Desiccating the animation Industry's revocation of the right to my own personality
The first set and I can expect to do another. Showing how my traits, life developments and internet connections can be seen in 18 years of creativity
I made a SABA design for Hellhound, the Irespawn Skychaser
I would just like to say fuck you to all the edgy Zoomers who like to make fun of kids for enjoying imagine dragons, because when you read The Sun Dog by Stephen King, view my work and then listen to this song it becomes one of the coolest songs ever
Intro to the Google document below
My enemies have tried to deny my influence but without the slightest ability to convince, that's why they almost exclusively used anonymous trolls. It's supposed to psychologically wear me down from being effective in exposing my story, but that just plays into one of my special powers reflected in Dota 2βs Abaddon as well as my own designs like the Guardian. It's also supposed to be a neutral tactic so they can move with whatever evolution of the situation between myself and my exploiters takes place, a pathetic cowardice which reflects that they fail to make artwork that impact Society because they don't want to take responsibility for their impact on society.
The Monsterverse is more in line with my (blue) Guardian character than Godzilla media around when I came up with it. One of the highest purposes of creativity is remaining in alignment with the heavens, but focusing on this led to outbursts of the egos of Industry youths, refusing to concede there is non-selfish end to creativity
My Guardian character is one of my characters I most strongly resonate with, and being like Godzilla indicates awareness of leaving paths of destruction, but the guardian is unlike Godzilla by emphasizing protection. It's not a matter of βjust doing the workβ, it's a matter of encouraging people in the industries to concede that I am indeed like the Guardian instead of holding onto their resentments about shooting down their undeveloped creativity which didn't deserve to coexist with things like Lackadaisy and Zoophobia; otherwise doing things like making content about the Guardian creates psychotic backlash and other bad things, as Zoomer animation students did to me for years for many reasons including reasons I have not discovered yet; part of monstrousness is acting powerfully without full knowledge
Perhaps the biggest tell that their response doesn't work at all is that they grant me no personality whatsoever. Naturally an artistβs personality is reflected in their influence. John K was influenced by Walt Disney for the darker, more horrific elements amongst fun cartoon stuff. Most other living artists take more inspiration from the corporate, Protestant culture version of Disney, bringing in things like self-bubble fantasy careers as in Hannah Montana, cloying sanitation of life as caricature of Waltβs cutesy stuff, and that careerist drive to remain respectable at all costs, even if it means savagely abusing a teenager on the internet who is really inspired by Walt Disney's more subtle, magical characteristics.
For a couple of years their Zoomers were obsessed with tearing down my identity. They really had nothing else to say. Ranging from posting a photo that wasn't me, to trying to torture me about the βnameβ guy, they were well aware of their massive problem as youths in the animation industry that my identity is absolutely everywhere. Not only some characters in Industry productions like Amazon's Hazbin Hotel, quite frankly some of the women working there or have worked there, like Michelle of Ava's Demon, identify as βnon-binaryβ as I am a perpetual presence in their soul, just as ipgd was for me but I conceptualized this state accurately instead of according to mainstream notions of βgenderβ.
As I told them a bunch of times they were using tactics developed for abusing minors against a 30-year-old.
Meanwhile Dave Strider fangirls have been entering the animation industry and related professional Industries for a long time. Before covid these efforts at identity-stripping were reflected in earlier frustrated art students by calling me a βtrannyβ or directly harassing me about my writing style without punctuation and other traits very similar to Dave Strider. I didn't change, people were just building careers on top of Homestuck and going around to me and telling me that not only were they not going to give me anything in return, they didn't accept my own writing style anymore.
Forward in time to BoilPuswell and the rest of the new wave of art students, I stopped writing like dril on a regular basis and he said βoh now you're on your meds.β (Actually all the writing I was doing aggravated a nerve injury and I couldn't type on my keyboard anymore. The opposite of medication) these pathetic people who sacrifice their humanity to work within the satanic enclave of Hollywood looked at me still having it and had the nerve to complain even as they were searching for careers that would not exist without me.
The Millennial and Gen Xers who accosted me as a teenager whined then and later about βdoing what they want.β What kids today want is what I was working on as a teenager. The Ghost and Molly McGee just ended, relieving yet another weeks-long period of intense mental pressure from industry people parasitizing me like bedbugs. And because it has, I should have an easier time getting my relationship with ipgd acknowledged: I wanted to base it after Beetlejuice and Lydia like many other pairs of characters, an abstract form of basis for a relationship out of my creative identity which only works for someone who has a creative identity.
People contested John K about what cartoons were βgoodβ, and the Beetlejuice TV series made a big impression on me, it had a lot of influence, while at the same time it led to Molly McGee crew responding to my polite request to respect my relationship with ipgd with throwing me the middle finger like Bill blocking me without interacting with him on Twitter.
This is where the Multiverse comes in to imagine the series if it was made like the intro throughout the whole series, as well as developing Tim Burton's legacy in ways that don't lead to Bill's middle fingers. Until the Multiverse is real, I will keep developing towards the ideals I picture in it within my mind, which has been my whole fucking method as an artist since I was a teenager but people preferred to shriek at me than practice hospitality and wait a little while to show them how it works. At least it's cool that people imagine I'm out there somewhere being rich and stuff, reshaping what people imagine rich people do and can do, leading to things like Elon Musk buying Twitter to uplift free speech just as I envisioned as a teenager happening.
When you use desiccate, do you mean you will dry out the animation industry or did you mean dissect as in cutting it open?