Hauntlyre updated with page 27, introducing him in the comic as well
The Birdman is the Lord of Rap and Shadows. As with the trickster, he has a primary domain centered around an abstract concept, and a secondary domain related to creativity. In this case rap music and related things such as poetry.
He is the master of The Fifth Dimension, which includes not only a dimension of creation but also a cosmic version of the dimension filled with things such as fifth dimensional monsters. 5th dimensional creatures also exist on the Earth but they are unknown, but various pop culture phenomena develop towards knowledge.
The Birdman was born a human, the last and greatest black king of ancient Africa. Forming an alternate 5th dimensional world, it extended βbeforeβ Adam and Eve to populate the Earth fifth dimensionally. Upon original sin the fifth dimensional future was jeopardized, presenting a choice to God of either continuing creation from The 5th Dimension and methods from the other domains to transcend the Beginning of humanity, or continue from the beginning into a corrupted world. Of course he chose the latter option, and so the destruction of the 5th dimensional Africa happened. At the end of this future the Birdman made the choices that led him to deityfication, retroactively causing him to exist from the beginning of everything.
The Birdman is associated with sequences, which is a more stable method of understanding events in the cosmos than time. For instance first God created the earth, then original sin happened, then he came to Earth as a man to redeem humans from sin. That is a sequence involving God who does not exist within time, with many other events in between and related in a nonlinear fashion.
He is associated with the Master Sequence, the exact order of events throughout the entire Cosmos. From the very first event of the first sequence, he existed. And so this shows the incredible dark power he wields, as he does not merely catalog events he can also wield them for his shadow power.
And so by creating the Earth God populated the Cosmos with a dark God-level entity as a fifth dimensional consequence. An eternal ally. The Birdman is a human, and so that is why within the Justice League that is a powerful theological tool: the black domain is represented by a human so extraordinary he can battle alongside βgodsβ.
The whole social justice/woke narrative of Pop Culture collapses when you actually enjoy rap music. They would go on and on that black people needed to be represented even though famous rappers were already calling themselves superheroes and putting superhero imagery in their songs. I suppose the 5th dimensional facts were in the way of acknowledging that or noticing it.
Birdman who is a constant presence in Lil Wayne's music inspired me to not take people's scuffles and misdeeds seriously without good reason like my article about Will Smith before the John K circus show. He must be cool if he can get away with that name.
Birdman is associated with a pimp aesthetic in connection to one of his primary Powers he contributed to the ancient Creation, cultural change, which is fueled by connecting with girls. In addition to other significance. Pimps of our time are a dismal imitation of the true imagery of his greatness. This point towards another fifth dimensional fact like why pimps have been considered so cool.
Birdman is also associated with cops. Normally cops are grounded in the ochre micronation which bloomed out of Africa. Birdman brings this over to the black domain proper, as when he adopts blue and red feathers in his changing aesthetics. This associates him with both cops and criminals, fitting his domain of The Fifth Dimension ordering people as real life heroes and villains.
Rap as a secondary domain plays off of the significance of his Sequences. Sequences wind throughout reality, having hidden rhymes and crossovers. Rapping as we normally understand it verbally brings the meaning of these sequences together for the purposes of the rapper. The significance of this domain also goes far beyond verbal rapping.
By rapping the Birdman also unleashes his power, which is part of where Lord English comes from as an end times identity. Through studying Earth black culture in a racist way, Andrew Hussie could eventually put together this character who is really an upcoming cosmic being.
The Fifth Dimension orders the meaning of real life, as when I found out Andrew was in debt shortly before I made the page linked above where I mentioned this, a page I've been brewing for 3 months. This is a casual flourish of the Birdman's hidden activity in real life.
Birdman is associated with βretroactive causationβ, hence how the underrealm was almost retroactively placed within creation as a reward for my persevering faith amongst Cosmic difficulty. Amongst other fifth dimensional rewards like Dead Space.
These rewards are colored with the meaning of being a Boss, due to my spiritual life being associated with the black domain.
The Birdman is the frontal face of the black domain whether earthly or Cosmic, the Trickster staying to the shadows and the Lord of Mischief swirling around flanks. He puts on magic shows, cosmic music, shadow plays, and other dramatic artwork and performances in this personal role, which includes this article.
He is associated with greatness, as in the popular term among rappers GOAT. He shows the model of what a human can achieve, when he sets his sights as high as he can.
Allegiance to the black domain is associated with respect, a sort of equivalent to Faith. Sequences wind far beyond human comprehension, and can proceed into an eternally unknown meaning. The only thing one can do is respect these fifth-dimensional realities, and one is rewarded in exact degree that they do. To not do so provokes a bad fifth dimension relationship.
People have been unable to even acknowledge my various activities as there's a wide swath of 5th dimensional facts in the way. This article is the spear point of fixing this situation.
Telling the story of the Birdman is a large activity of my webcomic, my own efforts synchronizing with a hidden alternate life. The story about him continues in further updates
The haters made many references to how threatened they are by this reality, like claiming that me and John were βshitting on cartoons.β this is a misused rap on birds, as is seen used in rap music: βR. Kelly and the God of rap/Shitting on ya, holy crapβ - To The World. The utterances of haters can give much credit to an individual not yet established, through the inadvertent fifth dimensional things they say.