Out of the fire and flames: The Spiritual Races

In order to spoil the release of the movie elemental, I expand further about my racial Elemental narrative it badly mirrored

When God began creation he was beginning something vast in scale with infinite, eternal significance. The atheists and the buffoons on the other side, fundamentalists, made creation seem very drab and small, not even on the same level as what humans can make in our fallen world like Warhammer. Clearly the wide-ranging meaning of various legendary fictional stories reflects the wide-ranging meaning of creation at the beginning.

God began this project simultaneously with the project to build into the cosmos. This is not directly related really, because the cosmos extends far beyond his own kingdom. Upon the Earth connections are made with what lies in the Cosmos, and this is the significance of many iconic stories and related work like the artwork.

The idea that Jesus was created by God associates Jesus with creativity, and so it makes sense that the saint who is the basis of Santa Claus became thereby a part of the black domain through his legendary, mythical holiday identity, as the Black domain is also and properly associated with creativity

Among the cosmos is his Cosmic “friends,” and they were welcomed into the Earth as his guests. This entered the spiritual background of humans. The black domain became associated with fire because of the special roles the black Cosmics played in God's new world, like wiping away an age and replacing it with a new age. Burning down and growing anew. In so doing the old age is converted into “charcoal”, black and grey stuff for the black domain and what lies between.

The colors of the domains are also associated with the colors of people. And so “fieriness” can be found in the essential nature of what it means to be black. How so?

People can tell these inherent essences. When I was a kid, my grandma began the project of seeking to make me angry, but I was slow to anger. (This fact would be a surprise to some who were involved in mistreating me about animation! But then I received the most godawful responses as my sole form of normal socialization, and they ignored it for reasons) She wanted me to be raised autistic and have “autism rage.” When I did become angry after I dropped out of high school and they did nothing for me each day, she started calling the police about it. All of these things were targeted at my Italian ethnicity and personal identity: autism, neglect, police, total lack of concern for the sacrifices I was making for the sake of Art and kids and friendship.

One of the artists on lackadaisy. And a canceler of Matt Williames. They formed ideas as with my 4chan comments or LOTR, and proceeded to completely disregard the sources - but the way they describe their work finds them

Amongst the currents of Black Culture wherever they exist is the spirit of Mischief. Cartoons are focused on comedy and other subversions of normalcy like exaggerating figures in unique ways because of the metaphysical connection to mischief.

Ultimately these subversions unwind the narrative of real life as an intelligent Force - the Lord of Mischief - provides his sardonic commentary. I identify little signs of this unraveling in my articles; humor, satire, mockery, and so forth is found in real life from certain angles.

And as this progresses, it burns away the old understanding of things. Stories come to a close, and people learn what things mean. This process is currently quite distant because of the former dormancy of the black domain.

I can take people's judgments and turn them right around them back at them and show that they are much more accurate coming from me. As childhood is associated with the black dimensions, this is one of the origins of the taunts of children - “I know you are but what am I” - without knowing why they find it so meaningful. Because the black Renaissance did not happen, a lot of people found unwarranted significance in childish things as adults

The spirit of mischief criticizes people for the roles they have chosen to play, and sets forth hazards and responses to what they are doing and have done. And so this is why people became astronomically mental about myself and John K believing in the power and importance of criticism passionately, as it was arising Mischief back into creation.

Mischief is the more sinister side of the black domain, providing a reckoning for not only one's morality, but also conduct, and competence, and drive, and so forth. He relates to the fact that the black domain is associated with essentially infinite treasure, and so protects from people who have not earned it.

A basic example of this mischief to which I refer. As the black domain reactivates, basic level examples will get more dramatic too. They made a show to appeal to hispanics, and it was soundly rejected.

One of the higher advanced levels of mischief currently existent. It is such an astonishing response to the artistic woke movement that it all came out of pilfering the extrapolation of Catholic belief in things like friendship, as like Lord of the Rings.

One of the ultimate finales of mischief is an inferno of fire. This is very metaphysical and can take many forms. And it shows clearly why the fire element is the black element.

As I referred to previously, the child Psycho Mantis is associated with Sahelanthropus, and Sahelanthropus is associated in my work with Hellhound, and Hellhound is associated with fire. In my emails I point out the things the recipients enjoy which are relevant to my content, just like the character in MGS1 using save files. This psychic boy is also associated with the Man on Fire, and so this connects to the fire of mischief. The man on fire turns out to be Volgin, and there are many black characters with electric powers.

The actual mechanism of preventing plagiarism and related ills comes from The Lord of Mischief, it is merely an extension of his role in ancient times. For so long as people stave off the reactivation of the black domain they preserve the crudity of copyright and the overemphasis on civil law and politics. And so the conspiracies of Metal Gear Solid extend directly into real life. A world where Mischief reigns is a world where Roe v Wade can never hope to return.

And so the existence of Elemental depends directly on the animation industry attacking my teenage self in the late 00s. What it plagiarizes is not an idea, but an energy, the energy of making content about the elemental system put in place since lost antiquity with vast significance, hence its popularity as an artistic element. Whether it be the classic four or many more like Pokemon.

The complete failure of this movie, and the totally generic formula it used, goes to show the defeat of this ill spirit, and a defeat fueled by Mischief. It's said to have a long developmental period. This production difficulty and the completely uninspired result must have been very impacted by my five years of effort before release. Hence receiving so much rage online, as one project failed after another. With greater or lesser impact from myself. Now that these projects have completely collapsed, the rage is silenced.

What is this like? It's like those Golden Age cartoons where a mouse or something drives the other character so wild that he ends up destroying the house or something in the chase. The spirit of the classics say something of reality, these new cartoons say nothing about reality besides that they want to subvert it and that subversion is ugly.

Primos is about the mindless positivity amongst the social mob of the animation industry. As usual. Meanwhile Villainous shows the Darker side of Life completely rejected when they clashed with my teenage self, a villainous energy that comes from mischief, and Mischief wins

So established, it can also be seen in other aspects of Black Culture like rap music. Rappers battle to establish and deestablish and it involves lots of criticism.

All of these things come out of the same fabric, the same spirit, a cohesive spiritual reality defined by unseen beings. Wokeness needed to corrupt people's senses to avoid feeling it and participating. They made a gazillion rules against discovering this side of reality, and myself who accepted ostracization defeats them.

Having made this article I will proceed to wield its potent wand of mischief against the animation industry. There are certainly reasons why people felt we live in a time of racism. A lot of them came from the industry. They could have explored the spirits of race like Walt Disney through Peter Pan wanted.

“Cringe” protects young people in the mainstream from honest experience of reality and thereby breaking mainstream norms

But instead they became lost in their mental fantasies, separated from the greater dimensions and even just people outside of Los Angeles.

When parents just sit back and let their kids watch it, that inflames those emotions across Society instead of across Hollywood. But then they don't know what they're watching do they?

Revu