[Epic] On the Issues with Blocking

I break down its real societal nature and supernature, illustrating the significance with my personal story as well as further things about Homestuck

People say (especially non-Christians like Coelasquid) that blocking is fine because it's like walking away from someone on the street or telling someone to leave your house. Gee, I didn't know that walking away from someone on the street because he makes you feel weird means he can never contact you again, no matter how close he is to you in your area and no matter how much he cries for help. And usually when you politely request someone to leave your home there's some kind of dialogue and understanding for both parties as to why this is happening. In fact that analogy makes the blocked party seem like an intruder simply for responding to somebody.

Of course there's a reason for this social system: it helps people be greedy. Focusing on the artistic communities, it is a long running wide-scale scam that people workshop their creativity online then pretend like the other participants never contributed anything for the income you gain from this mutual activity.

As my previous article about veganism referenced, mainstream culture of my childhood set up incompatibility in people's minds for someone who behaves like myself, “blocking” them from appreciating me. As with the Star wars kid, even though they later became much more embarrassing as a norm than he ever was. This represented practicing being cosmically cool alone in my room, which prepares powers for sinless Life to come, and in the meantime can be depicted in artwork.

It would be trivially easy to make blocking have a limited length to at least make it more resemble the analogies. Obviously this is an intentional decision, which comes downward from organizations like Google who mandate it in their app stores.

I spotted some nasty Tumblr-inspired symbolic remarks and directly responded to the symbolism in one of the tweets. John K's Cans Without Labels relates to personal horrors that are symbolically canned, like a persona you don’t want to adopt. Making it remarkably weird nostalgia in relation to his home country of Canada. People of the mainstream didn't want to dive into such weirdness as I did, but they picked up weird methods of abuse

When you block someone, that's a social interaction with another person. Not just trimming annoyance from your feed. That's the same sort of attitude as abortion, as again non-Christians tend to support strongly.

Just as saying “Hi” has a wide variety of meanings that is basically inexhaustible, blocking can range from irrelevant to a form of severe abuse as when someone is trying to get online indiscretions addressed.

As previously discussed, it also has spiritual significance, like to the idea of being Worthy to participate in a career field. And so this forms dishonorable symbolism of, for instance, an artist being made to feel by people in his industry that he doesn't belong simply because they habitually block him. pretty much witchcraft. Typically this includes people like him too, which is also a sort of creative genocide as is done to people who make real horror, like Billy and Mandy.

Animation industry disinfo peddlers pretend as if there was a perfectly meritocratic process to John not getting more work instead of mass idiocy, which is mainly meant as abuse for the minds of creatives who want to follow in his footsteps.

Back when thousands of people were trying to restore animation to be more like the Golden Age, including me, allies of the industry culture were more concerned with how to prevent this than how to implement their input. And so, they obsessively gathered information on how to obstruct their entry. Blocking can become symbolic, as they use abuse tactics to make people feel depressed, unwanted, or unaccomplished even when they are better at drawing cartoons than the industry is.

Through shows like Gravity Falls this culture passed into Tumblr culture as they continued to develop the related symbolism. It is unfortunate for their alternate non-Christian senses of sexual ethics that this involved much direct abuse of myself. I didn't participate anywhere. There were no environments that were open to me, they were either hostile or too alien. Through their memes they used symbolism of my inherent identity to create this situation for me, as they had no concern for those they obstructed online. This inflated the egos of women who liked to consider themselves “witches” or similar archetypes, which seem like they have been crashing down to Earth lately. As I was the most important member of those thousands, who was working on big things, and so it made them feel powerful. Imagine if they found out what those big things actually were. Cuz I wasn't no worldly rich man or nothin’.

Ah yes, the sexual component.

If he had left it at this I would have made a cordial response, but by blocking me it becomes clear that he aimed to racistly abuse my identity which is why he responded while almost all others didn't. I had a positive opinion of his artwork, but in the midst of his artwork was the manifestation of knowledge of manipulation tactics for people like me - the sort of thing that inspired me as a teenager to realize that I needed to want better artwork than was currently being made. As I am associated with the darker things of life, he wants to create sensations of being a “demon”, but I am too wise for that

For me blocking is part of my inherent identity and so I have an ancestral understanding of its ethics which allows me to revive it from a lost past. I felt it vividly in public school and in other parts of my youth experiences. And so I don't care how much it will take to acclimate them fully to this fact, all behavior like this is sexual harassment.

AI didn't produce much of any unique information about the trickster before this one. This is because he naturally flows from my prompt. Indeed, my sexual proclivities come from him, and are useful for him. This connects into the wider forms of reproduction of nonsinful life.

Psychosexual Torture

For me psychosexual torture began in public school. These methods of abusing identities are built into the system without conscious awareness, aligning towards certain types of individuals and aiming to bombard them with symbolism and other methods to mind-kill their identities before they can develop. Turning into autists, “troubled students”, obsessive achievers, and other types instead of a dangerous individual.

For me, after they ruined my secret Santa gift the public school staff always tormented me about “not talking”, even though there was nothing to discuss. To this day I prefer to discuss my accomplishments or silly jokes, and silly jokes weren't allowed. They snatched books out of my hand and that was the one thing for me to be sociable about.

There are female counterparts to someone like me and they treated me as if I was a female, creating sexual dysfunction. By the time they were done, I dropped out of school a constant internal nightmare. I went into the animation community and ambushed them about the critiques I constantly innovated, giving another part of the system what they asked for, properly. And so they could really say nothing in response for years.

Dril’s tweets often relate to assessments of my teenage activity. I was willing to accept no artwork at the end of my Revolution because not only was it tainted by sin, it was tainted by alternate, artistic sin equivalents, which are opposed to the trickster. People were astonished to say the least

Later, as what I had built crumbled apart, people shrieked at me for “liking nothing” as I only accepted artwork that would please the Trickster, who only tolerates people who yearn for perfection. They chose their inane gatekeepers over the slow path of discovering this artistic entity. His things cannot be directly observed, they emanate from normal things.

There are reasons for the slowness, as there are things like gestational processes. These processes take place in some of their works like Helluva Boss with their higher artistic merit, abstract information memetically developing Underbeasts. Supernatural forms of reproduction, for things such as creatures or stranger ways to have a human child, all lost, but revivable in the present.

The Younglings scene relates to the “dark side” of reality managing the dark dimensions from which things such as new life comes. In the state of corruption of supernature, there can arise a wide variety of disputes about children and reproduction which supporters of being pro-choice also draw upon in people's minds.

And so for someone like myself “blocking” protects abstract gestational processes, as if making a nest. Indeed, my 2012 projects came to a halt even in my own mind, but when I set forth against the industries they resumed developing.

The notion of “culling cuttlefish” relates to managing the earthly forms of Underbeasts in microscale as well as “culling” projects like Helluva Boss which artistically embody these “cuttlefish,” as I feel it’s a good time for. Of course, Homestuck villified the latter to protect the industries

They tried to whine and cry about me excluding them as animation candidates in the late 00s, but they were arising feelings that were parasitic upon my own experiences, in intimate contact through text, and so contriving forms of abuse.

Personal relationships

The reconciliation between these two merger characters in Homestuck relates to myself in my Mastermind meta-augmentation in the aftermath of my spiritual visions becoming reconnected to ipgd, who both has a merged identity with myself and has strong Homestuck influence. I appear to others as “Equius” because they sabotaged my adult life with this character.

ipgd seemed to have difficulty expressing herself that came from her own childhood experiences, and I fantasized about fixing these. But, I was unable as Homestuck people and others created incompatible cultural channels for me. For instance, she was curious about rap music but was met with only the entitled resentment of her Homestuck friends instead of help.

They preferred to use her as a source of information that could make Homestuck a success instead of developing authentic creativity of herself that would ruin Homestuck. But, it became ruined anyway, only gradually as they took in slow input from her that sabotaged the project and its satellites.

The painting ipgd made for it. Andrew wanted to believe this would be the greatest moment because people would feel no emotion about the concept of myself and ipgd uniting, and so he demanded his fan base to take photos of their reaction and they obliged. It doesn't exactly mean much when I became completely isolated such that people have no reactions to my existence, treating me as if I am still 23 - still years before this page was made. In their minds, it's still a couple years to go before they can properly react to this concept. That's the trick.

I'm explaining this instead of leaving it for later because like NPCs Homestuck fans want to keep up saying “I don't care” as their response to all of my posts, so this will help them move past it.

Her own creativity never arose for this reason. The nature of my adulthood is to desire permanent stewardship of creativity that can take the form of friendship. This presents an immense obstacle to my opponents in a much more passionate form of friendship, “blocking” their array of inferiorities.

Indeed, I desire pruning bad relationships from my friends which keeps their environment as a creative pristine. Perhaps this explains why white girls love me so much. Her friends were not willing to let themselves be subjected to this pruning, but it has come anyway.

Permanent Identity Change

People obstructed my John Kricfalusi-inspired artistry because by illustrating the fun and vibrancy of life people see what is appealing instantly, which years and years of bad college courses and such things tries to keep people from enjoying. All of their garbage destroyed by one single cartoon fueled by the spiritual power behind it.

This is what a subset of transgender identification really is. God uplifts friendship as one of the highest things of life, and so he did not design the world such that malefactors could sever friendships intentionally for perverse gain without consequence.

People's souls are built to relate to their friends, and cancel culture, which a casual attitude to blocking users fuels, inflicts a soul with a condition like that somebody died. But, the person is not even allowed to mourn. And so, one thing the soul can do is merge the spiritual remnant of that friend as part of identity. Becoming, perhaps, a “they/them.”

Queers nurture and soothe this condition for their personal gain, learning therapeutic tactics like symbolizing parts of these merged identities with various types of characters, often seeking to dehumanize them to further degenerate the individual whose friends were lost. As Homestuck team members and fans did many times to anybody who had good sentiments about myself.

I'm intentionally amplifying the symbol of Caliborn and his black hole. Part of the problem with the “queering” strategy of my opponents is its immense intentional stupidity in trying to get everything wrong. And so, steadily the “black hole” social condition of their tactics visited upon me grows and grows to suck in and annihilate queer identities with rapidly increasing Catholic power.

Even they knew this, hence putting it in the webcomic in the bold stand of “lgbtq youth against a single unstoppingly determined Catholic youth” Homestuck eventually became, but they tried to twist the situation around to not make it obvious that they will lose, thus spoiling the “defiant” meaning they were trying to give to their lives to exist only partially.

Career misconduct

In real life, which queer culture detaches from, when you have a personal dispute with someone in your field you address that dispute like through a debate or at least a meme. Instead, the lazy path was chosen by many artists. The perverse nature of their choice is clearly illustrated by the psychosocial chaos they constantly have to make their work about instead of anything fun or cool. Many Homestuck fans say little about artwork besides how to sabotage anybody associated with myself, that is the sum total of their creative lives.

The perversity grows and grows: I highlight Coelasquid as giving a blessing sometime ago to the many people who made memes that perverted my existence, which was experienced in my soul as unspeakable evil. What is unspeakable gradually becomes speakable, even if some things are left for experts in Hell’s torments like myself.

When the time comes, those in purgatory can expect that I will explain everything. There will be no way to “block” it, and I won't need effort to dig up perverted Tumblr memes. Everything they ever did with Caliborn, Eridan, Simon, generic Tumblr textpost males, etc. With memetic relevance to myself will be on hand.

Until then, their best option is to reconcile this history by doing their best to allow people back in their lives. Only a minority will be even capable of this. The rest should just get out of the way, self-block. They are so afraid of technology like AI because they know that it will completely dismantle the Stone Age Internet and a full suite of humanity will be actualized online as we go towards the Greek online era. They know who will be remembered like witches, goblins, and the targets of ancient condemnations and those who will be remembered like Hercules, Plato and Helen of Troy.

They have a lot of improvements to do to become civilized, and in the meantime I shall be enjoying “blocking” their creative evil, “blocking” their ideologies, “blocking” their chosen ways of relating to the public, “blocking” any further activity in their projects that abused and inherently exploited me, and so forth. Starting with Equius they thought it was a great idea to sexually abuse me, and very sensibly I will be gaining primal revenge.

Like the monolith of 2001 A Space Odyssey, I will remain as they will run around as chimps trying to hit each other with bones until they can't do that anymore, and once more they are humans instead of queers, which in ancient Africa referred to phantoms of life's damage.