War part 1: Recent Past of Communism versus Meritocracy

Before I formally declare war against the animation industry, I illustrate the meaning of my conflict with it.

The animation industry has done everything it can to avoid my story. It's such a shame for them that I have all the truth bombs necessary to force them to address it. At the same time that I do this, it's not merely about homosexuality and greed and stuff. It's also about how willing they were to torture someone for being a humble creative who wants a creative life, regardless of how that life serves the art Industries.

Here in the 20th - 21st century is a new age for creativity, brimming with wealth and tools and history and so forth. And so it is a natural time for creative identities to arise. As part of the desperate childish fantasy of the industry, they wanted to pretend they were only affecting me. But I can look at friends I have made and some other people, and I see a long history of being damaged by my fight with the industry. As many difficulties as it has brought them, it's still better than never having a proper Life to live at all - perhaps being lost in some special adult education class, as they lack a vital basis of their humanity.

Left: /co/ moderators confirm that they are opposed to me exposing pedophilia. Right: a buffoon thinks that his standard response for the conservative versus liberal War about lgbtq will be good enough. The irony is that many of my opponents have entered their own special education class, incapable of realizing how badly they screw themselves over whenever they do anything relating to my efforts.

When their students babbled about Chris-Chan, pretended I did all my time watching cartoons instead of putting together my plan to revolutionize the world for good, and they did other such things, they were affirming that they prefer this. They don't want my heroism. They want the life their protestant parents set out for them in the '90s, when they were seeing things like The Lion King and actively fighting the meaning.

“I Just Can't Wait to be King” relates to how black people can transcend the past, present and future through the 5th Dimension, and so if somebody will become great, they can act on that basis early in life. The Birdman creates this power, which is visible clearly in work like the rapper Lil Wayne. And so even though people in the animation industry whine - out of the Protestant work ethic - about people damaging their careers, they already know about this because of the Lion King.

The notion of the Protestant work ethic is a fraud of caring about doing things. It is the basis of communism. The proper way is to care about doing things the right way, as is clearly communicated by the Bible through the parable of the workers in the vineyard. When they cry out about their work being disregarded, they are protesting their own destruction, as if they are valuable when they exist, not when they do what is good.

The Underrealm is a heavenly destination that belongs to me, and so I can do what I want with it. It did not need to become involved with the Earth, but I chose to do so. This is the core reason why I am special, which serves the purpose of driving people like communists insane as it is the antithesis of their “Utopia”

Another dimension of their religion is the desire to be squeaky clean. This means having a solid, easy track through life nobody can affect. Immediately the question is raised: what about evil? There's more questions to this than the question of why evil exists with God. There's also the question about what will God be doing in the future about evil.

People in the mainstream affirmed their view of Jurassic Park as about not bringing back dinosaurs, as they did to Elon. But everybody watching with a heart, especially the little boys, knew that true happiness would not be complete without natural and supernatural monsters. This “nice” and “normal” view literally affirms not reviving God's beautiful creations from death, which soils his creation

As features heavily in my upcoming webcomic, I went down solidly on the side of uplifting natural evil as a desirable part of life. And so as a teenager yes, if a “hack” as I called them was in animation school and lost their future career because of my successful efforts, that's a necessary and good cost for my Revolution. Part of the meaning of the term hack was that they were “hacking their way into creative jobs.” They never should have been there at all, they were only there because Society and the world didn't work properly. And so I saw them as an aberration which is worse than me making them go to Mommy and Daddy crying that they can't be employed with their degree. This was the sort of unconscious realization which inspired their gurgling fits of outrage that was like a babbling child.

I view these psychos as post-Christian subculture going into a manic state of seeking to directly defy Christian teaching such as about the millstone, like a kamikaze run. They would be a serious problem if there wasn't a person with a massive amount of spiritual power to directly combat what they're trying to do. Do animation students and workers have any plan for this sort of thing? Besides helping it?

Rise of the trickster

Mufasa talking about past Kings living in the Stars was an illustration of the Cosmos and other parts of the heavens. It can be inspirational for youth to decide to become a king and become a part of the heavens, like in the cosmos. This connects to Simba's song to power this inspirational effect.

And so my enemies had a personal offense to the ease doing the right thing brings in life. They sought to make doing the right thing as difficult as possible. It may be right that there's a lot of people who would seem more kingly and queenly if they had not chosen that priority: making their films about characters that are all the same who have no real problems besides strong men like Wish’s Magnifico giving them a hassle. Unfortunately for them 🚨the trick built up over the years.🚨

They put their all into demeaning what they hated, but never even got to see the real meaning. How can they explain? How can they explain that the man they made multiple voodoo dolls for to use their communities to torture him, gloating about it until they choked on their gloating, was working on Cosmic theology, a new level of masculinity and femininity, literal supernatural power becoming a part of everyday life, artistic ethics and philosophy, the philosophy of overturning careerism, and many other things?

Caliborn relates to the new level of masculinity and femininity, including his ruined relationship with Calliope. Magnifico relates to Cosmic theology including the notion of myself being a gatekeeper of the Cosmos for things like being able to form a cosmic setting. It also relates to the notion that Walt Disney himself has a cosmic setting. Simon represents seeking to overthrow careerism and other processes that use the rhetoric of doing what is right for selfish goals, and thereby seek to impose penalties on their critics. Bill Cipher represents making supernatural things become a part of your life, which involves primarily horror to serve a purgatorial purpose. The many times /co/ professionals lash out against 4chan and do other such things like the amphibia villain bugs that reflect my Underbeasts represents their rejection and fear of my teenage Revolution and the artistic ethics it will bring, as well as other changes.

This song feels too good not to put here

I don't care. They can do their best to figure it out. It will help them grow up into actual adults and so serve people better for as long as they last in their animation careers.

The memes this is targeting are psychological assault and abuse for youths, which they try to “sweeten” with things like the cartoon characters as well as promoting degeneracy. This meme is the sort of way I exposed things as a teenager, and so when people attacked my teenage methods they were helping groomers become established in society in every single instance.

Subterfuge of Mischief

The Lion King did not only inspire about living in the light, it also inspired about living in the darkness. Be Prepared anticipated a Time coming when kids back then have grown up and start learning about the value of the darker things of life like defying improper customs. This was a call that works like Helluva Boss heard, but failed to respond to properly. Meanwhile I always heard it clearly, it was simply part of my experience of things like Warcraft 3. Common sense.

My opponents have a false bravado, hubris, and sense of validation and invincibility as cartoons are associated with the darkest side of life. A notion that can seem strange, until you notice the more abstract elements of cartoons. Indeed, as a teenager who Loved cartoons I had no idea that there were so many reasons for people to freak out about me.

Just take a look around at our lives and you can see that yearning to be a “rule breaker”. Not doing what ancient traditions and the Bible tells you to do. I didn't feel that yearning. Instead I saw things people could be doing properly, which they weren't at all, and pointed them out.

Of course then the irony comes that I have ended up in a situation where it is appropriate to imperil thousands of careers, and do other such things. My monsters are a guarantee that this is the model of an aspect of what I will be doing for eternity. But that is good out of evil: it is so useful for me to develop the basis of being the master of the Underbeasts while I affirm that taking care of children is good and putting beavers with sliced off breasts into their cartoons is bad. It is way too distracting to notice the sort of pun there of associating “beavers” with mutilating femininity, thereby illustrating the depths of evil of the sort of person who makes blue's clues these days, for me to consider myself the bad guy.

But everyday I enjoy larping as if I am. God truly gives All his blessings if you simply do what is right. As my truth bombs roll out and other things happen, they will see the fun they desired was always on the side of God as the true animation professionals (as opposed to people like Batty) go into their sheds of having been animation professionals.

Hakuna Matata affirmed the importance of childhood hardships. Timon bringing up Pumbaa's first illustrated being concerned for them. Instead of such wholesome principles that could be expanded upon like through remaking the Lion King with better visuals and storytelling instead of junk CGI, animation professionals preferred attacking anybody who seriously enjoyed Ren and Stimpy and belittling their hardships.