Infinity Train: the Story of Tumblr Girl and Chud
Analyzing both personally and communally the therapy of a season in detail, and showing the direct connections to Homestuck as a communal disease upon comics and cartoons
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As I have referenced in previous articles I don't actually watch current cartoons with a few exceptions scattered over the years. One of the three or four major reasons for this is that the crew of the shows and movies reflect their own conflict with my teenage self from the late 00s. They use their work as therapy, and so naturally therapy involving me becomes frequently Incorporated. This is very psychologically uncomfortable to witness. In recent years this element of their work has gotten increasingly nihilistic from the emptiness of the path they chose to spite me when I was just a teenager.
https://youtube.com/shorts/Ry1DEoTseXU?feature=share
This is babbling nonsense, and seems to reflect the foolhardy nature of the messages they sent my teenage self on 4chan, John K's blog and some other places.
They also seek therapy for “chuds” in general, those members of the animation community from before the past decade, usually male, who were rejected for being independent-minded, critical, christian, concerned for kids, and for similar reasons. All traits I share, which can become more personal as when Cartoon Network condemned Billy and Mandy as a “hateful fart cartoon.” My articles expose the actual meaning crudely expressed by that executive.
Onward to Infinity Train. This season, season 3, is a sort of allegory establishing the official industry narrative with “chuds.” Simon is the chud stand-in, while Grace represents “innocent” female artists typically found on Tumblr back when the culture of the industry became established around 2013. And really these artists were no never innocent whatsoever, the wrongs they did were simply not cataloged and described. Wonder who's going to fix that. Like it's fated that he will do it.
Grace witnesses a scene upon the infinity train where she decides the point of the setting is to get the number as high as possible, like a reverse purgatory. And of course the point was really the opposite. The narrative of the character both within the story and the commentary of the creators is very sympathetic. But really she has committed the sin of forming a pagan cult. A very extreme form of wrongdoing which happens to be feminine at least in this case. Assessing her act also goes back to what distinguishes good kids and bad kids.
For instance when I chose to dedicate my life to an incredible vision, I didn't let anybody know about this. I let people think I was just some person on the internet with a weird obsession with Ren and Stimpy instead of somebody who plans to change the world as a teenager because the consequences of leading people astray with glimpses of my vision and visions were too great. I would only do so if things reached a certain point in receiving my efforts, which never happened back then.
I did the right thing, Grace does the wrong thing. There was a lot of vulgar desperation to reverse this state in art communities.
Furthermore this story symbol relates to trying to see the things I decided not to let people see until they accepted me. It is in direct opposition to my correct choice, hence leading to reverse purgatory. A symbol which demonstrates the gravity of their errors and their unconscious awareness of it, which will develop in the Multiverse.
In my webcomic are trains which can ride straight through space. I also planned to bring projects to valve such as one that started with a train. One of the major heroes of my superhero setting besides Paladin also uses a train. Supernatural trains are a major feature of my body of works, leading directly towards the reason why autistic boys are fixated on them.
The childishness of the misconception can be seen in focusing on the infinity train. People who spoiled my Revolution trying to see through their black awareness my pitch to Valve, despite not caring about the person who came up with it. Interweaving entire shows with these therapeutic symbols. And they wondered why people outside of their art culture didn't care to watch.
One of the reasons why I seek to overturn doxxing as a major threat is all these symbols of my personal life seed into artwork in my proximity, whether it be friendly proximity or unfriendly proximity. For me doxxing is a natural process. I made articles which my trolls refuse to read discussing myself in detail, which was a major defeat against doxing.
This show expresses her hellion personality. It instantiates her essence which I can feel… even before she was born. Fifth-dimensional arranging of the artwork of my enemies for my beginning war upon them.
Returning to Simon and Grace
Simon is a biblical name belonging to various important figures. It means “to be heard”, which can relate to my role in the spiritual world. My webcomic depicts many things around the world I have heard about to find their significance. Meanwhile “Grace” relates to salvation through favor. Grace teaches others to do many bad things, indeed her teaching can scale up to doing INFINITE bad things, but her creators bestow her with the favor that makes her “the good one” regardless. This leads into my article about the origin of astrology.
The show defines nepotism as the barometer of the industry and its wider artistic culture, no matter how bad people are. In the process elevating themselves as gods, which both relates to misdeveloping Los Angeles as the earthly heavenly ‘Jerusalem’ and the narrative of Homestuck.
One of the things people badly misinterpreted was my aggression. Underdog is a Cosmic force that equalizes an imbalance in the fairness of a conflict, hence one of the meanings of the name. As a teenager I sought to summon him from the Rings to equalize the conflict between brave humans and the forces of Satan - only when I was received. And they can't say they had no black awareness of this, Pop Culture said it loud.
People chose to see the vague canine figure I phantomized onto the internet as evil. Seeing him as directed against humans instead of directed against the forces of evil. This brings in the second meaning of Grace, that comes from how Protestants perverted the doctrine of salvation. Since they rejected works and tradition which works help build, they left many people unable to conceive of an assault upon Satan's forces.
This also gives a second meaning to Simon, a villain for hearing traditions and the need for works. Like the cartooning tradition and the need for cartoons to be good for the sake of kids.
Next came Lord English.
Another alternate form of myself which arises in the end times to receive the heavenly treasures I & now we have been given a preview of. People sought to interpret me in about the nastiest way imaginable back around 2012, and this will be expanded upon in the Multiverse. In fact I was expressing mysteries of my own works and my own efforts I have done and will do to develop traditions, culminating in things such as Lord English. I was expressing my Personal faith.
Such unusual virtue led to people seeing the man I will soon be, and now they will get in trouble for how they reacted.
Meditating on the manifold errors immortalized as the ‘narrative’ of the webcomic, the show itself is influenced by Homestuck, Simon and Grace were treated like Homestuck characters during their popularity. Reactions that are simultaneously very vivid and very different from each other because they mix their experience of the show with their history with groups of real people. Perverting my innovations I was working on from John K's blog.
The atmosphere of the show is similar to act 5, bringing in the moralistic horror content and the vague dread that came from people's impression of me. A dread that came largely from my cosmic theology, which I was still beginning to develop as a teenager.
It ends with Simon sticking by the cult Grace had formed as she gave it up. He dies seeking to elevate his number. There's a number of things going on here. This can relate to me sticking by the rules of that Tumblr culture even as it was relaxing when this was made, as once they set the stage the show Will go on. Also on the personal side it can relate to accepting the villainous identities ascribed to me like Caliborn, which in relation to the black domain is good practice.
As for general “chuds”, similarly they are criticized for sticking by their 'problematic' identities. But it is up to women to make social fabric, and Tumblr women refuse to take responsibility for their actions. Leaving Tumblr-reject men in an underground state, not allowed in the communities they were ostracized from. An incredibly dysfunctional situation, leading to the collapse of society.
In their state of exile they can never change their social relationship to these women. Simon has his soul sucked out by giant cockroaches, which relates to how Tumblr women seek to wither men from their woke art communities rather than nurture them, as is one of their eternal roles.
Grace relaxes with the free pardon of the earthly heavenly Jerusalem, that perverted Los Angeles which sought to make itself an authority over many. But as the years turned the warmth Tumblr women enjoyed began to dissipate, and slow day by slow day the “Simons” of the world are finding their redemption.
My messaging campaign uniquely targets feminine misbehavior, including when I message men. I embraced the Caliborn role by sowing many destructive embers against the social climate they formed, which can grow into fires unless they heed my warnings.
I remember shortly before 2012 Tumblr culture turned for the political worse, it seemed to me a magical place, the world brushing through multiversal potential to approach a world where my teenage Revolution was accepted. But then it moved away upon Life's Highway, and I no longer feel the desire to live in that potential world. I want to live in this one, thrashing its cords so Justice and restitution is wrought for the sky-High crimes done to my teenage self, at the urging of feminism to not take feminine wrongdoing seriously. As I naturally gravitate to living with many women, the offense was indescribable, and I thought of that Stephen King quote about “riding the lightning”
Despite this show merging therapy with purgatory there is no actual return to that cosmic place where they interpreted me and my works so badly as they chose to become my enemy instead of my friend, and I'll be spending my time with friends. Symbolizing my own cat and my spooky cosmic trains in the narrative goes to show this, as a friend would enjoy that surroundings.
