Gay Culture Part IV: Raise of the Abominations
Inspired by a gay response in a Helluva Boss thread, I break down the feigned horror about this term from a decade ago as relating to real life horror featured in Warcraft
Previous. It was a real curiosity when a βcompelling argumentβ from the departing Christians who rejected teaching about homosexuality in about the early 10s was simply about the term abomination. As I reminded people back then, it basically meant forbidden. But they didn't see it that way. They thought that there was some kind of truly dreadful inherent meaning - but later on such linguistic intuitiveness was disregarded completely in favor of ideological reading of communications and fiction.
As I have started to establish, the Warcraft universe and other truly resonant properties have a basis in reality. There's a cosmic level to this universe, relating to Warhammer. Both of these are bridges into things in the spiritual dimensions called creative spheres. It's not an accident that one was produced from the other. It is essentially literally a child of Warhammer, but a child that's a work of art.
Warhammer 40K is one of the best illustrations of the Cosmos in existence. Alongside Cosmic Marvel and DC they clearly illustrate what the cosmos actually is. If it was not for protestantism all the tools would be in these series and other artwork (Even in our world with its timeline) to piece together what the cosmos is. It is a basis for a new age of cosmic understanding.
The hearthstone cinematics seem as if they respond to my teenage desire for better animation than was being made with brief examples of high quality, cartoonish animation.
Deriving fact from fiction
And so, on the mere basis of this, one can look at fictional archetypes in such resonant works and decide that they have a basis in reality. If the work as a whole does, then the various pieces can be estimated to do so as well. Especially the classic, iconic pieces, not all the new damaged junk the lgbtq employees try to put in.
I saw comments on this video of a person saying it reminded them of homestuck, and another saying to avoid the trouble they were starting. The Jamaican trolls being an example of Black Culture, the notion of Stranglethorn relates to the thorns of Truth and Cosmic Horror I'm spreading around the internet through posting. βonce in a generationβ relates to the ultimate challenge of blackness my teenage Revolution approached successfully. A Loa is what my dog creature is, I can leave my opponents to him reshaping their lives with his subliminal powers as punishment, instead of resorting to violence. βBy Earth, by air, wind and fireβ invokes the cosmos through the four main domains. βa hero cuts you down to zeroβ relates to my astonishing activity of cutting down the biggest things on the internet through my power. Like Lil Wayneβs Fireman, it is a retroactive artwork relating to my success.
So why were people so horrified about the term abomination? Well World of Warcraft was a really popular game. That could be a main explanation. All by itself, that can literally explain it. And so, in the course of accepting gayness they started rejecting resonant artwork like Warcraft in those days which made them feel such horror.
Anatomy of an Abomination
As my recent articles have been delving into in detail, woke and queer things are not good things, they do not have the goodness which made their truly Protestant parents feel sympathy for their supposed plight. They are conjunctions of natural things twisted and wound up with perversions like the desire to screw people over and damage like ignorance. And they are heavily framed with symbolism and rhetoric that has a meaning people did not realize back then.
When woke art culture sprung up in 2012, that was directly derived from pillaging what myself and ipgd as my muse were trying to set up for society. We were both big fans of Warcraft who played it as a main game for a while.
The Underrealm literally contains Inferno creatures. It uplifts the value of Hell. In the background of the various disputes about homosexuality, religious doctrine, civil law, and such things was the indistinct awareness of an alternative. This alternative would have illustrated what their kids getting into lgbtq were really after. I could have straight up told them that they were becoming literal Abominations from Warcraft in abstract form, not the form of their bodies but the form of the nature of the new lives they were making.
My inspiration and the obscured framework of Underrealm things can be considered some of the weapons of the abomination, which can be turned even on themselves. The rotting guts gradually grow as they persist in defying being nurtured by what is natural. The flesh is assembled from the media, twisted experiences, and even each other. At first it is fresh, and then it starts to rot and be solidified as corpse parts. The βfresh meatβ is young people to be groomed who are siphoned of their vitality and their lack of violations to empower the creature. it is knitted together with rhetoric and dishonest reasoning that uses manipulation tactics they pick up from demon influence. It has the brain of ideology, and the face of smugness and false appearances.
Of course then comes the part where Protestant parents and such people feign outrage at the description given of what their children are participating in. But not everybody truly participates or is interested in all the perversion, that is an obvious philosophical fact. But later comes the complication that I actually accepted raising these Abominations for a decade. I accepted them and intentionally nurtured them. This is so because I was building the mechanisms for completely undermining them. Literal mechanisms. Underbeasts. Underbeasts have the power to burst out of the things in which they feed. The metal and the skeleton of the abomination, leaving only a disgusting mess which those who would have feigned outrage finally are forced to see.
They didn't accept my Catholic artwork because they were horrified and disgusted at the secret horrors of sin, that ill action which killed God. And yet day by day by day they live in a world where my image is increasingly emerging from the various creative projects as well as other things like memes their lgbtq children have enjoyed. The Catholic they spit on, bombarded with thousands of screeds of hate in online religious discussions and collaborated to make his life as torturous as possible, whose hardships can sustain a Multiverse, standing in front of them wherever they go. In their memories, the haircuts of their kids, the way the music outside sounds, and then there will be things like robotic animals, in their senses the sensations of him will gradually become overwhelming, fire of Hell.
Conclusion
It is no surprise that my online opponents go directly against my life aims. That is where their queer culture and other movements came from. They directly diverged from me expanding on the meaning of Warcraft with my best friend, which seems key to her believing in Christ.
In their smug childishness it is likely that they feel I have no idea their crappy parents rejected my Cosmic spirituality in favor of nurturing their lgbtq identity, but that is merely the hard way of Cosmic spirituality where they become living illustrations of what it means, not another path.