#1 John K's blog: corporate ripoffs, Based Mike and capitalism
I explore the black dimensions of John K's writing to find what he illustrates, showing where many things today came from. This series will continue
Monster in progress. I didn't actually want to draw funny βspumco styleβ stuff, I wanted to make stuff with monsters like video games that incorporate John's principles in new ways.
I now begin a series explaining John K's blog from my perspective. My life as a teenager ended in disaster because of my passionate reading and support of the blog, this is the entire reason why I cared about discussing Ren & Stimpy. I haven't even rewatched the series, I just wanted to move on with my life but the conclusions I reached from his blog were too devastating for the animation community.
Most of these conclusions were never directly stated or thought of.
This is a pun/rap on the Trickster. God made him chief of the black domain and he defines the blackness of the Earth.
Bugs Bunny is a trickster character and as part of the primordial origin of cartoons in the Golden Age he became one of the biggest icons. The most popularly entertaining character. This is because his nature comes out of Blackness and represents blackness, just as cartoons in general do.
The general idea here - on the black side of John's writing - is that makers of cartoons are blaspheming or offending the trickster through idiocy and lack of care. This is why his haters eventually became dementedly schizophrenic about the contents of his blog, and savagely attacked me when I was just a teenager. On the black side of their consciousness they were receiving things from his writing and also mine that they did not want to receive.
It becomes more specific than that - the lists he counts down often are an illustration of levels. Levels are a basic black concept without which you cannot understand my content, seeing different forms to text or another thing without what you're looking at actually changing.
#2 symbolizes the lack of comprehension of cartoons and related things that is the norm of that time. #1 reads as a metaphor for how difficult it is to understand Bugs Bunny with how poorly he is framed by Society out of avoidance of what black culture is. Indeed, this metaphor could have motivated putting together such shitty packaging in the first place.
People in the industry of today have the same personalities and make the same cartoons and say the same things over and over. What John symbolizes here is that things such as levels make things infinitely different; like each different person having his own interpretation of stories. The Trickster, Lord of Stories, desires this from humans but it's not actualized due to sin and the diminishing of the black domain.
βTransfer problemsβ relates to the process to fixing this, like various immaterial cultural transference to imbue the things of cartoons with greater blackness. For those obsessed with sex this gives an origin for making up sexual stories about him, as this βtransferenceβ can be intimate, as in my exposition on the owl house and Steven Universe, transmitting things of myself through our small culture of the time to define their ideas.
Highlights the morbidity of society's attitudes towards cartoons. They preferred to allow the black domain to be diminished, instead of nurtured. βWell known overshownβ relates to how black things are brought into the light, meanwhile what is best is always in the shadows, including the next exciting things to develop in cartoons no one has seen before.
Like the fourth dimension of time, #4 discusses the progression of quality in cartoons over time.
#5 accuses the companies of possibly wanting to treat Bugs Bunny so badly that people never want to see him again. Since Bugs Bunny represents the trickster, this accuses them of wanting to separate cartoons from where they come from, which is the black domain.
It also emphasizes the necessity of interconnection. Bringing people together brings stories together and bringing stories together arises mystery.
My experiences since have shown that a mix of both is the general assessment.
He speaks of the Golden Goose. Fairy tale notions have their own reality. After my revolutionary efforts I became of immense value in my creative contributions, and John in late 2010 is passing judgment 5th dimensionally about them choosing to βkillβ me at the time, in a certain sense of being killed. On another level this is about the general idea of the trickster being the golden goose of all cartoons, and related notions.
This is the only Post in the βcorporate ripoffsβ tag, showing how labels can add meaning.
The manifold layers of John's writing reads very naturally. Since writing is associated with story it is natural, and people naturally uncover the meaning contained hidden in the text. In order to avoid this - avoid an inherent part of reality - animation Zoomers and others had to be encouraged to be functionally illiterate, speaking only in nonsense words like βbludβ and unable to comprehend anything. They can't write on their own, they have to be told what to say
Segue
Mike F, one of John's closest pals, is based. People back in those days pretended like they had no ideological conflict with spumco to groom me and other teenagers, which is especially grooming since I actually like to live life that way - but I have to confront the reality of ideology at the same time. It's malicious playing to the consciousness of a true cartoon fan.
Capitalism
The cosmic meaning of capitalism is about elevating small things like a business - like Blizzard - to large things - like the cosmic meaning of Blizzard's works - through literally capitalizing words and in other ways. This is well-established as when Catholics distinguish between lowercase tradition and uppercase Tradition, but since the 20th century which was a good time for this convention to arise it has been intentionally frustrated mostly by Protestants.
At first in this post John evokes that there's a more meaningful definition of capitalism than is actualized in the world. Something Noble and practical and great-making.
John highlights the morbid nature of our capitalism within our fallen world, which parasitizes the few sources of greatness that have come about like Walt Disney. This extends far beyond literal CEOs and managers - today's animation community is full to the brim with parasites of all kinds, who don't actually want to draw but want to take advantage of Animation in both its literal existence and its significance to others.
John highlights black entertainers. Something much more meaningful than taking the mic from Taylor Swift should have happened in that time, which is the Black Renaissance. Which can be seen in music like all of the lights and some other sources.
Limitless progress is associated with the trickster, a notion that has been a misappropriated by bad capitalists, the lgbtq movement, atheists and others. Makes sense that they all went in bed together.
Here's one of those segments that really hurts the feelings of John K's haters/βfansβ. Of course it says a lot about them if they identify as pestilent bugs, hence why they seek to turn around that assessment.
At the beginning he refers to things being made in other countries. The black domain is associated with Africa which in the ancient past was known as the Black Nation. In this lost spiritual realm cartoons are made in some mysterious process, according to the creativity of humans. Generating things like the emotions and feelings of watching cartoons, which there's an unlimited supply of. (To deny this people opposed to John and me need to have completely inane experiences of cartoons, participating in consumer culture)
People who are neither of the black domain nor creatives can only rise to the level of managers, grasping for control of people who have black power. Hence why my 4chan trolls speak in a chorus of nonsense, they desperately want to control my activities with their abuse. This is also one of the reasons why grooming became so popular in the ruins of the black Renaissance.
John illustrates there's a sort of morality to companies that proceeds into the spiritual powers that fuel their value - which people like his haters and fake fans do not want to follow. I Strongly believed in this morality, that's why I let people build careers off of my contributions while I received nothing. People like spumdonor lazily complain about bringing back the things of their childhood while doing nothing to achieve them, which means not copying Ren and Stimpy screencaps but bringing new things like will come from my Rings. The managers will not enjoy meeting the monsters behind some of the things they manage, and since βfansβ like spumdonor take their side they can't handle anything remotely monstrous like acknowledging my own work.
John highlights the many gifts the trickster has given Society despite the massive amounts of spite for him: humans enter his world to progress towards perfection, returning to God's world with what they have attained. Like entering a video game competition and coming back with the trophy.
This is more of the origin of the ever-insane haters, as John was communicating something very important without even knowing he was doing so⦠but I could have discovered it as I have done since if I got to have a reception besides being screamed at.
He even points towards a good version of democracy: everything in the black domain is attained, not given, and so a sort of democracy arises which could be more accurately be called a meritocracy in our time, as our democracy is really lame. On the basis of their achievements people get to make decisions like the development of cartoons. Thousands of screaming morons who βdiscussβ John have protested this for years by getting everything about him wrong so his good judgment can't influence the conversation. Including the βfansβ like spumdonor, who shy away from how truly radical the implications of John's philosophy are. This isn't a philosophy for a lazy middle class dad who wants his kids to grow up with Ed Edd n Eddy instead of Craig of the creek. In fact he can't truly love Ed Edd n Eddy either because he doesn't want to see Danny's personal vision develop further, just as he doesn't want to see John's vision develop. He just wants to remember how nice things were in the past but he doesn't want to think about the reasons why things felt nice back then, which has a lot to do with real progress and real βdemocracyβ, leading ultimately to the company of the Saints in what is to come.
Previously I referred to how John K said he believed we live in an alternate universe, one of those astonishing little asides. Here we have another, claiming that scientific progress has stopped. This observation has borne out considering the requirements to be woke these days, even for scientists!
This relates to something else, which is the discovery of The 5th Dimension. Notions of this next level above time have been avoided despite how natural they are, because there are all sorts of radical ramifications like overturning materialism, undermining corporate ownership as with my blizzard article above, and discovering the black dimension of the Earth. Effectively we can't go beyond Einstein because of the mainstream. But at least that means I get to be the one who discovers The Fifth Dimension!
Talent can refer to people put in place by God and other members of his heavenly βcompanyβ in accordance to what they are capable of achieving. And so people have the opportunity to react to what they are fated to achieve, as people did with me many times. Earthly companies chose to close themselves off to these talents completely, out of greed. A very large sin which provoked my current Initiative which undermines corporate ownership, among other sins which did so.
βCrapβ - an insult common with John and his fans - refers to things that do not pass through the black domain properly but rather come from humans recycling from what did. Like Yo Yogi!, or Ren and Stimpy screencap copyists.
Distributors can be used as a symbol for people who take things from the black domain around the normal world. This also suggests that politics which matches the spiritual world would be effective - as has become my modus operandi, to the extent that I can be said to care about politics.
Of course this does mean that copyright and similar things starts to become a thing of the past, as things such as stories are seen as belonging to places like the black domain. As my content has expanded upon, my webcomic thoroughly involves fictional works made by others - and so indeed seeks a future where copyright, etc. no longer exists but rather spiritually enhanced creative systems.
On this level this proceeds into the idea that the true flourishing of works such as lotr or Spider-Man is dependent upon Tolkien and Stan Lee in the afterlife amongst other humans and figures like the trickster. My own improved version of across the spider-verse I made in the shower proceeds out of my respect and belief in the black domain, just as my works which revolve around Rings proceed out of my Catholicism which Tolkien shares.
Skipping past him expanding upon the normal considerations of the topicβ¦ including talking about hiring artists better than him which his haters/βfansβ love to ignore, as their true issue is what he achieved for the black domain that no one else did
He compares two legends of white men who participate in Black Culture, which is an astonishing sign of 5th dimensional awareness when observed consistently. Once Eminem became a massive success out of poverty he didn't really have much of a place to go after that, as people rejected developing knowledge of Black Culture. His work became hit and miss, involving drug addiction etc. He still had a sort of ghetto personality when instead he should have launched into a greatness personality. This alternate personality is visible in some of his songs, as in the black renaissance period, as my work will demonstrate.
It seems likely that out of pure spite animation students reading his blog rejected the call to a more meaningful form of Capitalism he illustrated here, and instead chose to hate capitalism. Since they made cartoons supposedly for children, this gave them influence. Since they actually made cartoons that appealed to Tumblr users of 2012, their spite actually had a lot of influence in them, and they proceeded to create our insane woke time. It's amazing all the circuits that can be found to the efforts of a great man in today's society - of course you can't really find them without taking into account myself, as John's work was providentially waiting for me to expand upon it. And now I am, at the same time that calarts students are canceling a major veteran animator. We believers in truth are going to win
Revu