The 21st Century Black

As yet another punishment salvo against the animation industry, I reflect on my philosophy of the black race and the ruining of the condition of blacks

Vort continues with chapter 3: Code Walker: “The scythes of the paranormal were searching for him, looking to thresh his bone expanse. No eyes in their helms, and no souls in the burning within.”

After finishing my previous article and chapters 1 and 2 of Vort this appeared, a reward for the many meaningful decisions I made in the process. I believe in embracing negative emotions instead of therapy, and emotions aren't something that are supposed to be kept to yourself not reflected in others. And so I needed to do things like use email subject lines to undo therapy sessions to help things like my creativity and emotional recollections. Feminism was a fraud pretending to want emotional men to push emasculation, meanwhile I'm sure one of the reasons why people don't say anything about the songs attached is how hard my content can make the songs Blare

When I explain my view of the spiritual nature behind having black racial identity - which is the second most important because of the way God's uncorrupted design has developed amongst sin - one can wonder how this meshes with the lives of black people today. I consider spiritualism, metaphysics, and heavenly imagery that can be found in things like timeless classics such as Lord of the Rings or Cosmic DC. Such a thing may not necessarily be directly reflected, just as you can't pick up on American values by looking at an American for a little while, there's a whole process to being able to grasp the abstract concept of Americanness which is supposed to be part of the process of cultural assimilation.

Speaking of things like cultural assimilation in that way is part of black identity, I have carefully unraveled cleansed notions of what it is which was a very difficult process, as social media was making all kinds of bombardments of awful ideologies and political causes that used symbolism which draws upon those things people sense about the metaphysics of identity and related things. It was like trying to live a normal life on the shores of D-Day for about 10 years.

Making cards for my ebook featuring my Rush aesthetic system. Directly based on the work of Sam Keith, such work was sabotaged over the 2009 - 2010 period and so I just drew Squirtles and odd cartoon figures instead. Not going to explain how it works, but when people refuse to allow artists like Sam to develop traditions there is going to be a dark artistic environment and his mentees are not going to be nice to those responsible.

Furthermore a very notable fact about my teenage history is that I did not like the art for The Sandman. Neil Gaiman was my one of my favorite authors and if you look at my work you can see the significance of this. This was true for all of the artists besides SAM KIETH! And the Sam Kiethy moments of other artists

And so what is my best test of the practical truth of My views? The best test is my experiences in about 2011. I came into society promoting cartoons, promoting taking aesthetics seriously, promoting pruning the appropriate childhood things and processes even when it is like rushing into traffic as things are moving so quickly like a big event for the next generation of children is happening over a few days. I themed my internet presence and content after monsters and horror, and manifested the abstract principles and expressions associated with both those things inherently and my particular brand of them. I sought to manage opportunities and dispose of bad opportunities. I sought to change the way words seemed and the way people imagined stock characters like lizardmen. I sought to build a company where weird jokes, memes, and somber events like losing great friends is necessary to understand the internal culture and the true nature of the products. And I did many other things along those lines.

All of those things are associated with black culture. There's a heavily supernatural component of making things possible that were not previously possible associated with the revitalization and return of true Black Culture.

And people of the mainstream fucking hated it. It's not like they didn't know what it was. It's not like they were truly confused. It's not like they misunderstood me. They just fucking hated what I was doing. They said things like “poor little fella” “poor baby” to acknowledge that I was an impoverished teenager with a big dream just beginning to grow and they did many other things like that.

This is very meaningful to me because that's the year I lost my relationship with my best friend, and Homestuck fans pretended like the rest of the webcomic was so bad for no reason. The post was massively ratioed because in their world of the ratioers, it is profanity. A lot of crappy mainstream rap music was used to communicate that the complaint is associated with “racism”.

A good example is that for me “everything boiled down to swear words” from a very memorable assailer. As you can see from rap music and other culture profanity is a big part of Black Culture, and I explain that it is an expression of the uneasy process of adjusting to dark things. An expression to be deployed at basically anytime, a normal expression for such culture. This was both directly set up and mirrored in Homestuck through The Sufferer’s “vast expletive”, mocking me as a Christ figure while within my mind this meant ascending as a billionaire who serves the poor while taking down bad companies like PayPal. I didn't pay any mind to Elon Musk being one of the founders which is a multiversal sign of him being a rival who joins my side in such a life, as he has become much like some aspects of my billionaire form in visions. My visions profaned PayPal at great length but that didn't stop him from being a multiversal friend.

Homestuck anticipated a lot of different things about my explanations of Black Culture - which would come out of explaining the existence of the Paranormal first - by depicting them like trash, pissing off some black people, and soiling the environment for my explanations. This is why I hated Max Gilardi. I didn't give a shit that he followed “John K principles” as Spumdonor mutuals considered to be the highest rung of achievement, what he was doing to be edgy was spoiling the whole environment of developing the future - and part of John's philosophy was asking how his future was spoiled. Meanwhile I was born into a part of his future I could not enjoy at all. To consider these things is to understand the darker side of what it means to be black, which nobody really ever truly directly explains.

Really Max was flipping the middle finger at me in 2010 because my artistic presence was descending upon the world like storm clouds and so became part of what there was to react against to be edgy. I have become acquainted with people flipping the middle finger at my presence many times. There's a whole different flavor of a Homestuck fan doing it than an Undertale fan and a modern animation fan and other varieties.

Black Culture is associated with retroactivity and one live-action thing John K influenced through a producer fan was Demolition Man. One of the best things I ever saw in the movies was Wesley Snipes jumping into the past symbolically. John did that, and the badass rants against political correctness, it was so profound that's why people didn't acknowledge even that he influenced SpongeBob after some time: because just like “if you give a mouse a cookie” if you have to acknowledge SpongeBob, then next you have to acknowledge Demolition Man, and a lot of other things. I'm proud of myself for doing my best to time travel to confront our politically correct era just like Sylvester Stallone in the movie.

And so people were intentionally avoiding the association of retroactivity and action across time with black culture. That's why they couldn't rap their heads around me being a young king - there was honest confusion from people like cute girls and Andrew Loomis enjoyers, but their confusion was intentionally created in the youth by elders.

Meanwhile guess what

All of my writing about Black Culture is basically an elaboration about the music of Lil Wayne. This song is basically a trailer song for Hauntlyre, literally saying that his music creates compost for God, and I manage that process. He's my elder and I develop his tradition.

People refused to get to know me to acknowledge that I became a big fan of Lil Wayne, just as much as John, and if they can’t acknowledge someone's favorite musician that shows there's a reason for their incapability.

I view myself as useful for eschatology or I wouldn't have even been born, and other things are built around this fundamental reason to be on Earth. Thus I experienced a life of people refusing to acknowledge my existence, activities, or identity. And so I had periods where snatching at the potential of the animation industry jobs held usually by the upcoming damned was the most interesting thing to successfully do. Such actions could have resonated into the mind of the writers of the garbage TV show since if my connection to Lord of the Rings had been public knowledge they would not have gotten to make it.

Ruining Black Identity

KFC became a meme as it is a metaphor for what black spiritual power can do. My content “deep fries” Lord of the Rings, transforming it to be fully ‘cooked,’ more dimensional, and supply hard-hitting nutrition which can overwhelm the nutritional needs of the weak (I believe that when the red domain activates things like nutritional intake will become more individualistic). All by itself it completely answers the charges of racism against Tolkien (his humility on the subject can reflect that he could have pushed himself more to be better aware of the things I now clearly explain.) Awareness of the symbol develops through things like substituting a heartier side like potatoes in favor of frying food with green vegetables, showing that understanding my Leveling Up of Lord of the Rings requires things like ingesting the “green vegetables” of cosmic theology

Imagine being a white person and being told all your life to be lazy, to not build society, to not be productive, to not be intelligent, to not invent, to not compose, to not develop the leading edge of fields.

Meanwhile as an Italian and Puerto Rican I was told all my life not to care about cartoons, not to be creative, to be engrossed in books, to be concerned with how other people raise their kids, to be comically strong for no apparent reason, to be critical of girls, to trash things of no use value, to confront experts with sides of their fields they literally know nothing about, to love hell, and to revive past conflicts. All of these things I excel at and through all of these things I have contributed good things to the world. If I was not reviving past conflicts like what really went down on Tumblr underneath the sanitized “gamergate vs SJWs” narrative style, like the internals of Homestuck, well I believe a lot of things would not have been allowed to happen by God because I would not have been able to fix it.

And so these inherent traits of blackness I speak of, most often indirectly, are traits that need acceptance and development. This basically materializes futuristic forms of life into existence as if time is not really passing at all, people are just getting to play a garbage Grand Theft Auto 6 that is fake, they can get enjoyment from it but it won't be meaningful. One look at the visuals proves that.

My opponents have the mentality of looking forward to if they knew 1. I saw Grand Theft Auto 6 as relating to my artistic setting in spiritual visions and 2. I saw the long delay as related to this, my reaction to the release rollout. But having their trailer leaked, and having such hideous visuals, is all the confirmation I would expect of how people are missing out when it comes to these former entertainment behemoths that grind down into slop without meaning.

“End my life” and seeking to emasculate an enemy is the sort of non-white culture the mainstream accepts, girlbosses destroying reputations without a single glance back, spiritually homosexual, thus also arising trans context. By simply making articles and sending emails I can irreversibly undo all of that feminine cancel culture activity, showing how much that garbage was worth.

Zoomers screamed and thrashed against me in Marxist outrage when they discovered my enjoyment of life after Covid. (of course this is this is the opposite of what they should have learned, which was how to relate to my long isolation through covid isolation, almost as if it was a punishment for cancel culture and stuff) I didn't say anything to them for a while due to a very appropriate form of confusion as in their feminized culture the background of their actions and statements are defined by women.

Helluva Boss fans reflect the fantasies and frustrations of Vivzie and other notable crew members like KittenSneeze. Homestuck fans reflect the social sadism of Amber, some friends of people like Zack of Paranatural, and others. “BoilPuswell” as a Homestuck fan was ensnared in a narrative about ipgd's crossdressing fetish I cleaned up as relating to the Birdman, one of the greatest figures of Black Culture. He spent literal years harassing me on a daily basis, and was basically sabotaged by a narrative created by ipgd making him hilariously stupid and a prelude to the enemies of my webcomic, my webcomic merging with real life. Many other miscellaneous enemies reflect the alien frustrations of women I don't know who were offended by me disregarding them, a lasting hostility wilting as the truth bombs associated with the Birdman sweep around. A good example being all the Protestant women on Reddit as I debated religion.

This is a travesty of my explanations of how blackness is associated with the darker things of life, like how there can come points where you should accept your hardships as part of your identity because the heavens are challenging you to advance yourself. It “builds the basis” of my own explanations while these idiots cause lots of damage, but I affirm the vast superiority of my sacrifices and pushing of myself to the limit over being so weak and capitulating to Satan. The weakness of women is reflected in the weakness of such men, they are shown in the character of feminine weakness because they encourage such unimpressive men.

By me spending all this time interacting with people over the internet I learned how to interact with people in Black ways. Ways that cannot be seen, ways that do not physically exist, ways that are transient, and so forth. By things like sending a few emails with relevant facts I prove that all of those ways to interact are real otherwise people would not be severely impacted by such a simple action. The definite spiritual plan behind my actions.

How can I deny that comic books are Black Culture when my whole life has become comic book stuff? I live in my own dimension on the Earth and I need to connect my Dimension with the dimension people normally think is normal. And maybe there are multiple dimensions they typically considered to be the same dimension, but whatever, I just want my dimension connected to whatever there is.

Meanwhile there's all these conditions on my ability to activate my art abilities, make my imagination vivid, keep music enjoyable and thus a regulator and driver of my creativity, and so forth. Basically the basis of superpowers, maybe I'm the first person to enjoy all those things.

So yeah, the communities of my enemies anticipated the heartless cruelty of deploying things like remarking “I don't care” to affirm their mainstream culture of not helping children, of abandoning artistic traditions like the Anti-Monitor, of pretending that entertainment is just mindless enjoyment with nothing worth taking seriously, and all that. But apparently my Birdman powers cut that real short. Nice punishment for abortion huh?

So yeah I understand why racism became a big thing after my big year. People just started screaming extreme racism at me to stop my Revolution, which was all powered by me alone in Walmart rags. Then they took their profane mouths into art communities and other communities and found another reason to aggravate PC culture. No wonder they pretend like political correctness never even happened, it was a pretty significant hidden event associated with the transition. I languished away while people dealt with the fallout by cutting me out of being able to understand it, like by severing girl artist relationships. Then Rebecca Sugar became obsessed with lesbians almost as if there was some kind of artistic energy hidden in the girls in her life with no other source anymore. That ruined a big cartoon for boys I actually liked, Adventure Time, but my brain couldn't understand it after the first short. It's kind of like my brain is powered by a lot of different girls in their little internet kingdoms and I enjoyed going around with the energy of a silly cartoon dog to them. Then I enjoyed looking at people discuss the first season of Steven Universe as I had no actual people in my life so I just looked at discussions and suffused in them. Then I gradually became obsessed with a psychotic red dog inside my brain. Then in the present I saw a beautiful mental illustration of the Beast of my Loins processing information in my “second brain” for me. Do you ever stop to wonder if females shamed men for thinking with their second heads because they wanted them to be smart? It's nice for mine to be smart, and a beautiful beast. He needs to be drawn. Pretty eye.

One of the few good drawings I saw over the years was Steven’s monster form in the intro, but it didn't mean much since my mental illustrations change a lot and so they need a lot of them and they need to be good or the mind beasts will be extremely angry about getting things wrong, as I tried to communicate through behavior that was translated in the mainstream world as “perfectionism”. There was a lot of reasons to be upset about racism, and people who should be uplifted over everyone else not being respected especially when they do things like create thousands of jobs, but they weren't remembered very well, as I didn't need any money to be a job creator.

And so there went the fight about racism while I settled in to look at girls online. I don't know how many times I was abused about it. I know about the religious arguments and animation subjects, but there's still other reasons why people met me with hostility, maybe I'll find out about that in heaven first. The most important lesson I learned is that salvation won't mean kissing and making up, people were way too personal in their spiritual decisions for that to be true. And so I develop personal things on Earth so people learn how to see passionate conflict, deeply negative emotions and monsters as good things, as why should I ever change in seeming monstrous to others? That would not be loving for my Underbeasts.