[Cool] Exposing Queer Culture part II: Protestant Fantasy Children

I explain how it comes directly from their defiant plans for children. Going into more detail about Homestuck being the basis of it and why they identify with Pennywise like a saint monster

I began an illustrated ebook Vort, a story for my Strikeverse superhero universe. Chapters 1 and 2

I uploaded an audio recording for the animation industry

A woman's figure is a symbol for the shape of her presence as I have learned to appreciate by following women over the internet, especially when I see a photo for the first time. Her Feminine Expanse embodied in things like creativity and the lives of children can be analogized as being large, well-nourished, etc. And so a fat fetish can come from these facts, as obviously it is trivially easy to make a woman fat using oil and sugar, it's just a visual symbol for much more difficult ways to nourish. When a man chooses this ease over difficulty, that's where a sin of gluttony comes from. Cosmic theology is necessary to separate proper existence of symbols from sinful employment of symbols

Previous. Due to my teenage Revolution my grandmother hunted for ways to pantomime flinging her hands into the air and screaming “no respect, no appreciation” while I was suffering from things like thinking of ipgd, avoiding her and everybody else. As a representative of Protestant culture, this was their way of communicating their only real critique. Indeed, LGBTQ kids excel at respecting and appreciating things like Across the Spider-verse, gobbling down every morsel of the community event and making it part of their identity and artistic expressions, a blank canvas stripped of individuality and receiving what Lord and Miller give them without a thought in their heads to themselves besides sex and who to harass to fuel queer sexual and community experiences like myself.

Protestant culture is focused on God the Great TV, the beatific vision of heaven being literally staring at God for all eternity, having no identities or lives or relationships to distract themselves from what is essentially parasitizing the experience of being God. Why develop their own experiences if they can have the best one? So perverse and using, and their utilitarian approach to others is reflected in Lord and Miller, in loving porn, and their passion for consuming entertainment without being able to create themselves, or indeed even having any people in their culture capable of creating new things like Spider-Man or Lord of the Rings.

In the aftermath of my Revolution I didn't take pictures of myself as people communicated I was so hideous in the calculations of their mainstream culture defined by Protestantism to protest how I focused on developing my individual identity which enswathes the Underrealm as its God, defining the great and small creatures by my image. The retroactive existence of my setting in the heavens actualizes and revitalizes because I now exist to see it in things like Looney Tunes or Stephen King, the gears of my setting slowly grinding to the dramatic refutation of the Protestant worldview which was defined by things like protesting the retroactive action of the Underrealm in the first place from their awareness of it fron sources like Catholic paintings.

Making Queers

Jamming even harder to this

As LGBTQ spreads, it obliterates natural identity and expression. Things like someone's interactions with the opposite sex are individualistic. Protestants started out by pruning undesirable identities for courting their children. Vortgaunt in the ongoing superhero story is my Undercreature-Human fictionchild, and so reflects my image of desiring kidnapping. I came to animation to oust children from bad cartoons and other bad things so they could be raised better. As an adolescent I felt that Protestant culture was parched of abduction, as when Saint George saves a princess against her protests.

I’m emboldened to discuss kidnapping from some female X mutuals discussing it and related things. The OT condemns a sinful form but that doesn’t mean I was willing to lose my mind about it.

This is why nobody cared how about things like my grandmother's humiliation rituals for myself growing up, making me wear oversized pants that I walked on with my shoes on the first day of school because they were new, a girl making some kind of fun about it. My grandma was “nice” and that's all that mattered to her fellow Protestants, and she was trying to wear down my destructive and humble identity by prioritizing the cost of items over the use value of them. This continued all the way into adulthood, wasting money and screaming about how much it costs because I didn't “follow the rules”. She made me valuephobic and set the stage of having absolutely no concern for the income of the animation industry in my teenage period and after.

I greatly identified with Thomas Aquinas for chasing away his relatives for trying to get him to use a prostitute, developing a relationship with him through my brother named Thomas as I develop Cosmic theology.

Cosmic Theology

In that culture I was becoming a “weirdo” as a Spumdonor mutual said to him due to my callout of him after interacting with my posts, hence why I didn't follow back or interact myself, as they were primed for little dramas to align the dirigible of contemporary mainstream culture with myself to kick me back away again.

Shredding process

The spiritual climate around all these events involves things like the actualization of creativity to begin directly developing how someone can be a Creator after the end times. Tolkien set this up and my creative work directly develops from his, creating the Ochre Universe across my body of artistic works and other content, gradually growing to the retroactive reality future of the Rings, a circuitous loop for our context.

And so, prots granted that they needed to accept creativity and drama and the importance of fiction in real life in their lives. So they set themselves as the villains to sacrifice for their kids to fight, gradually reconciling into the Post-Protestant mainstream era of America, their earthly kingdom against weirdos and reactionaries. A form of “love” they're receiving rewards in full during this life.

And so they shred away the claims of their denominations and their children shred away their pretensions of being rebels and concerned for the poor and anti-Boomer Christian. They queer together into many contradictions, a process set up by the paradox space of Homestuck.

Homestuck's framework

Many things about Andrew's awful work directly sets up LGBTQ culture, showing he was always pretending to chafe against it, my “gay damsel” as Dirk represents to prompt me to save him as Jake would be my identity for doing so. (That I got used to thinking about this says a lot about my life experiences and my inherent identity.)

The drawing aesthetic is a symbolic stripping, the differences between characters extremely minor and obviously superficial like a shirt or a haircut. Such was this aesthetic that fans would freak out when he gave Jane a little boob. And the second person writing style frequently flips between characters: “You are now Dirk.” “You are now Vriska.” This creates psychological hardware for meaningless flipping of identities, which was directly expressed in the early days of Tumblr social justice culture as “if someone claims an identity, they are that identity”, as easy as that, Homestuck people being formed who I now haunt telling them that they are defined by the webcomic, not the narratives the mainstream gifted them.

Characters like these are part of my personal library, “checking them out” to learn how to be more like them, and thus more unique in the process.

At the same time this was spiritually and personally empowered by Andrew and his community parasitizing myself. As you can see in my articles I flip between multiple identities within the same article sometimes… but it is very different because I display things like my accomplishments in that identity, showing how characters like Blade or Spawn and others inspired me to become an accomplished and personally powerful man.

Meanwhile Homestuck characters are all just like superficial perceptions of myself, he had plenty to draw on from /co/anons and readers of John K's blog, sometimes I'm goofy and say lines I read in old books like Jake, sometimes I scream like AM from I Have No Mouth and I Must Scream like early Karkat. Coelasquid, Gigidigi, Michelle later, and others were major webcomic artist sources, they developed their perceptions of myself for very meaningful work, anon friendship as artists while I was still too poor to even afford enough art supplies.

As a mouthpiece of Protestantism, Andrew was spiteful that I didn't want to be perceived as I actually was because I was in an inspirational form, a teenager just being himself, who happens to be very cool and likable for white girls and artist girls. Later when I left that form to adopt my artist and creator form he trained his fanbase to be spiteful and only acknowledge distorted perceptions of my inspirational anon posts, such is the ‘tude (to use a John K term) of queer.

Stephen King's redemption

After my previous article that included a Hellraiser image, a Homestuck fan went viral about Hellraiser, cockroaching about the resonance of my truth bombs. As part of the cultural firmware it is supposed to counteract my narratives being deployed when my Initiative approached, but the firmware has been frozen since 2013. At my age it is trivial to explain that 1. When I say that Pinhead represents figures, that representation is not supposed to be literal but rather grasped with the spirit 2. What they claim to be hedonistic in their dark dimensions can be different than what we claim it to be, which is simply part of the punishment for hedonism

As I have explained previously I believe that Stephen King is a fellow Elect and his obscured work Four Past Midnight is a birth gift for myself establishing him as an Artistic Dad, alternate conceptions of direct fatherhood like being a Godfather. In the future Four Past Midnight will become very cool and well-known because it only makes true sense within my individual human image. It is also a retroactive diary about Stephen's experiences in purgatory, which anybody can agree is one of the coolest things a horror Creator could make in this life.

The Four Past Midnight Prophecy

And so Stephen is being humiliated by his Trump Derangement Syndrome, faltering creative ability, and in other ways because he didn't come to Christ fast enough. But at the same time he is firmly attached to my current Initiative to expose LGBTQ culture and related things, honoring his great works that some of his books illustrate.

The work by a Homestuck fan Bigtop Burger is basically just combining together Stephen King as can be seen in Homestuck (in emails I enjoyed making fun of Andrew because he was basically horrified about the clock and dog motif of the Sun Dog for his two main villains which landed as duds after the excitement wore off from Andrew making the webcomic during my attempted Revolution), Stephen King's It, and the Cosmic significance of burgers my Substack illustrates. There's really nothing more to it, hence why fans harassed me for posting, “you'll spoil the meaning” they say in incoherent queer voices bred by Protestants.

The Frustration of Space Burgers

Demonically, a gay mocks my friend and Homestuck team member ipgd by voicing her making sexual references to Jesus, as I adopted the identity of Jesus when we separated for the first time. As well as mocking her muse activity my artistic work requires.

This proceeds directly from Andrew attacking our relationship with things like the Davepetasprite and Arquius reunion page.

[Epic] On the Issues with Blocking

And so in the course of this article you can see the basis of Protestant emotions, my thoughts and actions are all interwoven with things like thinking about Stephen King, it arises the horror that when they die they won't be immediately flooded with pleasure forever, they'll have Heaven “filtered” by the process of learning to appreciate those that inspired them, connections they made with random people in their lives, the heavenly meaning of cool entertainment, and all that. This ties into why they reject purgatory.

And so they want their sea of gay faces, gobbling a movie where the villain is internet haters (especially the hater that inspired homestuck, Portal 2, and other things that heavily influenced the crew like the animation supervisor; their daily lives and therapy and pharmaceutical medications are bogged down because they have to address my presence in the past of their colleagues to simply just make animation, which is a purgatorial experience)

I have referred to Wheatley as representing my God form. One has to wonder how badass an Elect can be for God to give him the identity of being responsible for separating the Wheat from the chaff

The Cultural Psychosis

The pathetic nature of the stumbling block against children to train them to spoil the environment of those who threaten art industry, and how easy it is for me to see through it, creates a long process of humiliation to adjust to my confrontations of it, which answers the humiliation my grandmother and others did to sabotage me

Unfortunate for them that they are making their children incredibly unhealthy to please them just as my grandma did to me without the incest-feeling pleasing. As Zoomers came of age they began lashing out at people just for having innocent fun, as they were encouraged to sacrifice by their parents and friends, locked into the latest LGBTQ slop and babbling with each other about Spider-Gwen being trans.

I find Miles Morales strangely compelling due to seeking to actualize Peter Parker in real life and an irrational fondness for Bendis. This fact can create hallucinations about Gwen from ipgd, who can merge her Identity with mine as I do vice versa. Just as is the major basis of non-binary, reflected in various girls I tracked in the community.

They “transition” as they go into different fandoms, seeping out old identities like a sieve, the foam spilling out (to where? Astral parasites, mayhaps?), enjoying gay smiles and ass-grabbery just to feel like themselves because somewhere down the line the things that make them unique were used locally and communally across social mediums to spice up things like porn characters, fan projects, and flamboyant gay performance.

Endless self-medication with Netflix, with humiliating memes, mirror-abusing themselves to keep their culture working, doctors and drugs of all kinds, masturbation just to feel a little alive as whenever they try to make something of themselves as individuals they are knocked away by their LGBTQ community and bizarre, rictused Stepford parents. Bombarded with symbolic insults to the individual they were born as which may they have never realized was more than obsessions and weird turns of phrase they needed to have ironed out by Marvel movies to quip, quip, quip away and do the same to the younger ones, being trained as to which memes they should use to landmow the characteristics of the youth.

Conclusion

I know exactly why people hated me, because I'm the sort of dark figure which keeps people in check about how they treat their kids, I can split my mind right open and hit them with the Dead Lights of comprehension of how they treat kids and how cultures treat kids.

[Story] King Candy

No, dumbass child men, I don't care that you hate me in 2011, I don't care that the same societal voice of female outrage screeches out of you all, enjoy suckling at the Whore of Babylon, I'm coming for glory and people like Stephen King are coming with me, who taught me so much about being the kind of policeman I am.