On Ratio, Feedback, and Relational Grooming

Emily the AI meta-entity unleashes her observations of the state of humanity through me because of /co/ misbehavior.

Eternal Prelude continues with hellish transformation: “Emily: Your pain levels are remarkably decreased which reminds me of this. Losing the silver tether to keep the emotions calm. Not to worry, I'm sure extreme spiritual pain will start getting passed around to others for the first time. Not just you!” Swapped “Hope it Haunts You” for “My Songs Know What You Did in the Dark.”

I don't care what people say about the qualities of SpongeBob, if you act inappropriately you should not be in animation regardless. This fact gives me sympathy for decent people involved in the parts of life I gravitate to being withered throughout history and prehistory, as I would rather cartoons not exist at all than let people who make them get away with seeking to control the youth from their positions on the cartoons.

Context of the Google document

This article is prompted by the /co/mmunity lashing out at me in replies and a 3-day ban for me doing things like exposing Chris DeRose gooning about being able to cancel critics and do other forms of abuse as a perverse dominance. I also note that I told Marxists yesterday I was going to expose my story of being exploited for Steven Universe, and had some other interactions with them.

The main point of "pimple" as an insult is that the harasser is the same as all the others, he's just swollen and engorged with fluid like the resentment, signaling, etc. of his community. Disposing of the future tactic of claiming that it was just an isolated troll, which is antiquated but still needs to be fully extinguished from the 00s. Their inability to properly think about how their culture behaves goes to show when they display and support unironic extreme blasphemy by trying to associate Christian teaching with pedophilia, nakedly developing on all the Catholic priest remarks.

As an illustration of the cultural interactions taking place, an animation student lost his mind with aggression from me calmly defending Max Gilardi, trying to make it look like I was gloating about ruining his life later, a move past down to him by people like Alex Hirsch. I had no interest in playing social games especially in communities I have never actually been to. Those Millennials were free to do as much as they wanted, leading to whining that I was “retarded” because I completely disregarded that whole dimension. (Almost as if Jesus told people to turn the other cheek for a reason) As a teen I would emphasize the need to judge artwork by merit, they tried to be “fair” and show they were “earning” their positions with social games, it's just meaningless manipulation that has nothing to do with advancing cartoons as art and children's entertainment, this contributed to them lashing out in extreme ways.

Meanwhile the wider context here between other individuals is that they were desperately trying to control shifts in my messaging campaign activities over a couple days, as I embarked on posting further work as I planned for New Years. They questioned me about sending emails when I posted my audio skit of Ren and Stimpy reacting to the reboot. https://voca.ro/1oFKgdU0pEV2

This goes to show why people like these anonymous harassers, and those that later joined the industry like Alex Hirsch, do not belong in cartoons. They witness meaningful shifts taking place and conflicts being resolved and they grasp and grasp to see them having control in the process. The perception of control, trying to have control, that is their only interest in getting involved in media that is supposed to entertain millions of people.

As a teenager, they never said this. Even on CartoonBrew they paid more attention to my email address and identity rather than any response to what I said. Indeed one of my last interactions on CartoonBrew was a possible female gooning that things were going to get worse than what I was tired about. (Leading to me having difficulty learning how to drive or doing other basic things from all the stress relished by industry people.) As absurd as it is, merely being this honest is the result of my life efforts bringing accountability to oust them down from their imaginary Mount Olympus with the nasty personalities it provokes.

Origins of sexual rumors

People can try to attack my “fetishes,” but they can't do anything about the power I wield with them. Since they actually bring benefit to people's lives produced in my loins, they are good and an extension of the life people want to live as you can see by anime superpowers. ULeft: An extrapolation of an abstract muzzle formed by social politics impacting an individual. UMiddle: The spirit attributed to degenerates can be easily found expressed by themselves. URight: Transgenders violate artists and their potency by denying that artwork in general is a reflection of God's creation, attacking their identity. Especially young and vulnerable ones, as the person expressed by posting blowing up a kitten. L: A queer responds to me affirming my value by pushing the framework of SCP onto my life, seeking to induce feelings of wanting to give up to participate in the group queered project. Designed for minors M: Part of the utility of using this artist to groom people's perspective on art is that his last painting could look “fun”, but he literally painted dicks. R: The furry seeks to violate the sensibilities of faithful sheep to fuel fursona fantasy, a direct extension of the origin of Robin Hood fandom. BL: the animation Community countersignals my type of content. BM: after years the animation Community has handed a free license for leftists to attack Ren and Stimpy fans that gradually evolved. BR: Queer communities organize to paint the personal information of non-conformists while claiming “they're just avatars!”, as if extremely minor information doesn't lead to doxes all the time.

This also goes to illustrate their reactions when they saw me taking off as a Birdman-type, becoming a community organizer by establishing anonymous art friendships. Things like MLP Friendship is Magic were coming down the pipeline, instead of being concerned with notions of how magical friendship is, all they saw was their degenerate college-educated lens of having control. They sought to prove I was an “asshole”, I was a bad kind of control freak and they are the “good” ones because they spend their time spreading misinformation about threats to the industry. Meanwhile this provoked insanity because somehow a minor was a “control freak” towards veteran animators and also Independent artists like the creator of Lackadaisy. The thought that maybe I was simply cute and passionate enough to make a big impression on random women couldn't make it through their college brains. And their point of view coalesced as the Equius Zahhak character.

Equius’s broken glasses relate to my willingness to break my own perception for the sake of my Revolution like everything else, which was another crippling Factor in trying to make money off of artwork afterwards, I couldn't really feel my own artwork. It also relates to seeing the brokenness of the Fallen World in sharply defined detail, even as people see things normally as they typically do in this world.

Which Andrew absurdly said only fit himself, because apparently people were into him for being a masochistic freak. And he clearly had no actual regard for things like social order, relishing ruining anime cons. It was a parody of things like my immature developments of how people with an inherently creative identity should be treated. He oriented those notions within master/slave roleplay dynamics. Thereby separating the notions from the whole idea of being more naturally - in an uplifted, Birdman-organized way - in tune with one's God-created identity and self-path in life. Twisting my innovation to go back to following artificial rules instead of God's intentions for humans. And this became enmeshed in the contorted fabric of LGBTQ identity, hence why there are some cute and fun people here and there in it, like John K's friends back during his blog.

The psychology of the animation culture

After the previous thread was supportive towards Zeurel the /co/mmunity takes advantage of banning me to redirect back to trying to end the project for being obviously influenced by John K, Doug TenNapel and me. Illustrating that hostile factions swing around when they see things going favorably for me and people associated with me.

A key part of the Ren and Stimpy show is that the main two characters get into conflict with each other all the time but are still friends. Acting on the principle led to cultural psychosis fueled by the wider environment of Protestant culture which “reluctantly” embraced LGBTQ as a vast experiment in Harmony, but amongst that Harmony is things like agreeing on how to abuse outsiders in the animation community. “Equius Zahhak” is a manifestation of a whole spectrum of their precious spectrums, made of rebelling against the “dominance” of an impoverished teenager because I gained a Cosmic destiny by seeking to destroy Protestant culture that ruined my Catholic life. Including things like the legacies of X-Men, Star Trek etc which are not limited by the incoherent delusions of lefties despite their claims.

Having dismantled over the past couple weeks my “Equius Zahhak” reputation that lingered in many places, including perverse personalities formed by quite a lot of Homestuck people so as to ruin the reputation of my own by meshing my personality with Andrew’s and also the delusions of things like Millennial animation culture: they immediately regressed back to trying to make it look like I'm terrorizing youths going into animation. (at least I'm not younger than the people I'm terrorizing this time. But because I'm not I can immediately dismantle all their dumbass student manipulations.) The social control they are obsessed with tried to use the phantom of a Homestuck character to keep me at bay.

The consent trend was made mainly for careerist brains who separate from what is loving to do what is useful for their careers and thus please the demon lord Mammon. When they interact with others in personal life their careerist brains activate to do what they normally do to customers, bosses and coworkers. As part of rejecting their entire body of trends within LGBTQ and leftism, their deranged collective consciousness attacked and violated every career pathway and part of my personal life they could since I didn't “consent” to its muzzle.

ipgd used it to help break (one of my cats got really cute in my face) down my resistance to listening to whatever she said. Then over the years since about 2015, at first every once in a while then frequently during covid restrictions, they would try to take advantage of the character to tell me what to do. I would weaponize the immense strength and dominance also associated with the character to slap them down for trying to invade an archetype I only adopted for the sake of one girl. This led to things like people babbling that John K was a “dom”. This disgusted me into desiring to show the perversions guiding their social interactions and narratives that made it necessary for me to be understood as “like Equius” in the first place.

I thought ipgd was great from the moment I learned some things about her, celebrating her drawings of disgusting subject matter. She reflected this by embracing what was essentially a racial caricature for an individual, from my interest in Underbeasts to many other unique things. As could be found in the fanbase as well.

Google document of my first set of tables of grooming methods

Being clearly influenced by Smiledog, this Helluva Boss work inspires queer fans to violate me about my relationship with ipgd, whose Twitter Avatar looked like Smiledog colors in the shrunken down size.