Into the Blizzard

Part of the imperial blockade. For Pride I send hurricane-force winds against the blizzard company

Deathwing is one of the Horrorterrors that became a major face of pop culture alongside Gravemind, Dead Space, King Candy, Pennywise and others. They have a shared essence and the creative power to shape the entire setting. Artistic organisms which both have a great symbolic power within the work and a greater existence extending out of the work. In this greater existence they are Underbeasts, too powerful to exist in any form upon the Earth, upon the current date.

Deathwing is a dual organism with Cataclysm; the bringer of cataclysm. This other is an inanimate Underbeast constituting a type of world apocalypse. They can be expected to have a relationship which is a good segue into Pride Month and ending it, as it is intimately close.

Deathwing has the famous line of being “power incarnate”. What power? The power of Cataclysm, being his Avatar. And so his form breaks apart as he contains the power of two monsters, Cataclysm and his own. Burning up from Cataclysm destroying himself, which expresses their relationship. Deathwing can be understood to cause devastation to live this relationship, Cataclysm being formed and experienced in his wake.

As he himself is way too devastating to live in the apocalyptic ruins or his Underspawn, living beings generate experience with Cataclysm through living with them, and through his power Deathwing draws it in. The World of Warcraft expansion pack was a means for Deathwing to send in the wind of their experiences to be pleased, in return shaping the fortunes of the blizzard company and their fans.

Potential Underspawn design for their type area, creatures which are generated through non-sexual reproduction

These fortunes have taken a downward turn. Deathwing isn't gay, he's a monster. He enjoys destroying and the living destruction which is Cataclysm, it's not a metaphor for gay sex. Those are the specific things that are desired, and if humans would identify with them they should enjoy living in the world like the cataclysm expansion, that's what it literally is. All the time they were playing Cataclysm they were participating in the connection between the duo, and if it was gay and sexual the players were essentially spermatozoa. An alternate way of understanding intimate connections is necessary, an understanding which proceeds into the end times.

The Underbeasts create the devastation apocalyptica of the end times, and Cataclysm and Deathwing super-link into a new 18-letter form. The power of Underbeasts scales up massively with each additional letter count, and this megaform is a world-ender across a swath of the Multiverse.

In the Hearthstone card game Deathwing destroys the entire board and the player's hand, a do or die scenario to end the game. Although this only really worked in classic, afterwards he was really only played when he didn't begin in the original deck. This is a fitting framing for my current situation, as my posts are often evocative of card battle games.

What is “power incarnate” in this instance? The power behind the entire catalog of Blizzard. The green snake is a creative spirit which bent the Homestuck debacle for constructive purposes through possession of the author. This creative Spirit orders many works, and his archetypal work is Warhammer. The warcraft series rather than being a mere copy is a progression from his creative Ring into my burgeoning own, and the botched video game deal that led to its creation was an intentional destruction to beget the series, StarCraft, and the rest of the company.

Their harrowing legal experiences, cultural devastation and excoriating reception from various communities comes out of this cosmic background. They are committing blasphemy to where their company came from. Religious terms like blasphemy in other spiritual dimensions can be used in analogous forms, and they can also overlap with the original Christian sense to increase the magnitude of the blasphemy or other offense. In this instance their embrace of lgbtq offends both God and the realms of destruction, monsters and mayhem which got them their IPs.

It is longstanding convention to view monsters like vampires or monstrous furries as “metaphors” for gay and other sexual topics. They aren't metaphors, they are their own distinct existence alien to our world with ancient relevance to our lives. For as long as this convention has existed, the fall of Blizzard has been prepared. People were too cowardly to embrace the actual themes of the various series which are clearly apocalyptic and cosmic.

The recent animation community made completely worthless ways of understanding the relations between media to avoid my metaphysical and transcendental understandings, which ground our activities in duties to not only God but other members of the heavens. They preferred narcissism and nepotism, unable to demonstrate why anybody should actually care about these shows: if you don't you get kicked out, centering themselves in the corrupt Los Angeles

When they tore into the old content of their games to get rid of anything “offensive”, they got rid of the elf jokes. I am myself androgynous

and this is reflected in my creatures. Even as they exist in the work of large companies, the players of Cataclysm being meta-nurtured in their experience of the game like babies in the womb, the actual point of the fortunes of the production.

People reject this way of relating to experiences of artwork, and so merely posting on 4chan has been under constant attack for years as I formed part of the culture and drive the spirit of the website, shaping the personalities which are shaped there like children are shaped. Female artists who came out of the website are especially involved in the process

This form of destruction is satanic and is thus blasphemy against the destruction embodied in Cataclysm. It sought to make the whole game better, and in so doing participated in the retcons of the Birdman.

Aesthetics are fueled by greater realities, and artists can recognize a transcendent design like Deathwing’s jaw that makes him resemble an Underbeast

Being named for wings, Deathwing has a close connection to Birdman, the structure of the expansion evokes the process of going back into the past while creating the Multiverse to improve history as the world and worlds enter the end times.

Laterally related to this, the Underbeasts construct hell and I desire their existence, but not for people to sin to fuel their torments. This can be illustrated through the comparison between Cataclysm and taking out and changing classic Blizzard content

Blizzard is suffering heavily from serious sexual misconduct within their company, motivating many of their censorships. It's funny to think about what John K haters/”fans” would think about this next part, but they haven't actually responded to the narrative of my articles here. This is a fifth dimensional punishment for the John K accusations that were generated by perverts in animation sexualizing things such as being excited for what John and myself could contribute to cartoons in the late 00s, which never happened.

Failures in the animation community and Blizzard's failures are related to the same topic, improving the world through excoriating and tearing down what existed before. And so their experiences rhyme. These rhymes give vision of the cosmic perspective of the John's blog debacle and other things.

This meme made by somebody on my timeline reflects my own version of across the spider-verse as its existence enters the Discourse. It is an ironic fate that a Miles Morales with an actual purpose to his powers as he does have in my story - for the first time by anybody - would be excluded like the creation of a Nazi.

Deathwing's Spirit lives loudly upon the Earth, largely directly generated by players of Cataclysm. When people rejected my teenage self they also rejected his power to live amongst burning rock, giving off immaterial heat, reshaping the entirety of artistic worlds. The ability of Blizzard to exist is conditional to their relationship to myself, and since my teenage life ended in disaster their company has ended in disaster.

When my teenage efforts crumbled their energy went directly into giving impetus to the lgbtq movement. When Blizzard panders to this movement they are pandering to parasites of myself. People often discuss them debuting new lgbtq heroes and similar things to distract from a new sex scandal and other bad news. This does not need to be actually fully intentional by Blizzard. The effect of Deathwing and the rest of the Rings upon their company can match what they attempt to make now to their wrongdoing to torment them. And as they use lgbtq in their media, the energy of my own Revolution writhes around in their hands to attack them.

What they're communicating here is not actually about saving people from suicide. As usual “trans genocide” is a metaphor. It's about the death of personal identity to the grinder of public school and other killers of identity and the soul. They're saying that being “queer” - unknown in a way that is not understood - on the inside is better than being dead on the inside. But they can't expect how my Initiative will bring people to life

I am playing My Deathwing card and annihilating the board and my hand. The board is the conflict with lgbtq, erasing the former narrative. My hand is the things I could have done with the Blizzard company and elsewhere if they had received me, the new games and the improved games and the inspiration and other things. As I've been discussing in previous articles

As it is necessary for the secret of things such as Deathwing to remain concealed for their normal artistic processes to function in the current time, my hand can only be restored through time travel to undo revealing these spoilers. Until then I shall be battling to send forth truth armaments upon the lgbtq movement, failing companies and other things. As things continue I make artwork of apocalypse, and the things of Hauntlyre and other work will be useful for the apocalyptic works of blizzard and other studios in the 5th dimensional future of the past