On "KYS drink bleach" culture
Exposing the real purpose of these strange insults, how Homestuck supported the culture, and the ratcheting effects of this foolish plan of evil.
Some years ago in the aftermath of my attempted artistic Revolution arose a particularly nasty culture which could be called “cringe culture” by others, but really both of them blend together and separate to have different effects upon Society. This other culture was defined by constantly telling people “kys” and similar such phrases, and I avoided anybody who participated in it from coming anywhere near my proximity.
A striking aspect of this culture was the specific references to committing suicide, the most common ones by far being “kys” and “drink bleach”. This in fact shows the real nature of what they were telling people to do, directed towards their damaged stimpies.
“Kill yourself” doesn't refer to the physical body at all, instead it refers to “your self”. One's God-created identity which defines the whole person and one's God-created personality which can change and adapt but never be replaced. Naturally it is technically impossible to actually do this, but back in those days of the early 2010s it was very possible to approach it. People would shriek at each other, primarily young males who watch video game streamers and whatnot, “kys” just for being themselves and essentially wear down each other's souls through a collective barrage of this phrase and others.
“Drink bleach” relates to the desired result, the purging of one's identity and personality like bleaching a shirt. The actual identity and personality is still there, but all the details ruined, like a white shirt is still a shirt but it lost a complicated illustration or whatever. This relates directly to the shirt symbolism of Homestuck.
Now that they have “drank bleach,” they can adopt a group identity from the media, from politics, from sexual identity trends, and some other categories. And so this is how social media became infested by obnoxious fandom people instead of individuals with unique personalities, interests, etc. As with the starting rooms, Homestuck - as a symbol for media related to “KYS” culture - at first implied it was going to have a lot to do with exploring identities like Dave's tape and whatnot. This was misdirection for the sake of people like me as well as the people feeling enthusiasm for my unknown Revolution, so they would not interfere with the sinful plans which “KYS” culture is for.
The Effects
Because of this culture young people from the past decade do not develop their soul as I do, its various aspects such as identity and personality, and they are incapable of making artwork as I do. This has further effects such as becoming more interconnected with the world: While walking the sun came out for the first time after I was listening to the last song of my previous article, at the perfect timing of what I was seeing through my imagination. Instead of developing and experiencing such things, my opponents and the people they strongly influence are stuck in their own minds, amongst a great deal of dysfunction frequently but not always manifested as mental illness.
I chose to go “straight edge on steroids”: no drugs, even the most acceptable drugs to nice people such as a couple drinks, and even many pleasures for the sake of restoring my own soul from the damage sustained from public school, the online abuse of the late 00s, the damaged culture of my first three decades of life I chose to become antagonistic towards, and other sources. Because of this incredibly difficult process I unlocked various powers of my soul which grow over time as well as reassembled my soul into a healthy and continually rejuvenating state. “SEOS” allowed me to know when I was successful, as my mind and soul became in such balance I needed no pleasures and no self-medication aside from what my soul can generate.
The hatred of my opponents for my efforts extended to besieging the first examples I posted in the past few years of what my art really is. Such as when various Losers on animation Twitter (my settings filtered most of this without me even noticing for a while) were screeching about my Stimpies, one referring to me having a “massive platform” despite being lonely and suffering from health issues.
They feared the further development of being based I was doing: being authentically yourself, attuned as an aspect of Black Culture. The more my efforts continued, the clearer it was to see my true identity. Something my opponents found so fearsome for a decade that they avoided pop culture from before 2012, even when it spawned formerly common memes. As part of my artistic destiny, to become engrossed in pop culture (disregarding woke crap that never really forms pop culture) is to see a great significance in my true identity, and so their obstinacy was a useful tool to developing my identity and projects in secret, ironically helping me.
What was especially threatening was my development of the things which I represent, proceeding into God's kingdom and the cosmos. Thereby demolishing the racial narrative of the past decade, the arguments against Hell, all the mainstream identity trends, and many other things. The Advent of my project of a new level of personal identity - connecting across the internet to find greater understanding of all peoples - had an immediate destructive effect resonating across Society.
As they besieged my efforts they spewed plenty of evidence of all this - their insults towards me revolved around words like “horrendous, awful, terrible,” etc. - which are all horror words. As a horror creative, my work is supposed to contain those attributes, and for eternity. Those are the very same sorts of words I used as a teenager as a friendly gesture, but not a friendly gesture mainstream Society was willing to accept. Only girls accepted it. (The drive for “comeuppance” of my opponents and trolls, a communist impulse, also drove this, seeking to say the same sort of “insults” I used as a teenager when my artistic works finally materialized. But this merely solidified how badly on a cosmic level they had screwed up understanding my teenage self, who didn't use any insults but was rather conveying his perception to begin a discussion.)
Everything in my work proceeds directly out of my soul, illustrating my soul, and to new levels of such illustration than ever existed before.
In recent days as I began to crush down with the initial notes of the Imperial Blockade, I witnessed much panic from the stunted souls of my trolls, which echoed to other places of the internet. With their souls, they're starting to see the magnitude of how much they lost. For many, this will be a punishment increasing over time.
Further into KYS Culture
The evidence I found for this correct interpretation of the culture was how much KYS and drink bleach were used. There were many other candidates if it was really only an edgy reference to suicide. For example, they could have said hang yourself. But that doesn't work as with the shirt imaging, that's telling each other to hang up their identities like a shirt. That's not what is desired. They can also tell each other to drink a poison other than bleach, or use the classic of “die in a fire,” but that is not desirable because it's like telling each other to destroy the “shirt.” (people in this culture are also resisting expansion of the knowledge of Hell, which perfectly answers every sin in reference to one's identity to find the correct punishment)
Proceeding out of this culture led to development of bugtalk: their bleached identities are non-functional and undeveloped for guiding themselves, so they need to form up like bugs in a hive. Which led to being NPCs and the bugman meme during the Trump presidency.
When you look at these people who came out of KYS culture and related cultures, many times they are not talking at all but rather organizing among themselves like bugs. Because they stunted their souls, they simply don't have much to say. I can wax poetic about Hell perpetually if given the opportunity, as I did for years.
KYS culture eventually developed into whole bug languages which I can analyze in great detail later. This article is setup to generate the context for proceeding to analyze bugtalk.
After all this which started mainly in 2012, it led to the Zoomer rage when they started stumbling across me of how much had been cost in their lives specifically to spite me. Of course they only lost so much because people didn't accept me, and my whole plan as a teenager was to uplift further generations of children and other young people. Because of their extreme irrational reactions, it would have been very dangerous to interact with them in real life. But covid restrictions, which began their freakouts about me, got in the way of such things anyway.
Their insane rage and frustration gradually subsided as they were corrected by the knowledge that Society was really responsible. What came out of the mouths of my trolls represented the whole Zoomer generation of bad people, especially amongst the animation industry and similar factions. They lacked true individuality because of KYS culture, and so were simply mouthpieces of cultures. And characters in comic books being mouthpieces of the writer was one of my chief criticisms as a teenager, an art flaw that consumed the Western world.
KYS culture particularly affected non-Christian non-traditionalist conservatives, which I find worthless. They demonstrate that there's no point in trying to win the fight between the left and the right. But rather demolish politics as a whole. In alternate timelines, such cultures fully bloom to be just as bad as woke.
One of those punishments dealt out by the trickster even in the world involves choosing to badly develop yourself. The ramifications of KYS culture will proceed into the end times until the judgment. It greatly relates to how some of the enemies are depicted in my webcomic. The stories of the trickster like famous classics are meant to bring joy to children which is carried into the lives of adults, but when he is defied they become grim, sinister and mocking.