Vee and the attack of the demented rotting children

Part 1 of a series. In which I explain why the animation industry encourages pushing a former colleague to suicide to protect it from being threatened

Former animation industry artist Vee was reported as possibly being dead today. (It's now been several days, my previous articles can be read as me going batshit to prove that industry people are actual depraved perverts without realizing it, which will have later importance in the series) I don't know any of the details. But I do know that the animation industry encourages this situation. They pretend as if they do not mold Young minds in typically very bad ways, and find gratification in in fact doing so.

There's a certain nature of that contradiction which is being overgrown children. Man-children do not want to choose, they want everything. Part of growing up is making choices. Those choices solidify you down a certain path. They didn't want to make choices, and so while their bodies have grown up they have not spiritually. This can also be reflected physically like in the face of Alex Hirsch. Young but in an immature way, not an appealing way.

People who draw like this do not need to have a functional soul. They cannot draw like Vee, whose small details lend an expressive quality that can't be explained except in reference to her soul (hence why animation Zoomers attack people for not drawing perfectly rigid and clean lines, like the cage they put their minds in)

And so there's an obvious reason why they hate artists who draw the kind of porn Vee does while accepting a wide swath of sexual degeneracy as is typically found in the lgbtq community: not every adult is not a child. This isn't just a metaphor. It's an actual spiritual form of a child. And the animation industry does not like all aspects of childishness. Specifically, cartoonists used to be known as being Big Kids, being emotional, silly, spontaneous, and so forth and putting all of that energy into their artwork. That makes artwork which is much better than the Craig of the creek or Big city greens sort of work.

The boiling lines and organic forms are not merely cartoony, they also symbolize a lively inner state. Made by an Italian, the animation community expresses a desperate desire to cancel Danny simply out of hatred for his soul. Cancellation is supposed to lead to soul death through relationship loss, etc

Effectively cartoonists went extinct because the industry attacked all the traditions of real cartoons. This included savagely abusing me starting when I was 15 years old, mature for my age. This was child abuse on a mass scale and I was the main victim to represent the others. Such are the myriad of factors which makes them freak out about a person like Vee.

My online opponents have gradually started expressing that they are uncomfortable I am making a series involving my 15 year old self, which involves an unfamiliar inner liveliness.

Vee’s work

Vee is one of those certain kind of girls who reminds me of ipgd. She literally uses one of the names ipgd used. When a person becomes a leading figure in society, known or not, they become a mold in which others fill. This includes ipgd. And so I've known that certain drawing force pulling me to these girls for healing from the trauma of my life with ipgd being destroyed for the sake of Homestuck.

There's something else to heal from which is being 15 years old. Those who crow about the age of adulthood like to talk about life stages. I didn't have another life stage after being 15 before my Initiative, aside from my young adult period which was very cut short. I was just lost in spiritual visions as well as immense trauma that was like an ever-sucking pit.

This trauma was specifically constructed by my enemies with symbols. Caliborn was sucked into a black hole and I was sucked downwards by my trauma. Caliborn was isolated and I was isolated. Simon was pestilently disintegrated while believing he'd done nothing wrong and I experienced the same thing as a massively traumatic spiritual event. Bill was invited into a mind to be destroyed and my teenage Revolution that intended to bring weirdness to the world was brought into people's minds like artists and fans to be ruined and produce fuels and elements for building woke culture. Symbolic teenage or at least youthful, like youthfully mischievous bill, characters were used to create vicious spiritual attacks against me.

The utter idiocy of my opponents means they haven't really gotten to the part yet where I adopt personas even of works I said were bad. Unless they've seen me rant about being Caliborn, which could lead to mentally underground realizations.

And so, this presents good room for beneficial and healing symbolic characters and artistic interaction. But, that would help me recover from those massive spiritual attacks which left me crippled for a decade. And so this motivated hating Vee, not any sort of concern for sexual morality by these demons. And of course everybody else like her.

This chart has Homestuck energy, showing its origin from the Protestant kids who made up the bulk of the fan base. The unstoppable Lord English represents a threatening figure spawned out of God (Doc Scratch) to represent the inconvenient facts the internet confronted Protestants with like the clear history of Jesus founding the Catholic Church - they literally wanted to defy time and history and so forth, which will be an interesting story to tell in my webcomic and stuff. Accepting their animosity they feel towards an aspect of God’s presence for myself gives me credit at the judgment

As a Catholic I have suffered in explaining the creative - psychological mechanism, and of course that's interesting to stereotypes about Catholics. But I doubt anybody can successfully bring up that stereotype in this context.

I spent a lot of time looking at Tumblr girls. It became easy for me to distinguish the type of woman I discuss in my smut mechanics article who desires men to be gay to serve as their useful tools, from the type of girl who actually cares about the characters and what they represent, sex often seeming like a metaphor rather than an actual act.

Truly beautiful AI generations. The idea is that the longing and sentiments of people I impacted online for my work can coalesce into works of beauty like this simply by using terms like “Underbeast”, like manifesting children of interconnection.

My work was to expand upon the literal intimate events that can take place in friendship, like a fairly abrupt personality change. My monsters themselves were a narrative about relationships from the beginning: one of the story lines of my big comic book was a monster being driven by love to fights and drastic acts. Vee and other girls never got to see any of that. And so they cannot be held responsible when they live in a sort of alternate and wrong universe.

Why do I call them girls and my opponent females women? Because Vee is youthful and appealing and they are aged into mature activities in a bad sense and in bad ways. It's as simple as that.

Unlike feminist women who demanded glory and careers like men, The Boss died for patriotism and sustaining her ideals. Becoming the backbone of a Nation that cannot be seen, she becomes unforgettable and thereby immortal, while women completely unlike her are not known even to themselves.

My next article will discuss her interest in aliens, the creative-psychological mechanism, and such things.