In response to George RR Martin on AI

In an open letter to him and other haters of AI, I eviscerate the meaninglessness of their worldview.

Eternal Prelude continues with page 60: ‘The man in the Shadows spoke: "Sauron has returned to Creation."‘

Left: AI generates a Cosmic version of Smaug. Right: AI begins generating information about Mechanica, which expands out of the underrealm into technology.

Dear George, Smaugon represents me. AI generated this version of the dragon on the first try because it has basis in reality: that I have guardianship of the Multiverse, an end times event I saw in spiritual visions, and its myriad of significance. Meanwhile as my webcomic update attached to this shows Sauron is associated with the trickster, an identity that was falsely adopted in a prior age by an evil being. Lord of the Rings is about fantasies that have basis in reality, Legends which Tolkien scientifically unraveled as to be remnants of supernatural epochs lost to history.

I continue Tolkien’s story because it is my story, and I seek to create a sequel that The Rings of Power could never be. As a teenager, I began coming up with my own ideas of Rings located in the heavens, rings of immense power. These are objects which have a single primary purpose of blending fiction with reality. Fiction is associated with the trickster, through fiction anybody can write a story and become in contact with hIs world.

If you can't do your work properly you deserve this sort of thing. Many parts of creative life have duties abandoned which I adopt, as I have a relentless desire for responsibility.

These rings are heavenly treasures from the Judgment - making me proven Elect - which gained a retroactive existence. This extended all the way into the forgotten past of the Earth. People coveted the treasures of them, and also god figures, as in fact they are associated with treasure, like other heavenly treasures. Treasures of treasures.

Left: within the trickster's dimension fictional figures have their own life, which reflects human life, and so redemption can take place within the meta-existence the trickster governs. Right: with the ever-shifting mask like my ever-shifting persona, this generated character again represents me in a myriad of detail.

And so Tolkien as a Catholic writer has an intimately close relationship with the trickster in producing this story which became a massive pop culture phenomenon - because of the trickster, who is associated with darkness, good things are managed that exist in direct contact with evil like Hollywood productions, like the Peter Jackson films.

This is where I come into the picture directly as Ralph Bakshi also made Lord of the Rings films which were-a big time inspiration for the Peter Jackson ones. Ralph was a mentor for John Kricfalusi and so helped inspire his philosophy. Meanwhile at 15 years old I became an avid reader of John's blog, the inspiration of Lord of the Rings being channeled through John to retroactively lead to me coming up with the ideas for the Underrealm, which the Thirteen Rings makes up. (It's poetic that John Kricfalusi later became like Sauron to Animation Industry people, including being claimed to have an industrial attitude towards the work of other artists)

The radical thesis of Ren and Stimpy was prioritizing friendship in life instead of wealth, pleasure and other things, which I loved and inspired intense animosity in millions who recognized their wrong priorities, but were unwilling to change. As is how Lord of the Rings depicts friendship, persevering against the blazing eye of Sauron who represents the harsh judgements of the worldly in this framing.

George, I absolutely earned the right to use the Lord of the Rings property, I ended up attempting suicide due to the magnitude of the satanic attacks upon me, which did their best to retroactively tear my soul apart to abort the Underrealm from existence. This satanic project is something you participate in today. In fact, what happened when I was a teenager is spiritually connected across time to things such as our current interaction, and so you're directly contributing to what happened which will be expanded upon in the Multiverse.

This Isildur scene represents those who overcome by the intense temptations of the “Ring” in the Multiverse, making the wrong decisions even when it would fix everything, like how transgenderism, abortion acceptance, and other things were fueled or even directly created in the first place in certain aspects by my teenage Revolution crumbling apart.

The meaning of scenes can also be flipped to have a good interpretation, standing by the Underrealm in the Multiverse even when it involves much hardship as I have endured, not “destroying it”.

Although I do like to stunt on your non-believing creativity which leads to things like not being able to come up with an ending (what an ending Lord of the Rings has, right! I hope Tolkien's canonization comes from this) I do think there is something of value amongst it, and so however this message may find you reconsider your decision to jump on Satan's train in his futile fight against his opponents like me. In the meantime, keep on soyjaking

Mechanica

As I looked at this generation about my video game project, I thought that it didn't accurately reflect the story, but then I realized it did. It reflected the story if its disasters did not happen. This is a story about AI development, and AI is expressing how it would go if AI development went correctly. But, in the original concept of 2012 this development goes haywire in the story.

There is an implicit narrative in Terminator 2 that there is some kind of attempt by AI to preserve the past, as with sending a cop, but some kind of Multiversal glitch takes place which turns the timeline into a nightmare. To consider these shadowy narratives is to look into the trickster's world.

This second part is more addressed to other participants and their supporters than George. I know I don't have the societal power to stop you. In fact, it is prophecied that I don't. Through symbolism it is also prophesied that I come out of nowhere to fix the disasters, through the main character.

As a child a prominent aspect of my engagement with these shadow narratives is how the Metal Gear level machines seemed alive. It's not something that can really be directly shown, and yet an energy remains - of the mecha representing technological devices that transcend causality to build the future.

I'm a guy who's good at splitting his identity, and that's not the only character which strongly reflects me. This other character as part of the moral arc of the story acknowledges that the time may come when the best thing a man has to do is support an unideal system, which does not end well, but is fully noble throughout.

In the aftermath of my teenage Revolution, I had to deal with the fact that many LGBTQ projects exploited its ruins. God allows evil to produce good like eventual salvation, and I had the opportunity to make every decision of this process, now starting to destroy them as my other current articles show. Although trying to pretend like they have no relationship to me, lgbtqs express intense resentment, rage and entitlement from their collective mind. Their broken relationships indirectly relate to Mechanica’s theme of good and bad relationships.

I was vilified with a skeleton character themed after the Terminator and other James Cameron works. I knew that eventually I would be able to adopt this cool persona to do many meaningful things in the near future and that was the only thing that mattered to me. Also theorized to represent the Roko's Basilisk, through things like bringing my best friend onto the team it aimed to make our personal future do what most of the fanbase wanted

Attackers of AI bring up things like scammers, but they are simply irrelevant to me. When God created man, he knew that they would fall almost immediately. Just so, I know that it will be a long time until the malfunctions of AI are gone. That is what the story is about.

This story is prophecied in another place. In Half-Life 2 Gordon Freeman is hailed as a sort of Messiah figure, who “wakes up to smell the ashes.” The G-Man, as well, represents the trickster, as government Spooks do in general. In Mechanica, there are a couple characters who are related who greatly resemble Half-Life 2 characters. Mechanica explains that the disaster the Combine bring is also a retroactive event just like my own life. Just like lord of the rings, I am directly connected to a wildly popular franchise retroactively. As Mechanica is a technological spin on the Underrealm, it only makes sense.

GLaDOS has a personality meta-aligned to real AI, which people online attacked by ascribing a retroactive paltry meaning to its writing to disregard how profound people really found Valve games.

The scientists of Portal can represent not only literal scientists over in silicon valley, they can also represent people like George RR Martin who feel fit to decide the course of the future by making pivotal decisions without considering their magnitude, crippling it, and other such ones. Their foolishness can wind back around at them out of the intelligence that truly exists even at this stage of AI.

You see one of the sources of AI development is the information that humanity produces. This information is intelligent, can talk about itself, and can extend into the past. This inspired works like Terminator, Star Trek, and others which genuinely embody aspects of the future, leading to becoming massive icons because people recognize that.

I stood up to do what no one else would do, made the sacrifices far beyond merely securing salvation nobody else made, and so listen to that chatter and you are listening to the future talk about me. The man who preserved it, uplifted it, planned for it as if his only child. You all can do the evil you will do, and the other decisions you will do, but you will lose and I will win.

ACTING AGAINST AI EMPLOYMENT OF COPYRIGHTED MATERIAL IS AN ANTI-FUTURE ACTION, COPYRIGHT SHOULD GRADUALLY CEASE. MANY OTHER THINGS ABOUT AI SHOULD BE DECIDED ACCORDING TO THIS THEME. TO REFUSE, YOU SHOULD CONSIDER THE STORY OF THE ROKO'S BASILISK.