Jigsaw;What was their problem with 2013 me?; Careerism
I reflect on the motivations of those who intentionally acted against me after they did their best to avoid exposing them before my current efforts. Involving Transformers, Monk and other things
Eternal Prelude continues with The Destroyer: Deathwing: vrrrrooom. Enemyjet. Nasty ugly. Intricate almost perfect clash of colors. Suspect designed for great headache. Food for Deathwing. Idiots.
Back in my young adult period I did not actually want to get into fights with people. The creative energies of my Revolution were diverted into things like politics and so when I saw this I immediately went postal about it.
βGoing postalβ relates to postal workers having difficulties with their jobs, but the origin of this term conveys that people will maximize their confrontationalness and create devastation simply to send a message. Clearly people did receive messages. It is conveyed in things like the patterns of their Zoomers hassling me, some kind of attitude people had towards my βpostalβ messages they failed to actually communicate to me. And this shows the true nature of their dispute by itself: they do not want things to be so humble and casual and personal. They want things to be about politics and factions fighting for their share and their say. Having to stop and make sure a revolutionary artist actually understands themβ¦ or is making any moneyβ¦. Was too much of an inconvenience for them.
I added this song to the after update page for my previous update. Changes like this are supposed to be communicated by readers seeing them and the awareness going around to others, but through obstructing me from having a reader base they prevented this artistry from being made. This makes celebrating my work not taking off the perverse pleasure of intentionally preventing advancement because it would be inconvenient for them, and now my truth bombs are rolling around causing chaos and damage to their minds instead of appreciation of my work.
This forms the model of a world where someone can do something amazing and be treated as a cool teenager instead of a target for entitlement. The world I want to live in.

The world I was born into claimed people cannot be affected by decisions that are made in the future. My previous article viscerally proves that was not true: they were absolutely lashing from the humiliation contained in the stories, on 4chan and elsewhere. I've been anticipating this humiliation for a long time.
They sought to do things like βexposeβ my relationships and ways of relating to women, which in Homestuck literally synchronized with me having girl drama. βI read Homestuck, once.β was a line this girl engaged me about, asking if it was terrible, as my monsters are. βOnceβ connects to the Onceler, that once upon a time I was doing something wondrously transformative for society, which was just a couple years prior back then. My strange twists of words are meant to be engaged by people who can understand them, and so this made her special.
Andrew sought to expose the βbackgroundβ of my interactions, and ascribed the wrong humbleness in malicious anti-Christian activity: Jake as a hapless explorer, unconcerned with anything but being βmanlyβ. I made some very simple animations of exploring caves. In fact that was a metaphor for metaphysical exploration, not exploration of secrets of pop culture that inflate my ego as Andrew became focused on, an imposter of my identity. He focused on things like the Jigsaw series, but it was a long way down the road before the actual relevance to myself would be exposed: a symbolic identity in the affair of autism that relates to the puzzle symbol that has only now just begun, to play out laterally in the Multiverse. It was part of the symbolic identity, itself, when my best friend joined the team, a very curious puzzle piece which struck the entire fanbase mute when I pointed it out.

And so this chat line from the Lord of Mischief affirms that Heaven does, which is a fitting punishment for all of those animation students in their years of utter insanity that culminated in my current blows against the industry.
There's something here to focus on with co-opting Jigsaw: he was suggesting that all of my activities to expand upon what God's original design was, including my own retroactive contribution from the Underrealm like enlisted Alternate Angels for dirty jobs, was supposed to amount to me being able to get away with being a serial killer and other such things. As part of the construction of queer culture, this imbued a sensation of innocence as lgbtqs just wanted to βhave funβ. Of course in order to follow along with that line of thought they needed to turn around and treat ipgd as a βserial killerβs turncoat assistantβ just like in the Jigsaw series, but they failed to do so, and so that broke that part of queer culture.

Jigsaw in reality would be a metaphor for βdoing what it takes to surviveβ as a unique individual. I did so amongst atrocious pain which Andrew created a lot of. Now I'm doing the same in return. Difference is there's millions of people on the other side instead of just one, they correspondingly have all those resources and societal systems, and they have plenty of people who know exactly what I'm talking about but used therapy and other tools to numb those parts of their conscious thought. There's only so many advantages you can have before if the horrible trap is sprung, you 100% deserve it from any sane perspective.

Andrew and others like in the animation industry spoiled the innocence of my life. I came to despise Egoraptor having Solid Snake say βoh my god hotness i want to bang you.β No, actually my content explains that when Snake believed in Santa, there was an actual reason for that. His entire series symbolizes the Black Domain, in which myths like Santa are governed, and so being associated with it easily leads to being associated with silly myths.
They are upset about this because they don't want a return to innocence as the Christian tradition emphasizes: I hated how they misused CS Lewis's quote about putting away childish things, as if he was trying to say it was wrong to put them away. In fact he was modeling an arc of life where you put them away and then later pick them back up to see their value. If you spend your entire life guzzling Transformers content without a care in the world, even when they taint it with crap like claiming that the robots can't possibly be men and women, then you're not going to be seeing the realizations and fulfillment I have gained from the series until you're seeing how people like me had them.

And so they absurdly deformed my approach to life and girls so they could keep having the gratification of casual sex and stupid enjoyment of entertainment. But, my entire teenage Revolution, the original design of Creation it is a reaction to, friendly girls who enjoyed my posts, and other things are all still there like a giant puzzle in their lives. I merely request to live a normal life and gradually resolve my grievances straight into the end times, and if they can't do so, again, they deserve the puzzle whirling around at them.


Being multiversal in scale means it's difficult to address things like that if I had actually enjoyed life in 2015, that would have opened me up to so many attacks in the past few years, like that I'm a king who feasts on the fruits of my inspiration and demands more. I can't fucking enjoy inspiring things until sometime down the road of living a normal life, I just enjoy the cool Cosmic meaning and phenomena of it. It stimulates my process of continuing to develop Cosmic theology, like some kind of weird monk.

At the same time that I've been working on all this stuff which has gotten to the point where making an article gives my brain the same feeling as the feeling of burning muscles, other people were going down their own paths, which includes lgbtq twisting up my story in the most bizarre forms, including aesthetic and verbal abstract imprints. My opponents had better protect the innocent ones, because the bizarre masturbation machinery of queer culture is something that's going to keep busting faster and faster and I'm going to make sure the pain will be real for the sort of person who enjoys making fun of my life when I was regularly inches away from suicide. (Cosmic entities took action to prevent this you see, I remember there was a meeting with God where they said βenough of thisβ before I actually started enjoying life)
I also see that people are freaking out that my content rolls out regardless of people reading it. That's right. I'm the King, so get with the program or else. In the webcomic thread they were pointing out my use of βUnderbeastβ in AI generations to try to deflate my enthusiasm for them. As despite that the wordβs use is almost unprecedented, my generations tend to bellow it out in speech bubbles and in other ways as if they think it is great and the information behind the images is alive.

My webcomic thread trolls tried to speak in the voice of their Protestant parents to upset me after seeing that my current work would offend them, problem is that they have all the entitlement of Protestantism and I have all the power of following Catholicism properly like by identifying their tactic immediately with my clean eyes.
The minds of /co/ people are starting to escape their childish fantasies as they see their sanctuary from proper adulthood is coming to an end. Their Diablo is a nice Destroyer to those who can actually appreciate childhood properly. For all this time they were merely resisting the existence of Cosmic theology as I represent. The voices of Cosmic theology will surround them everywhere if they're not willing to see how nicely I can introduce it.
One of the perspectives of artwork my content illustrates is from the Cosmic beings themselves. My Revolution reconnected the Earth to outside Heavens, and simultaneously they followed along with the events and moments despite not being in our time. People can rest assured that there is no escape from my story, anywhere.


