Wish and hating a 15 year old

I analyze animation people manifesting their hatred against me who irreversibly reshaped their culture, while reflecting on the legacy of Walt Disney

Watching the trailer for the new Disney movie I immediately saw that it was manifesting the gripes and anxiety of people in the animation industry about my 15 year old self, which have been brewing ever since then and has become the most defining factor of their lives despite that they try their best to ever avoid acknowledging it, like that what happened when I was a teenager happened at all.

Left: I could tell from her pose in a photo that the girlfriend lives by Tumblr girl energy. Subcultures like Homestuck perverted the energy of my Revolution for garbage like communism, but eventually the energy completely dissipates and they're left with no personality and no man. People tried to mock me in recent years, but this is all their sabotage got them. Right: the animation industry fueled KYS culture, sending forth their Zoomers at all signs of non-conformity who use animal cruelty videos to represent killing the primal inner life of their recipients.

First of all part of the Underrealm, my central setting, is that each and every monster can be invoked for a wish by saying its true name, and unless this is done perfectly it immediately backfires. This setting goes into what inspired conflicts within Christianity as with the Protestant revolution. Protestantism went against the value of works and traditions, and the nature of my works is that their reward at the Judgment gained a retroactive existence for Protestants react to. And so as part of being dominant in America they perverted the legacy of Walt Disney who had strong ideals and belief in works and traditions. Indeed, it is easy to imagine an alternate universe where Walt is a hero of Catholics for preserving and uplifting the traditions of fairy tales, Society being built by Great Men, and so forth, against how Protestants prefer for all of these things to fall apart completely. But, that did not take place in our universe, but there are hints of it, like Tolkien speaking of Disney's work being “ill.”

Disney's work inspired me to develop notions of meta-artistry as a child. Left: the black shapes of her purse resemble claws or a paw, signifying being enrobed in the guise of some kind of monster. Right: again the folds resemble a hand as well as teeth, a skinned meta-creature driving her as an enemy of cartoon dogs, which could have inspired later works such as Smiledog and Four Past Midnight. My current artwork is directly inspired by this work, including the coloration of my self-portraits.

Meta-artistry by definition was not actually planned during production, it produces traditions which must be developed, but Protestants consistently sabotaged this process.

I wished to fix the sickness of Disney. I created a revolution not only on the basis of John's blog, but also my childhood memories of disney. These were not based on the actual movies, channels and company. These were based on the spirit of Walt Disney that could be felt, by one who is not distracted by worldly things like a massive cartoon collection or building the school relationships that can launch you into a career in Los Angeles at the Disney company. The spirit of Walt Disney is much more important than that company and any career.

This film has Homestuck fan energy, like Learning with Pibby, in putting together a meta concept to represent the company while creating a villain who represents myself, like Lord English and Bec Noir. The circular design represents the Rings and a portal while the green energy on his fingers resembles worn rings, likely sabotage by Walt Disney's spirit to solidify the true nature of how their work responds to me.

And so at the judgment my actions for meritocracy are eternally embodied in the Underrealm, amongst other more mysterious things. Indeed, the wondrous and unique powers of an Underbeast can only be unlocked by one with the merit to do so perfectly, and if they can do so they can do so without limitations, which is the nature of ipgd's relationship to me.

ipgd once accidentally referred to Quiet as herself. When Hideo Kojima said that when people found out about the reason for her exposure they would regret their words and deeds, that did not actually refer to playing the game. That referred to the sort of meaning to be explained by my webcomic. A cinematic twist in real life. ipgd if you paid attention to her was strange in how she kept herself separated from the Tumblr culture around her despite having had a position of strong prominence, never truly accepting her spirit being clothed and defined by it.

There's a straight line from the beginning of Protestants to this movie. It is their whole thesis, that there is something wrong with works and traditions and those who are rewarded for them. The Underrealm relates to works and traditions, they are necessary to discover the true names of Underbeasts and they are necessary to learn how to invoke them correctly. In the subliminal existence of humanity, they are also a constant preview of what heavenly rewards are like: on its own the Underrealm is ordinary in heaven in being a Cosmic Setting, what is extraordinary is having a retroactive existence amongst other things.

Back in my young adult period, I would have not wanted my Mechanica and Underrealm work to be associated with Iron Man. I consider the sequence of experience to be sacred: first there is one level of a work of fiction, then another. You don't start 101 Dalmatians with talking about a meta-monster and the fine details of skinning dogs, you start with a fun film children enjoy. And so the shared Bond between the three creative properties that goes from iron building mech suits and robots to defining the color ochre that represents the nature of the Underrealm is not something that I would have wanted people to think about at first, and I did not think about it. But, people treated me as if I didn't want to avoid the limelight anyway, indeed they would likely find it intolerable that I had such high-minded ideals and ethics even amongst the potential my teenage activities contributed to society. it is likely that Iron Man has missing villains that relate to this because of the Protestants, creating his notoriety of a disappointing rogue’s gallery.

And so, the Protestant children who make up most art industry employees and make up lgbtq, communist, etc. advocates are simply expressing their animosity for my teenage dream their recent ancestors trained them to have. Jesus refers to “false messiahs and prophets seeking to deceive even the elect.” for me this took a very specific form in people seeking to not only pervert the Underrealm as through uplifting copyright law or Homestuck, but to convince me and others that it is a bad idea as with this film. In temporal sequence, this film exists before the Underrealm despite being a reaction to it. They visit a great tribulation upon the notion that people should be rewarded for what they can achieve instead of rewards being spewed upon them freely. And then, what are these “rewards?” What is the actual nature if merit has nothing to do with it? It has turned out to be hating a 15 year old.

The Lion King was the Disney work with the most inspiration from Ren and Stimpy, and so it encouraged listening to the traditions of the art on a level of the Be Prepared song, specifically the darker traditions. This led to the derangement of John's haters, like their insistence on associating him with an evil reputation.

I saw this from the Ren and Stimpy fan meme bastard after finishing writing this article, Mr. Hands being one of ipgd's favorite things before I met her. Seeing this manifested the sort of annoying energy she made me feel, showing her spirit is alive.