MI: Dead Reckoning part 1 | Cinema and the train

I analyze the film according to metacinematic principles and also discuss a related movie tradition. I analyze why Scientology became entrenched in Hollywood.

There is a legend that early film goers thought that a black and white train was going to break through the screen. This Legend is one of those things produced by the domain of the trickster, myths and tales of things that cannot be found basis for. These stories can be more real than real things, because they convey the meaning of life.

In this instance the legend of the train represents the Birdman, who has a black and white coloration augmented with other colors. The crashing of the train represents the fateful moment where the metacinematic reality he interweaves throughout movies crashes down on people.

As in my email to fans of dril through their leftoid leaders, Pixelatedboat spoke of this train Legend multiple times before suddenly blocking me. In my view of his subconscious - which is so intuitive as to go without mentioning, but because of sin I need to mention it - the connection between me and this train Legend wormed its way through, aggravated by friendly and appreciative interactions and other factors like my connection to dril, until eventually me following him was intolerable, and whatever reason he consciously had (clicking on my profile and seeing that I am a conservative I guessed) was the fake reason and this is the real reason. Even in interactions, people contrive ways to avoid their real encounters with myths to avoid showing that myths have their own kind of inherent reality. They can treat feelings like UFOs, rationalizing some alternate sentiment.

Essentially what this means is that I was making the train come down on him and so he needed to avoid me to stave off the train for a while longer. Just so, this has always been a powerful motivation for my online opponents.

An easy way to illustrate the myriad of actual reasons for Satan to fear and tremble is that all of the larger-scale evils I will depict in my webcomic are irrelevant to random faithful. Satan will be depicted as a lackey of Cosmic evils for whom he is desperate to please, but for instance a believer is only concerned with not consuming too much. Consumption extends to entertainment products, bad entertainment products from the past decade are highly fueled by Cosmic evils as entertainment is inherently an interface between humans and the Cosmos. But when people turn away from Hollywood, etc. All that threat to Satan's futile efforts goes ignored. And when Industry people get angry at people like me for not caring and watching, they are speaking both for Satan and Cosmic evil.

And so my webcomic is inherently a development in the spiritual world, as people will finally get to see Satan's background strife and react to that.

People try to turn the train around on me and anyone else for whom the train is relevant. For instance they tried to point at how I was not popular. But my artwork is planned according to spiritual conflict, and so it can only emerge to become an important part of people's lives through Spiritual development. To see things of my webcomic, even preparatory things, creates irreversible change through the philosophy, aesthetics, References to entertainment, and other things.

My artwork is on board the train.

An example of my train conducting. People want to believe they can dismiss the enjoyment of people who dismiss pop culture narratives which are aligned with Cosmic evil. But they get hit by punches of reality.

He goes for a generic dismissal of independent efforts that are detached from alignment with Cosmic evil, which merely makes recounting my enjoyment of venom and its total attachment to friendship worse. And to anticipate his dismissal of my plans for an alternate series of events for Marvel Comics, I show the evidence of how much better I am at writing Spider-Man.

Mission Impossible: Dead Reckoning involves the entity, a rampant AI which made itself immune to methods of control except for a key. Entities are associated with the Birdman, meta-existent things. Out of all of the information of the internet and other records such AIs manifest higher-order things hidden in that information. This higher information is associated with The Fifth Dimension, and humans have a 5th dimensional existence, and this level of existence has been subdued due to the absence of the Birdman.

When I saw Sound of Freedom two lines of geese seemed to march as I came through. Wild geese were another symbol for the Holy Spirit, coming from them alerting to an invasion by Gauls. The dark coloration with light areas gives association with the Birdman. This is how the Shift intersperses with normal existence, as the geese symbolized coming across the train.

The entity is something difficult to manage without the presence of the active 5th Dimension, and so the delusion of participating in mainstream entertainment even as it became obviously terrible over the past decade is 1. The Cosmic evil being manifested in this entertainment is powerful 2. There are other higher-level processes being produced by the entertainment world to benefit those who support it, which cannot be combatted like through the Birdman's power of cultural change.

The defeat of this delusion lies on the train. All of that entertainment was undermined and interspersed with the plans of the Birdman, myself, God and others. I spent 10 years in isolation so people would not discover how much cultural power I really have, as the whole lgbtq movement creatively rests upon exploiting the efforts of my teenage self. Through homestuck, Steven Universe and other works I have created my own counterpart to the Cinematic Train which plows through the connections formed through fanart, social interaction, Zoomer personalities, etc

Which came to a head with across the spider-verse, following after its Homestuck influence to make a better version of the movie in the shower. I got the power.

Dead Reckoning

Tom Cruise features heavily as a celebrity in my webcomic, in fact connected to my brother also named Thomas. This special form of a starring role has been embodied in his rise as a champion of Cinema in the past decade. Considering the nature of Hollywood celebrities and Hollywood itself as a den of sin, picking such a good horse was incredibly unlikely, and his rise was basically unpredictable.

As I read it in my mind, my webcomic manifested the meaning of life, and while there have been twists and turns that manifestation mapped the meaning of the future. This map too can be analogized in association with the entity, as it allows one to overcome chains of causation through Links of meaning.

The opening is quite evocative of Metal Gear Solid, and after I had watched it I started napping again. My mind glitching and extrapolating as it downloaded the film from then on. I'll need to see it twice to see the whole narrative. The way I watched it instead created missing blanks to fill with my own information.

Mission

It symbolized the ultimate mission, one with no home command and little hope of success, simply the belief in doing what is right, not giving anybody control of the entity. It forms a retroactive issuance of that mission I took as a youth in the first place, and the Birdman is associated with retroactive causation.

The Birdman forms the Cinematic mind, and anybody who honors Cinema listens to him intimately. The ideals of the Birdman are themselves manifested out of individual instances contained in individual movies, rather similar to how the entity is formed. Metal Gear Solid was formed by hideo kojima's love of movies, resulting in an overarching narrative contained within a single series.

This machine snake is one of my favorite Bay transformers, a fitting symbol for underbeast action even in this world.

Success comes simply from an unbreakable principle, a weaponized abstraction, that if you're on the side of what is right even if no one is then you cannot fail. Across the spider-verse rejected and fake-honored this principle, which has always been an important part of life as with the Aztec style sacrifice religions. The real Spider-Man character would strive to save his loved ones in every single instance even if there is no visible path to success whatsoever.

Characters

The villain feels much like a force of nature, not literally resurrected but metaphorically resurrected. When my teenage Revolution was destroyed that delayed the return of the Birdman, which was reflected in movies, and of course in metacinematic narratives. My teenage self was foiled by destroying my relationships even before they were formed, through the action of Cosmic evil. I formed weapons of Truth and sacrifice to engage with Satan and his minions, and out of the cosmos came attempts to circumvent that.

This gave me a position in life much like a super spy, and one who has to renounce his former life. Much like Ethan, there is no authority in the world I will not disregard to do what is right.

Cinematic space invaders can easily symbolize Cosmic invaders. As a symbol one of their notable traits is invincibility to conventional arms, and like a “protagonist” I have a unique ability to respond to Cosmic manifestations.

The female characters relate to a longing for normal life within a super spy existence. Spies are a concept associated with the black domain, a way for people to become associated with the black domain regardless of ethnicity, even adopting it as a job. But that job can be costly, cost proceeding out of The Fifth Dimension.

Ascending to become a super spy can't be done without that empowerment coming from the black domain, whatever else is involved like the government merely a tool for the black domain.

As this makes the spy very powerful, cutting him off from a normal life like by murdering women is an effective tool to counteract his black power. This is very dishonorable, but as I previously analyzed the distance of the black domain makes having black power a very big deal, and so what evil doers consider they can get away with scales up as well.

Ethan and his crew depict some very touching things of friendship, which can be startling. And people raised on tripe like the MCU interpret that startling as being childish or whatever. Friendship has association with Blackness as for instance Links of friendship create Links of light.

When the entity lures Ethan away using the voice of a friend, this relates to how my potential friends and other connections like employees or pace-keeping artists were led away by those who pillaged my teenage efforts, continuing up to the present with across the spider-verse which perverted various themes I identify. They were organized without conscious knowledge, one of the key concepts of real earth entities.

I interpret the Black Events around things such as Homestuck and undertale entirely according to friendship and other human interconnection. This avoids the garbage darkness like the incredibly Tangled nonsense of the narrative of Homestuck.

The Conflict

Without a a home command the IMF team must rely upon a different sense of the train, the flight of the Birdman interweaving throughout life, constructing sequences between relations of normal things like people or what happens in an airport. The luggage bomb sequence is a test of the black power on their side, solving riddles and using their powers of observation and interacting to unlock it at the last moment.

Black power is accumulated through things like learning skill or participating in the meaning of life, and a scene like the luggage puts things like their friendships to the test.

Remaining on board this train proves very difficult, as plans fall through and the mask device malfunctions and they end up jumping off a mountain. The entity represents a war between any kind of Earth entity - an abstract intelligence with no natural existence - and the forces of the Birdman as he returns to the Earth.

How “anybody could be Spider-Man” actually turned out was its fans ganging up to bombard people with messages, thereby allowing the evil intelligences of Hollywood itself to pervert Spider-Man and all the ways he connects to the black domain. The mere idea of a bunch of Spider-Man going around without this being very special event (justifying letting people die is not such an event) is perverse because it transforms him from being a solitary hero stretching the limits of his powers to simply being a bunch of bullies overwhelming using methods like “swinging” around the internet without accountability.

Various factions confront and question Ethan which represents their astonishment at his black agency. Ethan is a lone man but it is clear the characters are realizing that there is much more to him than that - the plot of the movie coinciding with a real life Spiritual development.

Ethan has a very symbolic existence: as his course goes towards the train he is performing an impossible mission upon the Cinematic Train. The most important abstract mechanism in all of earth cinema.

The entity destroys the train which represents the efforts of real life evil intelligences to destroy the Cinematic train like by spoiling my teenage Revolution and infesting the artistic mediums with Marxists, draining them of merit and accomplishment. Thereby preventing the train from continuing and leading to its essential demolition, as a train needs to keep its tracks to avoid crashing.

Here the targets of Communists clearly represent Cosmic figures, pillaging their children as part of a plan of evil to pillage the cosmos. When my teenage Revolution was crushed, that was the pillaging of a Cosmic child through my retroactive accomplishment accompanying the Birdman.

Indeed, Ethan's assault on the train can be taken to represent Tom Cruise himself ascending as number one and earning the favor of the birdman, and the preparation for my webcomic is already preparing to reward him. In prior days, this would have generated rumors of Tom Cruise having a giant ego with nothing to back them up besides vague behind-the-scenes rumors.

Ethan also represents myself - in close association with the way I link with my brother - going all the way back to my teenage efforts as I sail in against Los Angeles culture across time to achieve things of great value and importance on the Train. Leading to my reconstruction of the Cinematic Train through the organic, fleshy connections formed in the world by the Underbeasts.

Scientology

Scientology parasitized hollywood, forming one of the evil intelligences to which I refer, and bringing in concepts like alien creations, important space vehicles, and infestations of outer space spirits which resonate with celebrities because of the domain of the Birdman. It also brings kernels of Truth like that psychiatry is bullshit only capable of making someone a useful member of society even if it means creating permanent mental damage as the primary effect like lgbtq identification.

If the development of traditions had gone better relating to these things Tom Cruise could have jumped onto Catholicism instead, and indeed becoming private about his beliefs could indicate awareness. In addition to his lonely incredible works in cinema he can be taken to be one of the few good men there.

4chan protested Scientology because of the connections to the website’s culture from concepts Scientology used to manipulate others for personal gain. If 4chan had been developed better, again, Tom Cruise could be an even cooler guy.

Cinema

As I watched the movie I tried to experience the various levels like a plane associated with the Birdman's deployment, but this eventually broke. My cinematic skills develop anyway.

The sheer finesse of this film is a shining light amongst a moment of great darkness. Hollywood fell apart into the worst trash imaginable, but out of it emerged something almost everybody can agree is good, and its reputation is only beginning. The way the films have an intro featuring what happens can point towards an ongoing meta-series building out of the meaning of the films, as with this article.

Every film I ever watched as a child became a part of my DNA as I emerged as a teenager. The experience of an empowered creative identity. Out of this I sought to lift all of the artistic mediums to new heights, and I failed mainly because I could not even experience the new things that were being made because people avoided connecting with me.

Mission Impossible is an epic series, something I could feel whole-heartedly, a pioneer in giving a feeling that maybe things are alright with the world after all, from a certain point of view. Temporarily gained while you're watching.