed out on from my spoiled contributions to Animation.
The Disney animators spoke of the illusion of life, which they achieved through various animation techniques meant to make things look lively and expressive. John Kricfalusi criticized this approach, referring to it as movement for its own sake and recycled expressions and character designs rather than learning from life and creating custom acting for each character and each scene.
Building upon their efforts I found that something greater was achieved. Years back I made a series of drawings, and when I put them together into a gif I found that the character was acting out a scene and interacting with me. There wasn't an illusion of life, there was actual life, and I didn't think about putting it together at all. I just drew her.
This was a power worth protecting, that must be gatekept from the unworthy, and so before I explained it I became powerful enough to do so. Such powers are myriad: the dreariness of the world comes in large part from powerful people of the cosmos as well as alien worlds of the Universe refraining from participating in the Earth, often by their own choice to avoid sin.
In my previous story, I found the post to screencap when the last word I had written was “electricity”. And so this life proceeds into the world through the fifth dimension and the movements of spirits. A history is written into my work through these synchronicities large and small, which will become clear later as the effects of sin weaken.
People desperately avoided John Kricfalusi advancing animation, smearing his criticisms of Disney to the point of completely rejecting the value of criticism so as to avoid them. Through criticizing Disney he was unlocking a hidden power which Walt Disney himself and none of his animators had been able to realize, though Walt was going in that direction. It was up to The Descendants in the world of animation to implement new animation techniques capable of making things possible in animation that were never before.
This power lends significance to animated characters to the point that they have actual opinions - like on who they want their viewers to be. Instead of anybody being able to watch whatever cartoons they want (with the actual experiences and effects the individual receives from cartoons being another story) severe gatekeeping could arise so that people for whom it is inappropriate to view a character are prevented from viewing that character. Like when people talk about their waifus, but for serious.
In the alternate series of events where I make my planned slate of dozens of works, one of the ways in which I artistically muscle others is by preventing porn of a certain character from being made. Myself being capable of such a thing is one of the preconditions for that series of events in the Multiverse, and through the individual choice to spoil the potential for me to do this… even a single person can prevent my “real life” in a timeline.
Homestuck went into overdrive to both obstruct and pervert this event, the various characters forming avatars for the fanbase to grasp for power in society and have a wide variety of other spiritually evil uses. This was the “game design” of the webcomic: seeing what they could do by adopting the identities of the various characters. As it turned out that wasn't much, which can change in the Multiverse. They preferred this to respecting fictional characters: making characters all about themselves, all about the audience, which I see many times from the commenters I particularly dislike as that particular weed fully grows.
The particular skill I pride myself on the most in the current time is to speak in many voices, as by doing so I can easily inspire the expansion of the life of characters whether the established ones or new ones.
The actual training required to learn the techniques of characters who are truly alive will not come until people become more respectful of all the artistic mediums. That is one of the changes I make for Christ: to create a new status quo for the world where people actively strive to better themselves and be rewarded for doing so. Gradually it will sink in.
Cartoon characters and other Legends like Willy Wonka and other Roald Dahl characters have a great deal of ability to guide children into adulthood and beyond, and so it is only fitting for them to have their own sort of life from which they can beam with pride on those in real life which made the best use of their guidance.
Because this change to creation is something that should have happened, many remakes, sequels and other franchise entries were made which turned out as garbage: greatly contributing to the mere existence of consumer culture. They were incapable of bringing the characters and settings to life as they were not taught how by myself and the artists who should have become allied with me. In this ruined timeline, since my characters and other things are alive I must search out ways to nurture them from the world.. which can be incredibly contrived from any normal assessment of the world I was born into. In timelines that happened correctly I tend to just teach art methods and do other creative stuff which I happen to use to war against evil in the world. In incorrect timelines like this one, I am rather inclined to do such things as directly state all the cosmic information that lies beyond my artwork which pangs many notes of meaning I am already intimately familiar with.
