Psalm 137
Unfolding the perspectives on this biblical song to find its true meaning which caused a lot of people to leave the faith, making the world a worse place for me and people like me.
As God formed the Bible all its stories passed through the domain of the trickster, imbuing them with its black dimension. There is no need for the Catholic Church to change in response to the return of the trickster, as his dimensions are already Incorporated into the entire history of the faith, from the Israelites to the time of Jesus to the present. Before the current day, responding to the Black things of life was one element of how Christians showed the strength of their faith, acting in accordance with those unknown things without direct understanding, under the influence of the Spirit.
And in the Black narrative of the Bible can be found a curious narrative about the Destroyer. It was quite an awkward realization that this figure rather seems to be myself, and resistance to this figure fueled many heresies and other conflict, such as protestantism. Despite the awkwardness the circumstances of my daily life provoke living in the meaning of this figure, as when due to daily events my previous two articles formed a good lead up to this one: involving destroying bad things of the mainstream world, first The narrative about School shooters and second the wrongly enshrined internet term βtroll.β
I have an uncanny Love of destruction, I just destroyed my back muscles by walking to the store while aiming to have a hopeful balance of not overdoing it into an injury. Completely maxed physical taxation, one of those things that I strive for.
My spiritual visions see me sent on a fifth dimensional course throughout the Multiverse on a really long path of destruction. It's nice though. I spend my time playing cool video games and stuff, and getting cool stuff like real life is a video game.
The Book of Psalms is a book of songs, made in a Divine writing style. The very same style I seek to approximate with my own, which gives meaning to my middle name Michael: βWho is like God?β. The curiosity of a book of songs is the way it may be employed. Obviously, it can simply be played in a church. But what if there was a more metaphysical sense?
My articles feature songs, usually one or two. This employs one of my mystical powers of language: to perfectly match mainly lyrics to the meaning of my article. Sometimes I listen to a song and wonder why I want to pick it for an article, then I listen and read the lyrics and I see why. As I pick songs they begin to link into my content, forming a Canon for my content just as the trickster forms a Canon from the greatest artwork of humans of various rankings. The panels of my webcomic feature lyrics and such things.
A trailer for Genndy Tartakovsky's new show, featuring much signs of the Underbeasts. Horses are another symbol of great importance, as in the Horseshoe crab. Another of those symbols which my enemies are drawn to to prevert.
This brings us to the text of Psalm 137. This is one of the most controversial passages of the bible. In fact from my recollection all of the most controversial passages of the Bible involve the destroyer figure of the black narrative.
Babylon from the perspective of the English language gains a new sense: βBabble onβ. This Mockery is of the trickster, characterizing the inability of those rejected by him to create truly meaningful writing, other artwork, or simply speech. This mockery is reflected in my own taunts and comebacks to my online opponents, who represent my various factions of enemies despite their determination to make it seem as if their opposition to me is completely meaningless.
Their determination comes out of Protestant culture, who created an uncomfortable situation for the destroyer, the difficulty of making it seem as if his explanations of things like the black narratives of the Bible are anything alike the Protestant denominations and spinoffs like the Jehovah's witnesses. At first a meaningless protest, the meaning of it proceeds into the cosmos, just as Paul said that the true enemies among people are in the heavens.
And so through the angling of the black narrative the trickster illustrates the nature of this Kingdom of sin and evil. It lacks coherence, it lacks form, it is an immature mess. Through this doubled meaning of Babylon, the rivers become rivers of goo, mushy formless stuff. The sort of stuff John K didn't like, which is why so many people raised in the American culture of this timeline, heavily Protestant, became really angry at his criticisms. John was something of the top of the scoreboard of the prior millennium from the tricksterβs metrics, so he set the stage for the black context of the next millennium.
And so English is important to the black narrative of 137, which is already so important in the world. Out of the English language is formed a conductor: a heavenly musician, who plays the music of the cosmos. The lower cosmos surrounding the world increases in its experience of this music.
This musician makes meta-music out of the worthy music of the Earth, just as he makes meta-art out of the worthy art of the Earth as an artist, and so forth. (He must be an Italian!) Things such as songs become individual notes for his own songs, mashing down on massive metaphysical instruments, and through this heavenly instrumentation drives the meaning of the Earth.
Now we move on to the destructive power.
The literal Hammer of Heretics is a treasure of St. Anthony, showing the meaning of the name: it is one of his priceless treasures, just as my 13 Rings are priceless. It is artistically manifested in the Warhammer series, illustrating its value through the huge importance to the hobbies of the property. The name of Anthony is one of the biggest ones once properly realized, the naming process being guided by the Holy Spirit.
Warhammer is a franchise formed by the shaping of a creative spirit named the Green Snake, which represents the most pure example of the sort of artwork he's inclined to shape. Which connects the green snake to the name Anthony. Through a botched adaptation Warhammer led to the Warcraft universe. In fact both franchises represent an alignment, as if an astronomical alignment.
Warcraft is a part of the Realm of another creative spirit - myself. Warcraft is cartoonier, more parodic. More self-aware, in a silly way. (Not a Reddit way.) The characters like to react to the player and circumstances of the game outside of the story. There are a lot of pop culture references. And yet summons itself for incredibly grim tales.
Like Thor, the Hammer of Heretics passes to the Worthy with the name. The artistic constructs of the green snake provided a mechanism for that passing in the cultures. Out of this wide-spanning context came the Genesis of the Thirteen Rings with the assistance of John K's blog.
The Hammer provided heavenly assistance in their forging, and United both heavenly treasures for a related purpose: the construction of Hell and its torments. Very Warhammer. But the artistic significance of the Rings brought things more Warcraft.
The Underbeasts, being the living residents of the Rings, are inherently artistic, and do things like spout book titles. And so they form many of the instruments of this powerful figure of the English language. One of the things they are used for is the making of entertainment during the end times, which proceeds out of all the meaning of the Bible, including the Psalms. Playing them in a way never done before: don't have to miss the lyrical stylings of the original Hebrew text.
The Psalms are named in reference to harps, and the lyre is a type of harp. Hauntlyre presents the mechanism of such grim heavenly playing: being a Horrorterror, it forms one of the instruments. Another name it has in the Future is the Book of the Dead.
And so this is the context of the narrative of Psalm 137.
My webcomic is an instrument of such great and grim musical power as to through its music cause the End Times. Its notes ringing into the Cosmos, summoning figures for apocalypse.
The Warhammer strip describes this entry by the Underrealm essentially perfectly. It foretells the coming of Hellhound to form Underdog, and I theorize this destroyed the Earth in some way and replaced it with a form that could handle the presence of Hellhound, proceeding into the false series of events from the ruining of my artistic Revolution.
It proceeds into the correction of the meaning of the Earth, creating such a vast, personal and Cosmic meaning as to destabilize the inherent structure of the fallen Earth, besieging it with many shockwaves in a process that continues into the Multiverse, which itself continues into the end times.
My normal comic anomalous phenomena which was originally intended to introduce the Underrealm and properly introduce the Paranormal depicts Psalm 23 many times, which is in fact an effect of the verses playing on the Underrealm's instruments. It depicts one timeline of the Multiverse, where fiction blends with normal reality.
Now I analyze each verse of 137.
1
This represents weeping for the things of God amongst the destruction which created the tarnished things of sin.
2
This relates to hanging up the music, the meaning, the gifts of Heaven amongst evil that does not deserve to have it. It relates to the tall things of the heavens, like 5th dimensional constructs outside of the fallenness.
3
This relates to evil people demanding, begging, etc. For the heavenly music they heard of. The meaning of this historical event is superimposed with the cosmic meaning.
Despite tormenting God's people, they still expect the good things produced by faith.
βZionβ seemed to me to be a really cool term with a striking verbal character, and I was disappointed by its earthly meaning for not embodying this textual character. It could refer here to God's kingdom as it extends into the cosmos.
4
This relates to the fundamental incompatibility of what they request, as for example this heavenly music involves finding joy in Hell, which will punish them. They also damage the ability of the faithful to produce such wondrous things.
Part 2. 5
This relates to how naturally one can forget the things of God's Kingdom while amongst all this sin where it exists in time, space and the heavens. Jerusalem here also represents the heavenly Jerusalem. It relates to forgetting one's trades and other abilities if they invite straying from God's Kingdom, which is the process by which the Cosmic beings ranked as Gods were forgotten over time, which secular archeology mischaracterizes as pagan polytheism: seeing signs of great Blue entities, great Cosmic warriors, etc in old traditions.
6
This relates to the ceasing of traditions that become dangerous for exalting God and his kingdom. Losing sight of things like the deep significance of harps, which proceeded in a damaged way like with Protestants obsessing over the image of people spending their time playing the harp in heaven.
Losing the ability to speak of things which demons and other evil individuals could use against the faithful, they lost many of the rich delights that proceed out of the heavens from the domains alongside the white one and other Cosmic sources. This also relates to my fondness for telling my opponents to cease speaking their βBabylonβ garbage.
Part 3. 7
Here Edom represents the evil parties aiming to tear down God's kingdom, whether humans like Andrew Hussie or pestilent evil beings within the Cosmos. The very same tearing down which completely impeded the vast potential of my artistic Revolution, leading to a whole decade of brewing nightmares. βLevelβ can also relate to resisting the leveling up process the trickster contributes to Creation, bringing things down to level 1 or 0 or even maybe even lower.
βBabylonβ seeks to make its own creations that do not proceed by the hierarchies built by God in the heavens, attempting this from the foundations of Jerusalem, but as my articles illustrate this never bears better than bitter fruit, throughout the process.
Next Spotify selection. Next, love the way you lieβ¦
8
Desolate relates to the character of the expanse of sin, being devoid of life and meaning and every good thing. At the beginning of Homestuck it refers to the βnote desolation playsβ, an expression of Andrew's obstinance to stand by Babylon instead of God. Daughter pictures it as a child in the state of destitution, a destitution which the forces of evil reflected upon godly people by oppressing the poor. My worst troll Boil, who I also call βAndrew Hussie's sonβ, spams references to crimes against a niece to try to smear my reputation as I progress towards building it up. This is a reference to Homestuck itself. The niece symbol can also refer to Babylon, that not only have I committed βcrimesβ against Babylon I intend to commit many more. Instead of a daughter, Babylon is a niece from this perspective. Showing that this Troll and my other trolls are truly mouthpieces of the mainstream culture, which drives this negative interpretation of such biblical passages. Thing is that this perspective on the verse from the mainstream mind sees me as a brother of God.
The Psalm declares that Babylon will be destroyed, and the fifth dimensional positioning of this passage positions in the present. It accompanies my efforts to drive the Worldbreaking. Next it is said that the one who shall destroy Babylon is blessed. That is something I am through being Dead Last: the one person who is last of the last, and when things are switched will be among the first of the first.
This destroyer figure aims to pay back Babylon. This arises a more personal context to the evils of the world, from the memory of those who are wronged and the exact ways in which they were wronged and the exact meaning of their wronging which lives in the mind of Lord English, fueled by all the art of the Earth, no matter how minor.
Through making his version of Lord English Andrew aimed to undermine the Bible itself. This is the origin of the anno domini meme: a good corrective of the homestuck community and the things they represent is to simply remind them what year of the Lord it is, as Andrew got himself involved in the cosmic battle that precedes back to before Christ's crucifixion and sacrifice. Detaching from time which is⦠something that requires a great deal of care if you're not natural at it. And so finding himself lost in a spiritual state as if he does not exist 2000 years after Jesus's first coming.
What Babylon has done relates to that intimate knowledge of sin contained in the Underbeasts, proceeding out of another kind of thing besides goodness. Forming a sort of knowing beyond goodness, just as the black domain involves a sort of knowing beyond knowledge. And therefore the underbeasts know sin intimately like no one else, which is one reason for their anatomical fixation.
Underbeast minds are the one place in reality where complete and through understanding of the sins of the world exists, fueling the artistry of the end times they are associated with. They can most properly respond to what Babylon has done.
9
This is the 9th verse, which those believers in controversial Bible verses focus on from this passage.
137 or 173 is a special number to me, becoming enthusiastic when I find it in places. The previous model of my headphones had the price of $137.53 when I bought them.
In fact this is the date in which I chose total social isolation and cut off contact with my best friend ipgd. March 17th. Because of the hatred of Protestants for this passage and many other factors, I could not live a normal life without performing support for sin like Homestuck. I needed to withdraw by myself to avoid being used as a power battery for sin after the many spiritual assaults of my teenage years.
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Through 1 referring to the oneness of God, 3 referring to the Trinity of God, and 7 referring to the divinity of God this brings association with rays of God's power deploying from the end times. Fitting into a formula which I like: the meaning of God, the personalness of God, and the power of God. Each converts into a 3 through the personal nature of the end times, Judgment and wrath to form a nine. And so this forms double nines, a source for the Cancer prophecy from a prior age lost due to the progressive forgetting of the higher things of the cosmos referred to in this psalm.
The Destroyer of the prophecy is said to be blessed, proceeding out of rewards for the grueling task involved in this destruction. The term is also translated as happy, and my content involves much grinning faces from my monsters and the faces of others. This serves the purpose of refuting the notion that the Destroyer is severely aggrieved during the more difficult parts of what is prophesied. His power of destruction easily finding Joy within all destruction.
He is said to be the one who seizes their children and smashes them. These children proceed out of the stunted child of Babylon, a wasteland devoid of life and other things. And so despite that they are children nothing good comes from their birth and development. Being children of a stunted child, this is a biblical source for accusing John K and other cartoonists and other people of being pedophiles, as they are associated with the progressing things involved with these children due to Black Culture and other factors, in particular that process of intentionally growing the children of Babylon for the sake of the separation of the wheat and the tares.
Dashing (more famous translation than smashing, as is used here) can be a cartoon double meaning, referring to ellipses β¦ or -. Illustrating the sudden end of the βlivesβ of these children. Which inspired the sudden end of every good thing of my life during my teenage years, through the actions of evil.
Next it is said they are dashed against the Rock. This rock represents God's kingdom, which in the four elements is represented as Earth. Using the power of the Underbeasts, they are thrown against God's world for cataclysm and damnation. It is also translated as rocks, which can also include the rock of the black domain as in the Cancer prophecy, which becomes embodied through the course of the end times as in the Multiverse.
Being blessed or happy during the course of this relates to the satisfaction of carrying out this destruction. A visceral enjoyment unlike the experience of God. After all one can only truly put the emotion into destruction of sin when one has been victimized by it, and the Underbeasts which I represent find genuine joy in torment and other things.
137 also converts into a reference to the 13 Rings in combination with seven meaning divinity, resulting in the Divinity of the Underrealm, representing my mastery and formation of the Beasts and Rings.
The Underbeasts represent vast and eternal blessings out of the process of the end times and formation of Hell, permeating all cultures and winding throughout reality for the eternal enjoyment of all the particular affinities of the monsters. One of the shocks that provoked protestantism and other things in the spiritual life is that one of the greatest blessings given during the end times is to become master of cosmic monsters, sowing revitalized natural evil and cackling throughout the winding of their bulks as they seek their mostly dark affinities in a way that makes perfect sense to one with the faith to accept their existence.
The black narrative of the psalm unwinds as if when the Bible was written people were already anticipating the cosmic artwork associated with my harp-based webcomic as it progresses to new forms of itself into the end times. Provoking the cosmic horror expressed by my Green Snake-marked timeline nemesis and others. There could be all kinds of traditions and experiences lost to history, those associated with a certain place or a certain ethnicity or other things like a certain trade. Like the cartoon trade, which is involved in the construction of the Bible's symbols. The Place of the Skull Golgotha, as it arises from the fallen context of sin, is certainly not one to be messed with. As the enemies of Jerusalem did by asking to hear its music.