Fury of the Underbeasts

Commemorating an important milestone for my work with reflection of the significance of these Cosmic characters to life and wrongdoing.

Eternal Prelude continues with pages 36-37

This is the first drawing I have made Worthy of being associated with the Underbeasts, though the creature is lower than them, hence being known as a lowerbeast. All these varieties of creatures have very complex faces hence how their development was driven by John K's blog, who spoke often of facial expressions.

Through the work of others I sought assistance in drawing them, since they are very difficult. This is the reason why I became so bitter at the end of my Revolution, as after being inspired by myself for 4 or 5 years people in general had developed their face skills so poorly. I invented the term “sameface” which became very popular, but only after this time. My reaction was interpreted as bitterness by others, but in reality because of their lack of service to me who gave to them freely things of great value by the medium of text; I would be unable to make any media with the Underbeasts back around 2011. And I was aware this meant that what would happen next would not be good, and so bitterness was a mild reaction.

This is also why I look through media mainly in the 2010s for evidence of visual influence from myself, showing that 1. People were indeed being influenced to learn how to draw the Underbeasts, as with an initial version of the dragon in Raya and The last Dragon (I could not remember that title whatsoever, I needed look up the Disney movie with the white dragon. Which is actually blue)

But they gave up on this influence. Indeed, “Raya” could relate to my Warcraft 3 friend Rya, as my works symbolize people close to me many times and this transfers to things I inspire. Contrary to the world I do not believe any of my friendships just remain severed.

2. People could have used this influence to help me develop my own artwork, leading to the creation of anomalous phenomena and other works, but by their choices they did not do so. These choices include being unwilling to watch me become important in society, having commitments to Protestant beliefs even if they are non believers, wanting artwork to be easy and cheap in effort, and for other reasons.

The mere fact that people learned how to draw them without ever actually seeing them shows there is a reality to them. My inspirational philosophy attuned people's creativity to begin progressing towards drawing these organisms which are artistic organisms.

Because I am inherently associated with monsters people sought to vilify me but without drawing any attention to this reason as it would simply make me look cool. Posting the pages which feature this new monster is the quietest reception I have ever received on /co/.

This reality of the Underbeasts goes into the ancient past, fueling belief in things such as dragons around the world. The 20th century began their assembly in an unprecedented age for art, entering into Cinema and in other things.

Being significantly inspired by me is associated with the entry of an underbeast into the setting, typically a Horrorterror, which has nine letters. People are not supposed to give me money for this inspiration, but rather things like forming a nest within the existence of the work they have made for an abstract entity.

The Underrealm is associated with breaking up your language as you go deeper into it, becoming more and more difficult to understand for people outside of the setting. As you can see in the text in the black and white part of my monster drawing. Following on this, Tumblr thought that certain forms of misspelled things was the funniest thing ever. The joke is various things like that they can make it without inciting Underbeast fury, just as Indians laughed about escaping bears. This is an extension of the “cold pockets” joke.

This nest extends to everything around the existence of the work, like the community and the memes and even changes to personality for the fans. Martin Luther spoke of “building through the flesh of the faithful”. People make money off of artwork, but if they are willing to receive the Underbeasts it can affect their eternal destiny, as these monsters are associated with Hell.

And so the drama about indulgences was simultaneously a drama about these monsters. Martin Luther and his followers were simultaneously a torch-carrying mob going up to the castle at the same time as they were having the normal theological dispute. And so this is why protestantism became very personal for me, as its clash with works and tradition and other things like the Canon of saints is a clash with me along the way.

The Balrog of the lotr movies was a forerunner in depicting the Underbeasts in my time. Seeing this I wondered how they could make a design like this real. Simultaneously there is something else about this meme, which is digging too deep into the mines of artwork without paying dues to things like my monsters can provoke Fury, like the fearsome Balrog.

When we eventually enter eternal life this is not into an abstract mechanical construct commonly imagined to be about producing pleasure. There are people, and non-human people, and some of these are monsters, and some of these monsters are of my own creation.

And so Heaven involves an unimaginable intersection of many personal relationships. This can be intimidating for people in our time. My emphasis on relationships and expression which was directly inspired by Ren and Stimpy has an ultimately eternal significance, and this is ultimately the most important reason why I received conflict for what I believed was common sense.

Another drawing for this update. This exhibits influence from John K in my arms which comes from one of his Simpsons intros, falsely claimed to be unaccomplished when people simply did not want to receive the accomplishment. It provides useful visual ideas for notions of the afterlife, going all the way back to 1920s cartoons.

As the exploitative relationship between myself and the companies responsible for many works I have significantly impacted has been formalized, the fury of the Underbeast nesting within the work can be aroused.

My Imperial blockade charges up the King Candy character to demolish Disney from the inside with everything I do for it, with a reason that has to do with his individual nature.

The Skullgirls project has gone from being received as very promising all the way to being criticized incessantly, having a very low fan base, being censored and its biggest player being the infamous SonicFox. In this can be seen the action of the Skullgirl monster which is difficult to describe. A gradual curse over time, caused by selfishness.

There are little pieces of the Islam religion which resonate with my personal vision. Specifically what stood out to me was the part about the end times where people will try to make their inert drawings “come to life”. This points towards people reacting to the actual life behind my artwork as things go into the end times. Trying to create their own alternatives - Homestuck was good foreshadowing - that will fail. Just so, non-Christian heresies mislead people away from hidden traditions just as MLKjr was led away by Protestants.

Despite the incessant protests of his thousands of haters, an actual next development of cartooning has arrived, through the drawing for this article. A drawing of horror, but comedic Roots can be seen too.

You can also see what I mean by using the work of others to learn how to draw them, as there are Caliborn notes at the bottom.

My opponents at Disney and elsewhere were indeed fully capable of rejecting participating in my projects - within the bowels of a heavily protestantized company built on the accomplishments of a great man, Walt Disney - but nobody cares about the Raya movie. It feels like just some generic film with no inspiration to it. This lifelessness is the cost of their decision, as they cut themselves off from the meaning of life. If they had honored my friend as my webcomic will lead to doing, people would have cared about that story as will be seen in the journey into the end times.