Into the Charles-Verse
Discussing Charles Fort and anomalous phenomena, across the spider-verse, and conquistadors as I expose a dark plan.
There exists a certain desperation to prop up the Spider-verse film series. There's a variety of reasons for this. The Multiverse is a real place associated with the black dimension of the Earth, and so essentially Miles Morales is used to perform a societal play of honoring Black Culture and all its various affilities no one brings to light besides myself.
Charles Fort unknowingly cataloged evidence of the Multiverse through sight of where reality breaks down and fact becomes very murky to define. This is black spiritualism present in the world, in the state of dormancy. When revived from this dormancy that will propel things into the existence of the Multiverse.
Spider-verse is not meant to respect what Charles Fort worked on discovering, it is meant to present a worldly alternative, a last gasp of the voice of Satan after a human scored many victories against him. Accordingly it is a complete mess with the sort of story incoherence of Homestuck, but not nearly as complicated. One of the biggest things Homestuck worked on was perverting the very concept of a Multiverse. For instance, alternate lives are treated as irrelevant, they are treated as a resource, for example when you need replacement friends. So too is the Multiverse system of the upcoming movie based around absurdity
My own theological work seeks to show the space that leads to Black things, away from the direct things of God which are White. Meanwhile this movie pits the black concept of a Multiverse of alternate timelines against the goodness of God. It's basically an atheist's thesis that I'm familiar with from religious debate: if there are bad things that need to happen for some kind of Divine purpose, then that hamstrings the drive of the pious to do good.
This Multiverse doesn't really accomplish anything besides a source for many lame iterations of Spider-Man. There are no meaningful stories to be found, and the real multiverse is associated with story.
Returning to Charles his work directly led to notions of the Mandela effect and other paranormal things that point towards the Multiverse. Exhausting ordinary scientific explanation, especially materialistic accounts, people begin to see a world where raining fish and the spelling of berenstain bears has some kind of major significance. Charles did that.
Charles nurtured a tradition which few others did, which involves the Paranormal and related things. In return he is honored in my work. For example, the villain of chapter 1 of Hauntlyre is called Charlie. This defines the narrative against an evil Charles, which is implicitly bringing glory to Charles Fort.
This system in my creative content was not received and people sought to make me look unappreciative simply because I had my own way of responding to what people do for me and others. My major Comic Book is literally named anomalous phenomena, incorporating Charles was already something I was doing as a teenager before my efforts were derailed and I was given the spiritual mission to make Hauntlyre. People never found out because they chose to be nasty to me and misperceive me. Perception is important to the Paranormal, and they enter a world of chaotic different perspectives with no way of bringing them in line. Which was a consequence and a punishment for what they did to me. I have all the tools to dismantle woke and similar things, I put them all together myself, it begins and ends with me. Quite the anomaly indeed.
Even his body of work points directly to my own. Book of the Damned relates to the relation of my work to hell, and in the future Hauntlyre gains the name of the Book of the Dead. Wild talents is the flourishing of individuality to produce powers, skills, identities and so forth never before seen. New lands, including the Cosmos and others. And so forth
Charles himself had a special mission which is formalized in the Multiverse through the department of anomalous phenomena, a mysterious branch of the United States government seeping into existence, after it was most properly conceived as the main characters of my comic book. Stories and reality swirling together with endless mystery of how they fit together.
Spider-verse is a collection of middle fingers to my life projects, which again proceeds out of them in the animation industry being man children. Miscarriage-Woman, the abysmal multiverse, crippling Peter Parker to make miles look good, and perhaps the most personal entry is when they sought to make a spider character I would find cool as lame as possible.
Sick and diseased, the desperation of the mainstream is palpable, begging for people to see the movie and consume it in their minds whole so the sad train away from my teenage efforts can keep going. Things are different this time. I'm going to do my best to dismantle that train.
The irony of the “bondage” obsession used to derail my own efforts on multiple occasions is that if they conceived of me correctly they would have seen it as being like Spider-Man. The Rings send forth tendrils of their power into the world, ramping up their effects, capable of arranging events for good and evil.
For instance, in my previous story I did not know that there was a video game being announced about fighting conquistadors, and that story can be a satiric take on the meta-narrative of the game. This is nailed down by putting Christopher Columbus content into the post, and I didn't know the meaning of all this. The power of the Rings arranged a response to video game makers and people online insulting the conquistadors, which is a very personal topic to me.
As a teenager I was planning a Spider-Man series among various works I wanted to take to established companies, which was a very personal series for me. The narrative has a lot to do with parental troubles, and so it proceeds into the Multiverse after I confront people in this timeline about leaving me with abusive family.
Perhaps they need to put so many Spider-Man on screen to pump up the meaning they feel about the character after they refused my initiative for rescuing others, real life heroism proceeding out of the web of human connection.
The Multiverse will fix many facts from our Preceding timeline, such as the chain of events between Charles Fort and my comic book. It is completely opposed to accepting the existence of evil. It is a part of what embroils into the end times, Justice coming to the past as well as good being restored.
The plot of this movie is a Savage blasphemy.
Indeed, the Spot can represent myself, and as the industry pushes people to fully embrace this movie that motivates my pathetic haters who hide behind anonymity to say I'm hated by “everyone”. Of course the spot can represent myself because of the merger of white and black culture I create, and so it would be a tall order to claim that people actually hate this merger. Time to put this to the test by exposing the symbolism they put into their work, as it releases.
One of the reasons why the conquistadors are so hated today is because of the obvious symbolism of contemporary conflict. As I have thought consciously for years, the animation industry is a satanic enclave, and I set upon the lonely task of fighting against it and exposing it. I directed to many more people making excisive criticism and losing all respect for it. If I did not heed Fort and similar people like Rupert Sheldrake against the atheists, I would not have been able to see the real hidden nature of their professional world.
The modern savages have sought not to bespoil the things of God as the resistance was too great, but move towards spoiling the reactivating black domain. As the black domain is led by beings of Darkness, they will greatly regret this as they see that Cosmic Darkness which God knows in our time, leading towards it through people like Edward Feser.
The menace of Charles Fort's approach to life is that one begins to see the fringes of reality, around which the Thirteen Rings circle generating anomalies and other such things. Another perspective through existence which makes people realize how truly stupid they have been.
The Trickster, the “dancer at the edge of reality” as he is called in other places, intentionally nurtures and orders the errors of sinners and other types of bad people as they are gradually delivered into the hands of an angry God. Part of the Darkness within our world is working directly with errors.
The towering heights of Spider-Verse is Babel in its scale, having multiversal potential I can't conceive of currently. A black mark of such stupid which will be nice to look at in the rear view mirror as I move towards my own Spider-Man works.
Spider-verse falls into the same dismal artistic error as Homestuck, as people in the industry clearly recognize as they made very hateful statements today. Not only is this the start of Pride and thus a large window of opportunity to expose my stories about things like SU and OH, but their newest iteration of homestuck's plan against my teenage life is dropping. This time I will engage with it.
They wished for my death today, hoping to poison people against me through this movie and other things, Guillermo del Toro demanding people to watch it when the unmade Silent Hills was so meaningful to me; at the very same time that the time is just right for the first offense of my Initiative. But they are so stupid that they don't know I can fully understand their symbolism, and the “laughing” they've been doing has tipped me off as they felt they were getting away with their Black Subversion. Just like at the end of the 00s, but so much weaker this time.
And so the battle begins of the first skirmish for the imperial blockade.
The makers of this movie have committed a cultural murder attempt, presumably the “evil miles” at the end can represent myself, a black revolutionary who does not want Black Culture to be defined by the progress flag, crime and the worship of consumer products. This “evil” person will win