Skullgirls and Homestuck/Undertale fans

I discuss the meaning and influence behind skullgirls, how Homestuck fans ruin art communities, and cosmic eroticism

The usual things I discuss are not the only things relevant to my teenage efforts. I focus on the things that went bad in order to rectify the long history of ramifications. Meanwhile the originally released and planned Skullgirls would be an example of what's good.

On 4chan/v/ somebody said to me that I said everything plagiarizes me which shows how broken their brains are as I'm finishing an article about, how malicious art culture broke their brains. Any normal person would have some kind of reaction to both my work and this game revolving around skulls.

I just care about the massive blind spots, otherwise these commenters are obviously malicious if they can't distinguish between plagiarism and inspiration and also other subjects (a basic example being my best friend literally working on things). Such psychological abuse plays off of how the things I discuss have infinite ramifications beyond this world, and knowing this disarms it. It also plays off of how human interconnection has many circuits constantly intersecting.

Evidence of my story has immediately arised from this update, as undertale and Homestuck fans have been the quickest to support this change. On top of that, my previous article about Tumblr immediately segues into this, evidencing a fifth dimensional sequence bringing together my articles with the current skullgirls team.

Out of their cultural programming, people like toxic homestuck fans could be triggered to seek to destroy honest manifestations of my teenage inspiration to protect not only Homestuck but the entire woke culture. But I avoided this for 10 years, and now my truth bombs are way too powerful for them to make any such moves like this, and that 2012 tumblr culture is broken.

This evidences mockery of my philosophy of “normalcy” I perceive in skullgirls. Meanwhile because my online life was crushed people could not be exposed to my view of things properly

Skullgirls is a cartoony game with a strong theme of classic media. On top of that is a dark cursed atmosphere associating with my skull monsters.

Somebody could wonder that why myself as a Catholic would be interested in some of the lewder aspects of the game. I'm not interested in sex in general in all its forms. Instead through my creativity I explore new notions of sensuality not diminished by Original sin. For instance there is the “kowai kawaii” aesthetic of my work. This balances monsters with cute things. The sight of cute girls or other cute beings like little imps soothes the monsters into a non-aggressive state. They specifically enjoy looking. When something like skullgirls or Steven Universe arose in alignment with my Rings content, this balance is attained through my monsters connecting with the creations of other creatives.

Furthermore in recent years this element has been overblown to be “pornographic.” Is Big Band pornographic? This is a game with kids in it. Things like having a porn artist OC be a background character due to being a high-level backer seems like at the time it would be a funny meme rather than “this is a porn game”

Big Band has similar quotes to my previous design. Note that he denies the idea of “your truth”, and as a cop who was a victim of police brutality advocates for higher Justice rather than no justice like BLM. This word of law quote resonates with me observing law not being upheld and rushing to fix it as a teenager, including areas like cartoons where no law whatsoever was upheld except by a few outsiders. Art from his story was removed by the censorship.

In fact this reputation could have grown due to the monstrous connection, as these things are supposed to have been developed and discovered, but by the intentional action of 2012 Tumblr and others they refused to develop my own artistic projects. Leaving a hanging connection to mess with people's heads.

“Porn” becoming a symbol for monster-soothing cuteness, another of my angles for both the origin of porn inventions as well as my ways of eliminating pornography, something considered impossible in the 00s.

Here's another example of hallucinatory experiences of artwork. This TMNT movie was hailed as a great legacy for spider-verse, but this was out of desperation because people ruined my efforts that will lead into the Multiverse, where I do things like eliminate porn. These designs are ungodly ugly, and it’s a freaking Seth Rogen movie. Since the real weirdos in recent cartoon culture try to associate good aesthetics with porn, this ugliness could be an embarrassing example of grasping for the stolen valor of imitating what I would have done if people did not ruin my life.

This monstrous connection could also be the origin of this bizarre new comeback to criticism, as it associates their appearances to being “monstrous” as we would typically imagine it in this world. (Like those mutant mayhem designs!)

With the entire point of my teenage efforts being to inspire others, those things I would have inspired would have collected according to many associations, like aesthetics or personal traits of myself or personal traits of people close to me or having the same crew members.

Some notable associations is the apocalyptic theme, suggesting a road into the apocalypse of the setting. The association with cursed wishes and an object you can summon to request a wish. The rampant destruction. These are all major traits of my Underbeasts.

Just as with Steven Universe the many female characters provide a natural balance to the Undercreatures who are mostly male. The alternate explanation is that it's a “porn game”, but there's way too much artistic merit going into it.

A super cringy example for searching for alternate explanations. All the way back to my mostly forgotten teenage webcomic ideas I was doing tons of content about heaven and hell whether apocalyptic or not. And so that was a prominent aspect of my inspiration included in Skullgirls. Possibly because of my contemporeous efforts Vivzie is wising up, her recent tweets give me that vibe

Being a beneficiary of my Revolution means turning into a stub of potential after it crumbled away.

Ahad the character designer does lewd stuff, and happens to put bondage stuff in. This goes to show how my articles and other things like this update debacle synchronize, as my discussion of this topic like about Jake English in my previous article is very useful. Involving a fifth dimensional awareness with no normal way of being able to predict this would happen with Skullgirls.

My monsters live in the Rings which have the ability to organize things, which is how things are “bonded” together like a video game update, a series of my articles, and also the ongoing activity of Homestuck fans.

People have been very unwilling to acknowledge my content and even its most obvious elements like skull monsters. For Homestuck fans one reason for this is that it becomes obvious the “stuck” in the title refers to being stuck in my creative expanse, their future is in on collision course - like billiard balls - with dramas like this one where I strike decisive blows against the vile history they are involved in.

The bondage content and other aspects shows how Ahad could have easily connected with my vision I was putting on the internet. I wanted to bring back the best attributes of classic Golden Age cartoons and other media of the time and the concept and design of skullgirls could be read to participate in this project.

I have no idea of his internet habits but with his Western styling and general sensibilities as an internet user it's easy to expect he participated on the /co/ board of 4chan, which is where a lot of my inspirational efforts were focused.

Since I could not get established properly the people who benefited the most from my inspiration and other activity could easily relate to me.

This is one uncomfortable tweet. One reason I was obsessively focused on through the proxy of Caliborn and other proxies - which brought me intense psychological pain from seeing how people interacted as part of this process - is simply because my inspirational benefits came from me, and Homestuck plagiarized me, so they needed to find some way to maintain an exploitative relationship with me to progress the comic.

Skullgirls shows the actual meaning of my teenage vision, and thus an angle into something I didn't really get to see years beforehand, one of the major reasons why people started freaking out at me as a young adult, because my efforts were actively materializing things. In my decade long isolation, Skullgirls came to a halt and there were no new things like that because this materialization ended.

Again, this is the meaning of being a turtle, organizing the artistic projects of others through an affinity for emotion and in other ways. As a teenager I affirmed myself as a turtle, or rather a squirtle, and people still just kept attacking me. The consequences of not stopping when I called myself a turtle, or earlier, have been rolling out and the ramifications will get more drastic as they are getting in this drama.

My influence could have ordered the bondage and otherwise lewd visuals to an actual purpose, as my media involving the Rings forms a metanarrative where the Skullgirls females are held captive at the mercy of my skull monsters, cursed with perpetual misfortune for their pleasure which ironically makes them less destructive outside of the setting. This is a more thrilling eroticism than anything porn has to offer.

And so just as my concerns for friendship were misused for LGBTQ media, my young exploration of alternate, alien purposes for horniness besides sex was misused for porn.

This wasn't an actual focus for me as a teenager, it developed later. Since porn was so normalized in my time people were most willing to receive my inspiration if they could twist it for porn, lgbtq, etc. This wasn't the fault of Ahad who is a passionate artist, but rather the culture he was in which gatekept and refused to develop the things I prioritized in those years. There wasn't as much adversity between myself and Skullgirls as there was between other things, like myself and cute girl artists who do cute stuff, which is what I preferred - my monsters are a reflection of myself, and innocent cuteness like I retweet on Twitter is an equivalent to their monstrous tastes like trapping the characters of a setting in a cosmic nightmare.

The pettiness of how I was sabotaged can be seen in how I was deprived of friendship so when I talked about video games I inspired - and with a priority on friendship they are likely to be multiplayer - I would have a strangely low play time. I was also psychologically devastated from doing many things like understanding how to play fighting games. Since inspiring something leads to understanding it intuitively, this undermined my story. Having recovered, I made a new version of across the spider-verse in the shower, which was conceptualized to relate to my teenage efforts, showing that I recovered powers of intuitive understanding.

Just as I went through the weirdness of Homestuck suddenly going from an adult's comic to a young teens’ comic, there's a bit of reversal where it is much more weird in retrospect that Skullgirls has a teen rating and had such a lewd reputation. As a teen I wanted to desexualize the nether regions for new purposes in a project that goes back to original sin. My Rings situated a new level of horniness distant from the Earth so people are inspired to find new ways to “be adult”. Since people hit puberty as young teens it is only natural for teenagers to participate in the full development of this. And so skullgirls got away with being itself so a solitary Artifact of my teenage project could be used to redirect people back to the fallenness of the Earth after I rebelled since I was a child against that fallenness.

6000 replies. I show this as it is a supernaturally formed illustration of the nightmares LGBTQs are landing in because they exploited my teenage self and of course for other reasons. As a Catholic, I carefully construct my illustrations of my worldview so as to show the Hellish end of all the perversions I discuss

Homestuck fans came out of the underbelly of myself being subverted, and so they naturally magnetize to further ruining every sign of my teenage efforts like Skullgirls. It's interesting to use speech to text and frequently get Schoolgirls instead, as the characters learn lessons about the cost of being even a little selfish, and for other reasons.

Like the learning of my artistic expanse, learning essentially about how to leave this world. There's a reason this game has so much more artistic merit than every actual full-on porn game, as like all quality artwork it proceeds out of this world in some way.

Being a Homestuck fan, SonicFox could have risen to be the top player because of his own, stolen, perverted understanding of my teenage efforts gained from Homestuck allowing him to intuitively succeed. And so he got the top spot not by his own merit, but rather through spiritual exploitation. The Nerdlucks of Space Jam symbolized this situation and other things - SonicFox is a “lucky nerd” who will later get cut down to size - and this sort of situation is a story for the Multiverse where honorable Skullgirls players take the top spot instead.

The Imperial Blockade having begun during Pride, people like SonicFox could be flocking to making changes like this as a perverted way of respecting my actual teenage dreams. In reality although not every piece of the game reflects my personal vision I desire clean sensuality to ease the exploration of new developments of adulthood I believe God has assigned me, and I generally don't believe in changing the original art

I remember thinking the girl designs were too cute for its reputation to be actually true. Cuteness was subsumed into porn by the sabotage of my teenage efforts, which otherwise would have arisen cuteness.

The inevitability of the Skullgirl curse is a fitting symbol of the curse which plagues everybody who exploited me as a teenager whether directly or indirectly. They are drawn into the currents of my artistic expanse, and only the pleasing will survive, like the stars of the game who please secret creatures.

A new tweet that fits both the meaning of this article and the meaning of my previous articles

Glad to learn that Monster energy drinks are, for me, a delight

It's also nice to have spotify's AI DJ talk about Fall out boy and play Centuries. E for extinction? Knows what's up. Don't want to miss a thing? Wow, what an upgrade